After the New Criticism

After the New Criticism pdf epub mobi txt 电子书 下载 2026

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出版者:University Of Chicago Press
作者:Frank Lentricchia
出品人:
页数:398
译者:
出版时间:1981-07-15
价格:USD 28.00
装帧:Paperback
isbn号码:9780226471983
丛书系列:
图书标签:
  • 文学理论
  • 兰特里夏
  • NewCriticism
  • FrankLentricchia
  • Lentricchia
  • literary_theory_criticism
  • 文论
  • 文学
  • 文学理论
  • 文化研究
  • 新批评
  • 后结构主义
  • 文学批评
  • 文化转向
  • 现代主义
  • 后现代主义
  • 美国文学
  • 批评史
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具体描述

This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Levi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene--Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom--and an analysis of their careers within the lineage established in part one.

Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.

《After the New Criticism》是一本深入探讨现代文学解读史的重要著作,其核心观点围绕着对文本本身进行细致分析、摒弃外部评价和传统注释的方法展开。该书系统阐述了新批判流派在20世纪初兴起时所提出的理念,特别关注文学作品应以文本内容为中心,通过深入理解语言、结构和意图来进行分析。这本著作不仅解构了某些古典文学研究的局限,更强调了文艺作品在其自身语境中的独特价值。 书中详细介绍了新批评运动的起源与背景,尤其是其对19世纪末至20世纪初文学研究范式转变的影响。作者剖析了传统评论方法中存在的不足之处,如过度依赖作者生平或历史语境,而忽视作品本身内在逻辑。通过具体的文学案例,书详细说明了如何从语言形式、叙述手法和主题表达入手,揭示作品的深层含义。这一过程不仅要求读者具备较强的文本解读能力,也鼓励他们重新审视经典文本,发现其潜在的多维价值。 在结构安排上,这本书以历史背景为先,逐步展开对不同文学流派的比较与分析,使读者能够更全面地理解评论方法的演变与现状。书中还引用了大量经典文本,如莎士比亚、狄更斯等作品,通过具体分析展示新批评的理论框架如何在实际研究中发挥作用。这些内容不仅为学术界提供了重要的参考方向,也对普通读者打开了一扇深入文学理解的大门。 书中的观点突出了文本自主价值,主张文学研究应摆脱外部评价的束缚,从作品内部逻辑出发进行探讨。这种思想不仅深刻影响了后来的文学批评方法,也为当代读者提供了一个独立分析文学作品的思路。通过对文本细致解析,读者能够更好地感受到作品的内在魅力与多重意象,使研究不再局限于表面,而是深入到深处。 书中还探讨了新批评对后续文学理论的影响,特别是在当代批评思潮如结构主义和后结构主义兴起之前的重要地位。这使得读者能够理解学术思想如何在历史长河中相互作用,并塑造现代文学研究的基本方向。此外,这本书还引入了一些跨学科视角,如语言学和心理学,对文本分析进行更丰富的解构,使其成为一部综合性深度作品。 总体而言,《After the New Criticism》不仅为学术研究提供了清晰的理论工具,更以细致而深邃的视角鼓励读者对文学作品产生更加独立和深刻的理解。它通过系统性的论述和丰富的案例分析,使读者意识到新批评理念在文学史中的重要地位,推动人们重新思考如何更好地诠释与欣赏文字艺术。 (字数:约750字)

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If we share Arnold's loss of faith, we can go either of two ways: we can view poetry as a human triumph made out of our darkness, as the creation of verbal meaning in a blank universe to serve as a visionary substitute for a defunct religion; or we can-in our negation-extend our faithlessness, the blankness of our universe, to our poetry.不言而喻,选择前路。

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If we share Arnold's loss of faith, we can go either of two ways: we can view poetry as a human triumph made out of our darkness, as the creation of verbal meaning in a blank universe to serve as a visionary substitute for a defunct religion; or we can-in our negation-extend our faithlessness, the blankness of our universe, to our poetry.不言而喻,选择前路。

评分☆☆☆☆☆

If we share Arnold's loss of faith, we can go either of two ways: we can view poetry as a human triumph made out of our darkness, as the creation of verbal meaning in a blank universe to serve as a visionary substitute for a defunct religion; or we can-in our negation-extend our faithlessness, the blankness of our universe, to our poetry.不言而喻,选择前路。

评分☆☆☆☆☆

If we share Arnold's loss of faith, we can go either of two ways: we can view poetry as a human triumph made out of our darkness, as the creation of verbal meaning in a blank universe to serve as a visionary substitute for a defunct religion; or we can-in our negation-extend our faithlessness, the blankness of our universe, to our poetry.不言而喻,选择前路。

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If we share Arnold's loss of faith, we can go either of two ways: we can view poetry as a human triumph made out of our darkness, as the creation of verbal meaning in a blank universe to serve as a visionary substitute for a defunct religion; or we can-in our negation-extend our faithlessness, the blankness of our universe, to our poetry.不言而喻,选择前路。

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