安德鲁·基恩,美国著名媒体人,频繁出现在各大媒体节目中,如,福克斯新闻、CNN国际、BBC晚间新闻等。他还为《伦敦独立报》写一个关于企业重组的专栏,同时也在为Dutch paper Volkskrant 和the Belgium daily De Standaard 两个纸媒撰写专栏。
Amateur hour has arrived, and the audience is running the show
In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.
Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can rein in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
From the Hardcover edition.
《门外汉的崇拜:今日的互联网如何扼杀我们的文化和危害我们的经济》(The Cult of the Amateur:How Today's Internet Is Killing Our Culture and Assaulting Our Economy) 安德鲁·基恩自称是一名dot-com的变节者,虽然他现在时常批评web2.0,基恩却曾经是上世纪九十年代...
评分刚刚读完。 这本书的英文名是The Cult of the Amature,直译的话应是“业余者的狂欢”,而且从书的内容来说,这个翻译更贴切、务实些。 全书中最有价值的部分,探讨的是业余者在Web2.0时代肆无忌惮的将专家的声音盖过,网络用户被铺天盖地的垃圾信息所环绕,对事物失去认知,...
评分我们经常听到官方说,国情不同。这四个字仿佛一把万能钥匙,当固有的理论豪宅走到山穷水尽之时,大管家出来手持这把钥匙一转,就领你进到一个新房间——不管灯光有多昏暗,先进去再说。笃信普世价值的人群往往对这四个字嗤之以鼻,将其归结为监守自盗的说辞,但至少对于基恩的...
评分精英主义,和反精英主义的反动 ——基恩何时走上TED大会的讲台? 基恩认为,业余人士终究是业余人士;精英总归是精英。 与基恩观点针锋相对的另一位网络研究者Clay Shirky认为,哪怕是最愚蠢的创作行为,也终归是艺术。[GSS:参见其TED报告,How cognitive surplus will cha...
评分刚刚读完。 这本书的英文名是The Cult of the Amature,直译的话应是“业余者的狂欢”,而且从书的内容来说,这个翻译更贴切、务实些。 全书中最有价值的部分,探讨的是业余者在Web2.0时代肆无忌惮的将专家的声音盖过,网络用户被铺天盖地的垃圾信息所环绕,对事物失去认知,...
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