PHILOSOPHICAL MEDITATIONS ON ZEN BUDDHISM. By Dale S.
WrightC. ambridge,G reatB ritain:C ambridgeU niversityP ress,1 998. xv +227 pp.
In a workb rimmingw ith unobtrusivee ruditiona nd centeredo n the figureo f Huang
Po (d. 850), Dale Wright offers a seasoned account of a topic that is still very much
in need of clarificationn, amely,t he roleso f language,c onceptualityt,e xtualityi,n terpretation,
a nd historicald evelopmenti n Zen Buddhism.S ome recentc riticst end to
see Zen as incoherento r even hypocriticali n that this "speciatl ransmissiono utside
the sutras, not dependent on language and texts, pointing directly to mind" (quoted,
p. 64) in reality developed complex and varied textual and ritual traditions from
Buddhist-Christian Studies 21 (2001). ? by University of Hawai'i Press. All rights reserved.
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which the supposedly pure enlightenment experience cannot be siphoned out.
Wright argues that the critics themselves are often naive, giving an inverted reflection
of the naiveteo f earliers cholarss uch as John Blofeld,w ho saw Zen as centered
on an ineffableS upremeE xperienceq, uitei ndependento f the languageu sedt o point
to it. Nonetheless,W righth imselfi s in basica greemenwt ith the criticsa nd in radical
opposition to Blofeld (and to D. T. Suzuki). But he points out that the early Chinese
Zen masters speak in many voices, often anticipating the most sophisticated
insightso f theirc ritics.W right's tylei s veryu nliket hat of BernardF aureb, eings low,
serene,r eflectives, crupulous,a nd imbuedw ith the deepestr espectf or the Zen tradition.
Yeth is thought rejoinsF aure'as t many points.
The thrusto f Wright'sa rgumenti s to demystifyZ en enlightenmentb y reinserting
it in its varied linguistic, social, institutional, and historical contexts. He gives a
realistica nd holistic accounto f what Zen experiencem ust have been like for disciples
of HuangP o (pp. 187-192). His stresso n the linguisticalityo f all experiencec ertainly
illuminates the texture of Huang Po's world. But I am left wondering if there
is not anothera specto f Zen that is missedh ere.M odernp hilosophersh ave derived
much insightf romt he realizationth at thoughta nd perceptiona red eeplye mbedded
in language. But I do not know that anyone has proven that there can never be a
thinking or perception that is independent of language. Even the supposedly pantextualist
Derrida states somewhere that he does not exclude the possibility of nonlinguistict
hought. In most fieldso f inquiryt his abstruseq uestionm akesn o practical
difference,b ut in the case of Zen it is of cruciali mport.T he presuppositiono f
universalli nguisticalitye,s peciallyif it hardensi nto a dogma,m ay blocka ccesst o the
core of Zen experience.
Wrighta rguest hat thoughs ome Zen masterss oughtp relinguisticim mediacyt, he
majorityw ere deeplya wareo f the inseparabilityo f experiencea nd the languagei n
which it is grasped.B ut could it not be that prelinguisticim mediacyw as so much
takenf or grantedi n Zen that the masterss carcelyn eededt o insisto n it?W rights ays
that enlightenmenti tself is a linguistice vent,s ince it is often occasionedb y a verbal
statementa nd given immediatee xpressioni n anotherv erbals tatement.B ut to recognizet
he indispensabilitoyf languagef or conveyinge xperienceis not necessarilyto
imply that the experiencei tself is dependento n languageA. lthougha certainp oem
of Huang Po "strivesto make its anti-textualp oint, the masterm ust enter into the
textual world to do so, thus abandoning the position of 'no dependence on texts"'
(p. 22). Is it reallyn ecessaryt o see a contradictionh ere, given that, as Wrighth imself
points out, "no unanimity on the meaning of the mandate against 'words and
letters'e xisted"( p. 26)? Let us supposet hat the point is nonattachment o textsa nd
a realizationo f the intrinsici ndependenceo f enlightenmentf rom the limited perspectiveso
f textuality,l anguage,a nd conceptualt hought.T his is quite compatible
with intensive use of texts in practice.
Blofeld explains that texts were useful to the learner but cast aside when enlightenmentw
as reachedW. righta rguest hat the enlightenede xperiencem ust "continue
to hold within it, and to be supplementedb y, the influencea nd outcomeo f reading"
(p. 23). Blofeld might reply that if one learning to swim uses an inflated tube, then
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castsi t away,t he swimmingi s no longeri n any way supplementedb y the tube, and
to reintroducet he tube would be an absurd irrelevance.B ut why then, Wright
objects, did enlightened masters continue to read? One might reply that they read
without attachment to or dependence on their reading. Wright suggests that the
doctrineo f dependentc o-originatione ntailst hat enlightenmenti s alwaysd ependent
on the textuala nd historicalf actorst hat occasioni t. To be sure,o ne might reply,b ut
only in the sense that emptinessc an be seen as dependento n the particularb asiso f
which it is the emptiness.T o attaine nlightenmenti s to be releasedf rom the attachments
and delusionst hat tie us to the samsaricr ealma nd in this sense to breakt he
chain of dependent co-arising. From the space of freedom thus attained one revisits
the realmo f dependentc o-originationa nd seesi t in its emptinessZ. en enlightenment
is a realizationo f emptinessi n connectionw ith a certainc oncretep atho r careera nd
continues to be enacted in relation to that path. The enlightened scholar does not
ceaset o be a scholarb ut realizesth e emptinesso f his learninga nd has a freedr elationship
to it. Rereadingth e sutrasn ow becomesa way of reapingt he harvesto f enlightened
vision.
Wrightg ivesa fine accounto f enlightenmenta s awarenesos f dependentc o-origination,
which is identicalw ith awarenesso f emptiness,a ccordingt o Madhyamaka
logic. But he is averse to any suggestion that emptiness is something ultimate, invariable,
or timeless.T herea ref our rhetoricasl trategiesin Zen dialogues-strangeness,
direct pointing, silence, and disruption-all of which express the awakened state of
"one who no longer seeks solid ground, who realized that all things and situations
are supported,n ot by firm grounda nd solid self-natureb, ut ratherb y shiftinga nd
contingent relations"( p. 100). Enlightenmenth as not to do with some precious
inners ubjectivee cstasyb ut with co-respondingt o what is going on in the here-andnow
situation, grasped in its emptiness. Zen rhetoric, including the unnerving
silences,i s "designedto disorientateo ne'sr elationt o everything"(p 97). It breakst he
hold of substantialisdt elusion,e nshrinedi n the habitualf abricationos f language,s o
as to awaken one to emptiness, an awakening that brings joyful freedom based on
intelligent insight into the way things really are. That means that Zen enlightenment
is fully aware of its concrete context, and that "beyond the Zen rhetoric of timelessness,
we find historicalc ontextualizationto be centralt o their self-understanding"
(p. 106).
But can this rhetorico f timelessnessr eallyb e writteno ff as a red herring?E veni f
insighti nto the textureo f one'sh istoricalh erea nd now is parto f enlighteneda wareness,
this does not necessarilya lign Zen with the contemporaryp hilosophicald octrine
of universal historicity. Wright points out that Zen disciples aspire to "go
beyond"t heirm aster:" Pai-chang''tsr ansmissioonf mind't o HuangP o will haveb een
effectivea nd completeo nly at the point that Huang Po has transcendedP ai-chang's
'mind'i n the act of creatively'g oingb eyond'i t" (p.1 39). This, he claims,i ntroduces
pluralismh, istoricitya, nd individualc reativityin to the hearto f Zen awakeninga, nd
disqualifies" essentialistn"o tions of an unvaryinge xperience.B ut perhapst his is a
case of havingt o run very fast to stay in the same place. Perhapst he "samenesso"f
what the Zen mastersd iscoveri s somethingl ike the "samenesso"f love, as celebrated
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by the poets,a samenesst hatp romptsa n evern ew varietyo f poetici nvention.I n that
case, without harpingo n the identityo f the experiencei n a literal-mindedfa shion,
we could still maintain that Zen awakening concerns a single reality that is not in
itself subject to historical change. To give a homelier analogy: a teacher of English
might surpassh is predecessorisn developingn ew and more effectivem ethods,b ut
the end result,t he transmissiono f competencei n the Englishl anguage,r emainst he
same.
Wright sees mind-to-mind transmissiona s a mythicala ccount of the creative
interactiono f mastersa nd disciples,p romptedb y concernsw ith institutionall egitimation:
"It may be that, insteado f 'mind-to-mindt ransmissiong' iving rise to the
recording of historical lineage, it was actually the other way round" (p. 141). But
againI wonderi f Huang Po'ss tatement," Mindi s transmittedw ith Mind and these
Mindsd o not differ"r eallyr eferst o "ane xactr eplicao f the Buddha''sa wakening"(p' .
142); the word "replica"is surelyi napplicablet o "awakeningu"n der any circumstances.
W hy not read" do not differ"a s meaning" don ot fundamentallyo r essentially
differ"?W right addressest his possibility,a lreadyf ound in the Zen sources:
"Whilet he substanceo r essenceo f mind couldb e saidt o be identicalb etweene qually
enlightenedm asterst, he way this 'awakeningf'u nctionsi n the worldm ight differs ignificantly"(
p. 142). He arguest hat such a differentiationa nd hierarchyo f substance
and function is discreditedi n Madhyamakat hought as well as in contemporary
deconstructivep hilosophy.B ut one could still be certaint hat an identicalr ealityi s
transmittede, ven if one could not pretendt o distilli t in a pure form from the variety
of its realizationsI.n some sensea piece of music is substantiallyid enticald espite
the infinite varietyo f individualp erformancesW. hat is to preventZ en awakening
havingt his degreeo f substantiaild entity?I n this sense, "to maintaina n essencef or
enlightenmenti n the fact of its changinga ppearancess"e emsq uite defensible.I do
not see that it "inevitablyp ushes the elusive' essenceo f enlightenment'o ut of the
finitew orldi nto a transcendenrt ealma boutw hich nothingc an be said becauseo ne
encounterso nly its appearances("p . 145). The essenceo bviouslye xistsi n all its realizations(
which only a Platonistw ould call its "appearances"a)s, the music existsi n
all its performancess,o that therei s no call to formulatei t in some abstracte xtraperformativesp
ace.W e could even claimt hat koan literaturer, ightlyi nterpretedh, as
something of the objectivity of a musical score, helping its student find the way to
the awakeningi t reflectsT. he insistenceo n identityi n the Zen texts is perhapso nly
a way of sayingt hat Zen discoversa realitya nd does not merelyi nventi t. To say that
Zen awakeningis "bestc onceived,n ot as a timeless,a historicael ssence,b ut as a continuallye
volving,h istoricalr ealizationo f successiveg enerationsh' ighesta spirations"
(p. 144) may not do phenomenologicajlu sticet o contemplativee xperiencew, hose
discoveriesa re "ever-anciente,v er-new,"a nd do seem to claim an independenceo f
languagea nd history.F or Wright,t he experienceo f emptinesse ntails" denialo f all
claimst o truth and absolutenessi,n cludingi ts own claim to know somethingu ltimately
truthful about all claims" (p. 197). Again, I wonder if Zen statements to the
effectt hat nothing is "known"o r "obtained"in enlightenmentr eallyu nderminet he
(nonconceptual) truth and ultimacy of the experience. Perhaps they serve only as
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phenomenologicali ndicators of the non-graspabilityo f enlightened insight (as
expoundedb y Wright,p p. 199-200), without the implicationso f radicale pistemological
scepticism that the phrase "denial of all claims to truth" suggests.
Wrightc ontestst he use of "enlightenmenta"s the standardE nglisht erm for the
Zen experiencep, ointingo ut that therei s no exacte quivalentf or it in HuangP o and
suggestingt hat it attemptst o graftt he Zen worldo nto the EuropeanE nlightenment
(p. 182). This is far-fetched;" enlightenmenti"s a fairlys traightforwartdr anslation
of Japaneses atori.I t is also far-fetchedt o characterizteh e claim that Zen perceives
"thingsa s they are"a s a "rhetoricafilg ured rawnf romE uropeanr ationalism("p . 182),
ultimatelyd erivingf rom Descartesu' se of meditationt o purifyt he mind so as to see
clearly and without prejudice. The obvious source of the expression is Sanskrit
tathata( thusness,s uchness),w hich D. T. Suzukia ssociatesw ith the homelyJ apanese
expressionsk ono-mamaa nd sono-mama", justa s it is." I noticed some slight inaccuraciesi
n Wright'sc ritiqueo f Blofeld.N ote 22 on page 186 reads:" The Zen master
is thought 'to clothe invisible Reality in the garments of the religion then and there
prevailing'( Blofeld, TheZ en Teachingo f Hui Hai, p. 18)." In fact, in the passage
quoted Blofelds ayst he oppositeo f this: he speakso f "threea lternatives-to remain
silent . . .; to clothe invisible Reality. . .; or to point the way by systematically
demolishinga ll the categorieso f thought.. ... It is this last approachw hich gaver ise
to ... Zen."A gain,W rights ayst hat Blofelds eesE nlightenmenat s "anU ltimateP erfection
lying beyond the realmo f ever-changingfo rms"( p. 184), but the reference
in Blofeld'st ext is to the objecto f PureL andf aith.
A mere review is not the place to resolve the issues dealt with in Dale Wright's
profoundly attentive study of a classic moment in Zen history. As we continue to
strugglew ith these issues,h is book will remaina landmarkp oint of reference.
Joseph S. O'Leary
SophiaU niversityT, okyo
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我购买这本书完全是基于对该领域内几位权威学者的推荐,他们一致认为这本书在探讨禅宗的“空性”与现象学之间关联方面,提供了前所未有的洞察力。我的兴趣点主要集中在作者如何处理“当下性”这个核心议题,以及这种处理方式是否能有效地避免陷入纯粹的神秘主义阐释,而是将其置于一个可被审视的哲学框架之内。阅读过程中,我特别留意了作者引用的那些跨学科的文献,那些横跨欧陆哲学与东方思想的引用链条,构建了一个非常扎实的学术基底。作者的论证过程严密得如同精密的仪器,每一个转折点都建立在前文确凿的铺垫之上,这使得即使是面对极具挑战性的概念,读者也能感受到一种被引领的安全感。我发现自己不得不时常停下来,在笔记本上画出概念间的关系图,因为作者构建的知识网络太过庞大和精妙,需要读者投入大量的认知资源去消化和整合。
评分这本书的排版和字体选择对我这种长时间阅读者来说至关重要。那种适中的行距和清晰的字体,极大地减轻了视觉疲劳。但这仅仅是外在的因素。内在的结构安排更是体现了作者高超的组织能力。全书的章节划分逻辑清晰,仿佛遵循着某种内在的螺旋上升结构——每一章都在前一章的基础上,以一种更细致、更具穿透力的方式重新审视旧有概念。我特别欣赏作者在引入不同流派观点时所采取的平衡策略,他没有偏袒任何一家之言,而是将它们并置,让读者自行在张力中寻找平衡点。这种处理方式,使得原本可能陷入教条主义的论述,反而获得了强大的生命力和开放性。我感觉自己像是在进行一场与古代大师的智力交锋,每一次阅读的进展都伴随着心智的拓宽。
评分这本书的封面设计散发着一种沉稳而富有禅意的气息,那种深沉的蓝与留白之间的对比,立刻将读者的心绪引向一种宁静的境地。拿到手中时,那种纸张的质感和装帧的精良,也让人感受到出版方在制作上的用心。我之所以选择阅读这本书,很大程度上是出于对其副标题——剑桥宗教传统研究系列——的信任。这个系列的声誉,通常意味着内容的深度和学术的严谨性,让人期待能从中获得对禅宗哲学更系统、更深入的理解,而非仅仅停留在肤浅的介绍层面。我希望它能提供一种多维度的视角,去审视禅宗思想如何与西方哲学传统进行对话,或者至少能为我理解这些复杂的概念提供一个清晰的框架。初翻几页,语言的组织就显示出作者深厚的功底,那种对概念的精准拿捏和逻辑的层层推进,让人对后续的阅读充满了期待。它似乎在引导读者进入一个需要慢下来、去沉思的阅读空间,这本身就是一种对现代快节奏生活的微妙反拨。
评分作为一名业余的冥想实践者,我寻找的不仅仅是理论,更是一种能与我的日常体验产生共鸣的语言。这本书的价值在于,它成功地搭建了一座沟通理论与实践的桥梁。作者在阐述那些关于“非二元性”的理论时,所使用的比喻和类推,都非常贴合冥想中可能出现的心理状态。例如,他对“心猿意马”的描述,精确到了神经层面的微小波动,但又将其提升到了哲学的宏大叙事之中。这种“既入世又出世”的叙述风格,让我倍感亲切。这本书没有要求我放弃我的生活去追求某种虚幻的彼岸,反而是教导我如何在此时此地,通过对思想的审视,来实现一种内在的安顿。读完后的感觉不是知识的堆砌,而更像是一次彻底的“心智清洁”,让思绪变得更为空灵和敏锐,为接下来的日常活动注入了一种新的、更具觉察力的基调。
评分坦率地说,我原本对这类探讨宗教哲学的书籍抱有一种审慎的态度,总担心会遇到大量晦涩难懂的术语堆砌,最终沦为少数专业人士的内部讨论工具。然而,这本书的叙事节奏却出奇地具有吸引力。它没有试图用华丽的辞藻去粉饰主题,而是采用了一种近乎“临床”的冷静笔触来解剖禅宗的核心教义。更令人惊喜的是,作者似乎刻意在文本中留出了一些“呼吸的空间”,那些看似不经意的脚注或侧边议论,往往是通往更深层理解的捷径。我喜欢作者那种不动声色的幽默感,那种在极其严肃的哲学探讨中偶尔闪现的、对人类认知局限性的温柔嘲讽。这让整个阅读体验变得人性化,不再是冰冷的学术报告,而更像是一位经验丰富的智者在循循善诱,引导你逐步走近真理的门槛,而不是直接将你推入其中。
评分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
评分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
评分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
评分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
评分理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.
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