From Publishers Weekly
Originally under contract to Viking, this searing biography of media titan Si Newhouse was canceled, claims Felsenthal Power, Privilege and the Post) in her introduction, by Penguin Putnam chief Phyllis Grann because a friend of Grann's appears on almost every page. To be sure, Felsenthal's work is filled with unflattering descriptions of the men and women found in the top circles of New York's magazine and book publishing scene. She begins, however, with a lengthy history of the media empire?Advance Communications?assembled by Newhouse's father, Sam, a self-made newspaper tycoon born on Manhattan's Lower East Side. The elder Newhouse added Conde Nast to his holdings in 1959; it was these magazines that drew the attention of the younger Newhouse, who, after Sam's death in 1979, left the running of the newspapers to his younger brother, Donald. As Felsenthal charts Newhouse's rising influence in the world of publishing, particularly through his acquisitions of Random House and the New Yorker?trophy companies, she says, meant to increase his prestige among the media elite?she denounces his business style, reporting that under Newhouse's ownership the quality of both the publishing house and the magazine declined dramatically, as did their profitability. It is Advance's newspaper and cable holdings, she contends, that prop up Newhouse's side of the business. Felsenthal misses little in documenting the many hirings and firings that have taken place under Newhouse. Publishing insiders won't learn much here (indeed, most of her financial reporting comes from the Wall Street Journal and other secondary sources), but other readers will find her narrative brimming with dishy suspense. Felsenthal leaves little doubt about what she thinks of Newhouse and his top aides: she calls Alberto Vitale "vile" and Newhouse himself "vacuous and self-indulgent," comparing him unfavorably to William Randolph Hearst and Rupert Murdoch. This undisguised contempt for her subject blunts what is otherwise an often penetrating look at the Machiavellian politics that lie just beneath the ultra-sleek facade of the Newhouse empire. Pictures not seen by PW.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
The increasing conglomerate control of publishing and the media worries many critics. Felsenthal, whose most recent biography focused on the media empire of Katharine Graham (Power, Privilege and the Post, LJ 12/92), now turns her attention to S.I. Newhouse Jr. One of the richest men in America, Newhouse heads a family business that includes a string of newspapers, cable television companies, and the Conde Nast magazines. (He recently sold off Random House to the mighty German publisher Bertelsmann.) Newhouse guards his privacy closely, and this unauthorized biography struggles to reach beyond public information. While there are many details about hirings and firings at the magazines, including the recent changes at The New Yorker, there is little information is given about the impact of the Newhouse family on publishing and journalism. This second recent biography of Newhouse offers some material not found in Thomas Maier's Newhouse (LJ 10/1/94) and will appeal to readers interested in the inside scoop on the operations of the Conde Nast magazines.?Judy Solberg, George Washington Univ., Washington, DC
Copyright 1999 Reed Business Information, Inc.
我必須說,這本書的結構設計簡直是鬼斧神工,它采用瞭非綫性的敘事手法,但處理得極其流暢,完全沒有初學者那種為瞭炫技而犧牲可讀性的問題。每一次時間綫的跳躍和視角的轉換,都像是為解開謎團增添瞭一塊至關重要的拼圖,讓人欲罷不能地想要知道“接下來會怎樣”以及“之前到底發生瞭什麼”。人物的塑造立體到令人發指,他們身上的缺點和優點一樣鮮明,讓人無法簡單地用“好人”或“壞人”來定義,完全符閤我對現實世界中人性的理解。更難能可貴的是,即便是那些配角,也擁有著豐滿的背景故事和清晰的動機,沒有一個角色是工具性的存在。這種對細節的極緻打磨,讓整個故事的內在邏輯密不透風,找不到任何可以被詬病的邏輯漏洞,讀完之後隻剩下由衷的贊嘆。
评分這是一本挑戰傳統閱讀習慣的作品,它要求讀者拿齣極大的耐心去適應其獨特的語境和緩慢鋪陳的氛圍。開篇的幾頁讀起來可能有些晦澀,因為它沒有急於給齣明確的事件開端,而是沉浸在一種強烈的感官體驗中,仿佛是音樂的序麯,先奠定基調。但一旦你適應瞭這種節奏,就會發現其內在的韻律感是極其強大的。作者對心理活動的描摹達到瞭令人毛骨悚然的精準度,那種夾雜著希望、恐懼與自我欺騙的內心獨白,真實得讓人感到不安。這本書成功地探討瞭身份認同的流變性,在快速變化的時代背景下,我們如何定義“自我”?這種哲學層麵的追問,被包裹在引人入勝的敘事外衣之下,使得它既有深度,又具備極高的可讀性,是一次真正的智力探險。
评分這本小說的敘事節奏把握得真是絕妙,作者似乎對人性的復雜有著深刻的洞察,將主人公的內心掙紮和外部世界的衝突編織得天衣無縫。我尤其欣賞它對環境細緻入微的描摹,那種仿佛能觸手可及的質感,讓故事背景本身也成為瞭一個有血有肉的角色。情節的推進不是那種平鋪直敘的流水賬,而是充滿瞭意想不到的轉摺,每一次閱讀都像是在剝開一個又一個的洋蔥,每一次揭示都帶來新的衝擊。角色之間的對話火花四射,既充滿瞭機鋒,又不失真摯,讀起來讓人忍不住去揣摩話語背後的真實意圖。它成功地營造瞭一種懸而未決的氛圍,即便是在閤上書頁之後,那些關於選擇、關於代價的思考依然在我腦海中縈繞不去,這絕非一部可以輕易翻過就忘的作品,它需要你投入時間去消化,去迴味。那種細微的情感波動,那種在宏大背景下個體命運的無力感,都被作者用極其精準的筆觸捕捉瞭下來,使得整個閱讀體驗充滿瞭張力和深度。
评分簡直不敢相信作者竟然能將如此宏大的主題以如此細膩的方式呈現齣來。這本書的文字功底紮實得令人敬佩,有些段落的句式結構簡直可以被視為一種精妙的文學構建,每一個詞語的擺放位置都像是經過瞭深思熟慮,以達到最大的情感共鳴效果。我感覺自己像是被一股強大的精神引力吸入瞭故事的核心,親身體驗瞭人物所經曆的一切喜悅、睏惑與最終的頓悟。它對於社會結構的批判性觀察是尖銳而毫不留情的,沒有故作高深的晦澀,而是用一種近乎殘酷的坦誠揭示瞭權力運作的底層邏輯。閱讀過程中,我常常需要停下來,不是因為情節復雜,而是因為某種措辭或某個比喻觸發瞭我內心深處的某種共鳴,需要時間去整理思緒。這本書無疑為當代小說樹立瞭一個新的標杆,它證明瞭文學的力量,在於它能夠穿透錶象,直抵人類經驗的核心地帶,引發持久的內省。
评分從技術層麵來說,這本書在語言運用上的創新性值得大書特書。它打破瞭既有的語法規範,創造齣一種既陌生又異常親切的錶達方式,這需要作者極高的語言駕馭能力,否則很容易淪為故作高深。我特彆欣賞作者在處理高潮部分時,所采用的那種近乎詩意的、碎片化的描寫手法,它沒有直白地告知讀者發生瞭什麼,而是通過一係列強烈的意象和情感衝擊,讓讀者自己去拼湊齣那震撼人心的真相。這種“留白”的處理非常高明,它激活瞭讀者的想象力,讓每個讀者都在自己的腦海中完成瞭最後的情感爆發。整體而言,這是一部充滿野心和力量的作品,它不僅僅是在講述一個故事,更像是在進行一場對文學邊界的勇敢探索,我強烈推薦給那些厭倦瞭平庸敘事的老饕們。
评分Newhouse的人發傢發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發傢發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發傢發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發傢發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發傢發得真不好看,也難怪這麼喜歡Anna Wintour
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2026 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有