In this provocative and stimulating book, David Hopkins offers an exciting new contribution to the discussion about 'a crisis in masculinity', addressing the homosocial structures in Dada and Surrealist art with an eye to their relevance to current artistic and theoretical debate. Bestriding the book is the pivotal figure of the artist Marcel Duchamp, who was both Dadaist and Surrealist and in many respects was at the centre of various groups of artistic and literary figures - predominantly male - in Europe and America. His relationships with these men, the various interactions of those within the groups and the impact of this type of male camaraderie on the artworks they produced are at the heart of Hopkins' investigation. The book deals with specific moments in the careers of Duchamp and some of his associates - Francis Picabia, Man Ray, Max Ernst and Andre Breton - and discusses in detail the reception of Duchamp's ideas in the post-war period, in artists ranging from Sarah Lucas to Matthew Barney. The examination of how 'Dada's boys' situated themselves with regard to the issue of heterosexual male identity is constantly informed by the contemporary questioning of that identity. The repositioning of Dada masculinism and the simultaneous tracking of permutations in the heterosexual male position over the course of the twentieth century - the overriding concerns of this invigorating and original study - make this essential reading for anyone interested in Dada, Surrealism and their legacies.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有