The fictional representation of the family has long been regarded as a Dickensian speciality. But while nineteenth-century reviewers praised Dickens as the pre-eminent novelist of the family, any close examination of his novels reveals a remarkable disjunction between his image as the quintessential celebrant of the hearth, and his interest in fractured families. Catherine Waters offers an explanation of this discrepancy through an examination of Dickens's representation of the family in relation to nineteenth-century constructions of class and gender. Drawing upon feminist and new historicist methodologies, and focusing upon the normalising function of middle-class domestic ideology, Waters concludes that Dickens's novels record a shift in notions of the family away from an earlier stress upon the importance of lineage and blood towards a new ideal of domesticity assumed to be the natural form of the family.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有