蛰伏在黑暗帝国的心脏
克莱恩世界危如累卵,龙枪英雄们再度归来,在此,失落的编年史即将华丽收场。
晓春来临了。长枪战役接近尾声,但胜败尚难预料。龙枪英雄中的那位法师,雷斯林·马哲理,换上黑袍,使用龙珠,走进了黑暗之后的帝国中枢——奈拉卡。雷斯林表面上愿意为她效力,其实是寻求进一步增强自己的力量。
但雷斯林知道,如果塔克西丝获取胜利,他将永远受其奴役。因此,他玩起了一场危险且致命的游戏——扮演双重间谍,同时为黑暗和光明两方效力,一边听从艾瑞阿卡斯皇帝的命令,一边在奈拉卡城内秘密反抗。
塔克西丝打算让所有的法师们齐聚威莱斯大法师塔,摧毁“夜眼”状态下的魔法诸神。雷斯林必须想办法破坏这个计划,这也意味着要与亲姐姐、龙骑将奇蒂拉,及其恐怖的帮手、死亡骑士索思爵士作战。
仅如此,他还得提防宿敌、大法师费斯坦但提勒斯,此人正找寻机会杀死雷斯林并窃取他的灵魂。
克莱恩的未来早已记录在册。人们自以为知道故事是怎样的结局。但,雷斯林在某个夜晚的灵光乍现,也许会颠覆我们已知的一切……
Into the Heart of the Dark Queen's Empire
The Companions are back and the balance of Krynn is at stake, in the magnificent conclusion to the Lost Chronicles.
The world celebrates Spring Dawning. The War of the Lance is nearing its end -- for good or ill. The wizard, Raistlin Majere, has become a Black Robe and, using the dragon orb in his possession, he travels to Neraka, the lord city of the Dark Queen. Raistlin ostensibly plans to work for her, though in reality he means to further his own quest for power.
But Raistlin realizes that if Takhisis wins, he will always be her slave. And so he resorts to a dangerous and deadly game. He acts as a double agent, offering his services to both the side of darkness and that of light, working for Emperor Ariakas and for the resistance movement in Neraka.
Takhisis plans to destroy the gods of magic on the Night of the Eye, when all the wizards will be congregated at the Tower of Wayreth. Raistlin has to find a way to thwart the plot, even though this means doing battle with his own sister, the Dragon Highlord Kitiara, and her terrifying ally, the death knight, Lord Soth.
And still he must overcome his final foe: the archmagus Fistandantilus, who seeks to kill Raistlin and steal his soul.
Krynn's future has been written. People think they know how the story ends. But one night and one fateful decision by Raistlin Majere may change it all.
Margaret Weis was a storyteller before she knew how to read. In kindergarten, Weis would sit in front of the class and tell stories to her classmates while her teacher caught up on paperwork. Growing up in a home that valued books and reading, Weis抯 favorite authors were Alexander Dumas, Sir Arthur Conan Doyle and later, J.R.R. Tolkien.
Weis graduated from the University of Missouri with a degree in English, then worked for 12 years at a small church-owned publishing company as a proofreader, advertising director and eventually, editor梒oncurrently publishing several works of juvenile nonfiction and working on a science fantasy novel.
After learning of Dungeons & Dragons from a Publishers Weekly article, Weis applied for a position at TSR and was hired as editor for a new, ground-breaking project known as Dragonlance. She met lead designer Tracy Hickman and was immediately enthralled with the story line. Together, the duo spent one weekend writing the first chapters of what would become Dragons of Autumn Twilight梩he beginning of an era widely considered to have revolutionized roleplaying games and game-related fiction.
Since that time, Weis has authored or edited dozens of New York Times best-selling novels梬ith Hickman or other collaborators, as well as independently. In addition, Weis is owner and chief officer of Margaret Weis Productions, Ltd., which produced Dragonlance game products until June 2008.
Tracy Hickman was born in Salt Lake City, Utah, on November 26th, 1955. He graduated from Provo High School in 1974 where his major interests were in drama, music and Air Force JROTC. In 1975, Tracy began two years of service as a missionary for the Church of Jesus Christ of Latter Day Saints (the Mormons). His initial posting was for six months in Hawaii before his visa was approved, and he moved on to his final calling in Indonesia. There, he served as a missionary in Surabaya, Djakarta, and the mountain city of Bandung before being released honorably in 1977. As a result, Tracy can still speak conversational Indonesian and occasionally bases his magical phrases on that language.
Tracy married his high school sweetheart, Laura Curtis, within four months of his return to the United States. They are the parents of four children: Angel, Curtis, Tasha and Jarod.
Tracy has worked as a supermarket stockboy, a movie projectionist, a theater manager, a glass worker, a television assistant director and a drill press operator in a genealogy center. It was in 1981梑etween jobs and wanting to buy shoes for his children梩hat he approached TSR about buying two of his modules?and ended up with a job, instead. That job led to his association with Margaret Weis and their first publication together: Dragonlance Chronicles.
Since 1985 they have jointly authored over forty books梐 partnership that continues with their latest Dragonships series. Tracy抯 first two solo novels, Requiem of Stars and The Immortals, were published in the spring of 1996. He also writes with his wife, Laura. Together they have written The Bronze Canticles trilogy, as well as several upcoming new novel projects.
Tracy remains highly active in his church and pursues a number of hobbies including guitar, singing, piano, models, Blu-ray movies (under protest), computer games, television production and animation. He loves to read biographies, histories and popular science books. Tracy currently resides in South Jordan, Utah.
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这本书最让人惊喜的一点,是它对“力量”概念的重新定义。在这里,真正的力量并非仅仅来自于强大的法术或武器,更多的是源于知识、同理心和在绝境中选择善良的决心。这种精神层面的刻画,使得整部作品避免了落入俗套的“英雄无敌”的窠臼。我发现自己随着主角的冒险,也进行了一场内在的自我审视。那些关于牺牲的桥段处理得非常克制和有力,没有过多的煽情,但却能带来震撼人心的效果。作者的文字功底扎实,遣词造句既有力量感,又不失优美,尤其是在描写那些自然奇观或者古老仪式时,那种韵律感让人享受。我甚至开始研究作者是如何在不影响剧情推进的前提下,融入如此丰富和深入的社会学思考的。总而言之,这是一部需要细细品味的佳作,它留下的回味远远超过了阅读本身所花费的时间。
评分坦白说,一开始我对这种篇幅较长的史诗巨著是有些抗拒的,生怕情节会拖沓或混乱。然而,这本书的结构组织能力简直是教科书级别的。每一条故事线,无论多么复杂,最终都能找到清晰的收束点,不会留下无谓的悬念来糊弄读者。作者对冲突的设置非常高明,它不是简单的正邪对立,而是立场与立场之间的碰撞,很多时候,你甚至会陷入两难的境地,不知道该支持哪一方。这极大地提升了阅读的智力参与度。我特别关注那些环境描写,那种对季节更迭、风土人情的细腻描摹,让这个虚构的世界充满了真实的生活气息,而非空洞的背景板。尤其是关于那些游牧民族的文化描述,那种对自然循环的尊重和对自由的向往,让我深有感触。这本书的阅读价值在于,它不只提供了一个逃离现实的通道,更提供了反思现实的角度。
评分这本书在世界观构建上的野心可见一斑。它不仅仅描绘了一个奇幻的地理版图,更是构建了一套完整且自洽的历史和社会体系。那些失落的文明、被遗忘的预言,都像是散落在地图上的线索,等待着主角去发现和串联。我最佩服的是作者如何平衡宏大叙事和个人命运。一方面,是关乎王国存亡的巨大危机;另一方面,是个体在面对宿命时的无力和抗争。这种双重叙事结构,使得故事既有格局,又有人情味。我甚至觉得,这本书不仅仅是一部奇幻小说,它更像是一部关于人性在极端环境下的深度剖析。我特别喜欢那些关于古代符文和失传技艺的描写,虽然我可能无法完全理解背后的“科学”,但那种对未知力量的敬畏感,却被作者完美地传达了出来。读完一个章节后,常常会有一种意犹未尽的感觉,仿佛自己也参与了那场跨越时间的长途跋涉。
评分我必须承认,这本书的节奏感处理得非常老道。它不是那种一味追求高速发展的爆米花式阅读体验,而是懂得在紧张的追逐和战斗之后,留出足够的空间让角色和读者进行情感上的沉淀和思考。那些关于权力、背叛和牺牲的探讨,被巧妙地编织在看似寻常的对话里,却又蕴含着深刻的哲理。我尤其欣赏作者对于次要角色的深度挖掘。很多配角并非扁平的工具人,他们有着自己的动机、自己的伤痛,甚至有着与主角匹敌的复杂性。比如那个看似冷酷的守护者,他的每一次行动背后,似乎都隐藏着一段不为人知的往事,这让整个故事的层次感大大增强。阅读体验就像是剥洋葱,每揭开一层,都能发现新的惊喜和更深的内涵。这本书的语言风格也值得称赞,它既有古典奇幻的磅礴大气,又不乏现代叙事的流畅和精准,读起来毫不费力,却又引人入胜,让人忍不住一口气读完。
评分这本小说的开篇简直像一股飓风,一下子就把我卷进了一个充满神秘和未知的世界。作者对细节的描绘真是让人叹为观止,无论是那些古老城邦的建筑风格,还是不同种族之间的微妙关系,都刻画得入木三分。我尤其喜欢那种渐进式的叙事手法,它不像有些作品那样上来就抛出一堆复杂的设定,而是巧妙地将背景信息融入到角色的日常互动和冲突之中。主角的性格塑造非常立体,他的挣扎、他的成长,都让人感同身受。那种在重重压力下依然坚守信念的勇气,是这本书最打动我的地方。而且,故事中的魔法系统设计得极其精妙,它不是随随便便就能使用的工具,而是有着深刻的哲学基础和严格的限制,这让每一次施法都充满了张力和悬念。我发现自己常常在阅读时停下来,想象那些宏大的战斗场景,那种烟尘弥漫、元素交织的画面感,仿佛就在眼前。这本书成功地营造了一种史诗般的氛围,让人不禁期待接下来的篇章,想要一探究竟这个世界的命运将如何走向。
评分卷三,也可认为是“雷斯林编年史”的第三卷,从小雷利用龙珠逃离大漩涡前往帕兰萨斯图书馆开始,写到他成为强者在神庙中挫败塔克西丝结束,小雷终于走完了他在这个时间维度上的最后一步,下面将是超越时间的战斗;在现时逝世最强大的两位法师激斗中,决定胜负的竟是匕首,事物发展至极果然转向了另一个方面;这本书里小雷内心得到丰富展现,经过那么长时间的书写,连这个世界上最伟大法师黑暗的心灵似乎也变得不同,或许时间已赋予了他真实的生命,或许是作者对自己创造的人物产生了不可救药的情感,或者两者皆有;书在末尾与春晓合流,变换视角讲述同一个故事,感觉颇佳;这个人物让我默默追随了十年,我将永远记住小雷对黑暗之后说的话,“她知道那个穿着黑袍的法师,向来忠于个人的野心,却已准备牺牲生命,只为一条自由之路吗?”(露可君译本)
评分卷三,也可认为是“雷斯林编年史”的第三卷,从小雷利用龙珠逃离大漩涡前往帕兰萨斯图书馆开始,写到他成为强者在神庙中挫败塔克西丝结束,小雷终于走完了他在这个时间维度上的最后一步,下面将是超越时间的战斗;在现时逝世最强大的两位法师激斗中,决定胜负的竟是匕首,事物发展至极果然转向了另一个方面;这本书里小雷内心得到丰富展现,经过那么长时间的书写,连这个世界上最伟大法师黑暗的心灵似乎也变得不同,或许时间已赋予了他真实的生命,或许是作者对自己创造的人物产生了不可救药的情感,或者两者皆有;书在末尾与春晓合流,变换视角讲述同一个故事,感觉颇佳;这个人物让我默默追随了十年,我将永远记住小雷对黑暗之后说的话,“她知道那个穿着黑袍的法师,向来忠于个人的野心,却已准备牺牲生命,只为一条自由之路吗?”(露可君译本)
评分失落的編年史第三部。再沒有最初讀龍槍時的那份感覺。
评分一路读过来 补上了小雷人生拼图的最后一块 很多雷斯林对卡拉蒙的感情描述 很微妙 小雷从来不曾向谁屈膝臣服 他所做的一切都是为了自己 忠于自己 越读越觉得 越读越确定 这就是我喜欢的雷斯林 这就是我喜欢他的原因
评分失落的編年史第三部。再沒有最初讀龍槍時的那份感覺。
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