Philosophical Meditations on Zen Buddhism (Cambridge Studies in Religious Traditions)

Philosophical Meditations on Zen Buddhism (Cambridge Studies in Religious Traditions) pdf epub mobi txt 电子书 下载 2026

出版者:Cambridge University Press
作者:Dale S. Wright
出品人:
页数:244
译者:
出版时间:2000-08-28
价格:USD 34.99
装帧:Paperback
isbn号码:9780521789844
丛书系列:
图书标签:
  • 海外禅宗研究
  • 哲学
  • zen
  • Wright
  • 黄檗
  • 禅宗
  • 宗教
  • Zen Buddhism
  • Buddhist Philosophy
  • Meditation
  • Asian Philosophy
  • Religious Studies
  • Cambridge Studies in Religious Traditions
  • Philosophy of Religion
  • Comparative Religion
  • Mindfulness
  • Spirituality
想要找书就要到 小哈图书下载中心
立刻按 ctrl+D收藏本页
你会得到大惊喜!!

具体描述

PHILOSOPHICAL MEDITATIONS ON ZEN BUDDHISM. By Dale S.

WrightC. ambridge,G reatB ritain:C ambridgeU niversityP ress,1 998. xv +227 pp.

In a workb rimmingw ith unobtrusivee ruditiona nd centeredo n the figureo f Huang

Po (d. 850), Dale Wright offers a seasoned account of a topic that is still very much

in need of clarificationn, amely,t he roleso f language,c onceptualityt,e xtualityi,n terpretation,

a nd historicald evelopmenti n Zen Buddhism.S ome recentc riticst end to

see Zen as incoherento r even hypocriticali n that this "speciatl ransmissiono utside

the sutras, not dependent on language and texts, pointing directly to mind" (quoted,

p. 64) in reality developed complex and varied textual and ritual traditions from

Buddhist-Christian Studies 21 (2001). ? by University of Hawai'i Press. All rights reserved.

147

BOOK REVIEWS

which the supposedly pure enlightenment experience cannot be siphoned out.

Wright argues that the critics themselves are often naive, giving an inverted reflection

of the naiveteo f earliers cholarss uch as John Blofeld,w ho saw Zen as centered

on an ineffableS upremeE xperienceq, uitei ndependento f the languageu sedt o point

to it. Nonetheless,W righth imselfi s in basica greemenwt ith the criticsa nd in radical

opposition to Blofeld (and to D. T. Suzuki). But he points out that the early Chinese

Zen masters speak in many voices, often anticipating the most sophisticated

insightso f theirc ritics.W right's tylei s veryu nliket hat of BernardF aureb, eings low,

serene,r eflectives, crupulous,a nd imbuedw ith the deepestr espectf or the Zen tradition.

Yeth is thought rejoinsF aure'as t many points.

The thrusto f Wright'sa rgumenti s to demystifyZ en enlightenmentb y reinserting

it in its varied linguistic, social, institutional, and historical contexts. He gives a

realistica nd holistic accounto f what Zen experiencem ust have been like for disciples

of HuangP o (pp. 187-192). His stresso n the linguisticalityo f all experiencec ertainly

illuminates the texture of Huang Po's world. But I am left wondering if there

is not anothera specto f Zen that is missedh ere.M odernp hilosophersh ave derived

much insightf romt he realizationth at thoughta nd perceptiona red eeplye mbedded

in language. But I do not know that anyone has proven that there can never be a

thinking or perception that is independent of language. Even the supposedly pantextualist

Derrida states somewhere that he does not exclude the possibility of nonlinguistict

hought. In most fieldso f inquiryt his abstruseq uestionm akesn o practical

difference,b ut in the case of Zen it is of cruciali mport.T he presuppositiono f

universalli nguisticalitye,s peciallyif it hardensi nto a dogma,m ay blocka ccesst o the

core of Zen experience.

Wrighta rguest hat thoughs ome Zen masterss oughtp relinguisticim mediacyt, he

majorityw ere deeplya wareo f the inseparabilityo f experiencea nd the languagei n

which it is grasped.B ut could it not be that prelinguisticim mediacyw as so much

takenf or grantedi n Zen that the masterss carcelyn eededt o insisto n it?W rights ays

that enlightenmenti tself is a linguistice vent,s ince it is often occasionedb y a verbal

statementa nd given immediatee xpressioni n anotherv erbals tatement.B ut to recognizet

he indispensabilitoyf languagef or conveyinge xperienceis not necessarilyto

imply that the experiencei tself is dependento n languageA. lthougha certainp oem

of Huang Po "strivesto make its anti-textualp oint, the masterm ust enter into the

textual world to do so, thus abandoning the position of 'no dependence on texts"'

(p. 22). Is it reallyn ecessaryt o see a contradictionh ere, given that, as Wrighth imself

points out, "no unanimity on the meaning of the mandate against 'words and

letters'e xisted"( p. 26)? Let us supposet hat the point is nonattachment o textsa nd

a realizationo f the intrinsici ndependenceo f enlightenmentf rom the limited perspectiveso

f textuality,l anguage,a nd conceptualt hought.T his is quite compatible

with intensive use of texts in practice.

Blofeld explains that texts were useful to the learner but cast aside when enlightenmentw

as reachedW. righta rguest hat the enlightenede xperiencem ust "continue

to hold within it, and to be supplementedb y, the influencea nd outcomeo f reading"

(p. 23). Blofeld might reply that if one learning to swim uses an inflated tube, then

148

BOOK REVIEWS

castsi t away,t he swimmingi s no longeri n any way supplementedb y the tube, and

to reintroducet he tube would be an absurd irrelevance.B ut why then, Wright

objects, did enlightened masters continue to read? One might reply that they read

without attachment to or dependence on their reading. Wright suggests that the

doctrineo f dependentc o-originatione ntailst hat enlightenmenti s alwaysd ependent

on the textuala nd historicalf actorst hat occasioni t. To be sure,o ne might reply,b ut

only in the sense that emptinessc an be seen as dependento n the particularb asiso f

which it is the emptiness.T o attaine nlightenmenti s to be releasedf rom the attachments

and delusionst hat tie us to the samsaricr ealma nd in this sense to breakt he

chain of dependent co-arising. From the space of freedom thus attained one revisits

the realmo f dependentc o-originationa nd seesi t in its emptinessZ. en enlightenment

is a realizationo f emptinessi n connectionw ith a certainc oncretep atho r careera nd

continues to be enacted in relation to that path. The enlightened scholar does not

ceaset o be a scholarb ut realizesth e emptinesso f his learninga nd has a freedr elationship

to it. Rereadingth e sutrasn ow becomesa way of reapingt he harvesto f enlightened

vision.

Wrightg ivesa fine accounto f enlightenmenta s awarenesos f dependentc o-origination,

which is identicalw ith awarenesso f emptiness,a ccordingt o Madhyamaka

logic. But he is averse to any suggestion that emptiness is something ultimate, invariable,

or timeless.T herea ref our rhetoricasl trategiesin Zen dialogues-strangeness,

direct pointing, silence, and disruption-all of which express the awakened state of

"one who no longer seeks solid ground, who realized that all things and situations

are supported,n ot by firm grounda nd solid self-natureb, ut ratherb y shiftinga nd

contingent relations"( p. 100). Enlightenmenth as not to do with some precious

inners ubjectivee cstasyb ut with co-respondingt o what is going on in the here-andnow

situation, grasped in its emptiness. Zen rhetoric, including the unnerving

silences,i s "designedto disorientateo ne'sr elationt o everything"(p 97). It breakst he

hold of substantialisdt elusion,e nshrinedi n the habitualf abricationos f language,s o

as to awaken one to emptiness, an awakening that brings joyful freedom based on

intelligent insight into the way things really are. That means that Zen enlightenment

is fully aware of its concrete context, and that "beyond the Zen rhetoric of timelessness,

we find historicalc ontextualizationto be centralt o their self-understanding"

(p. 106).

But can this rhetorico f timelessnessr eallyb e writteno ff as a red herring?E veni f

insighti nto the textureo f one'sh istoricalh erea nd now is parto f enlighteneda wareness,

this does not necessarilya lign Zen with the contemporaryp hilosophicald octrine

of universal historicity. Wright points out that Zen disciples aspire to "go

beyond"t heirm aster:" Pai-chang''tsr ansmissioonf mind't o HuangP o will haveb een

effectivea nd completeo nly at the point that Huang Po has transcendedP ai-chang's

'mind'i n the act of creatively'g oingb eyond'i t" (p.1 39). This, he claims,i ntroduces

pluralismh, istoricitya, nd individualc reativityin to the hearto f Zen awakeninga, nd

disqualifies" essentialistn"o tions of an unvaryinge xperience.B ut perhapst his is a

case of havingt o run very fast to stay in the same place. Perhapst he "samenesso"f

what the Zen mastersd iscoveri s somethingl ike the "samenesso"f love, as celebrated

149

BOOK REVIEWS

by the poets,a samenesst hatp romptsa n evern ew varietyo f poetici nvention.I n that

case, without harpingo n the identityo f the experiencei n a literal-mindedfa shion,

we could still maintain that Zen awakening concerns a single reality that is not in

itself subject to historical change. To give a homelier analogy: a teacher of English

might surpassh is predecessorisn developingn ew and more effectivem ethods,b ut

the end result,t he transmissiono f competencei n the Englishl anguage,r emainst he

same.

Wright sees mind-to-mind transmissiona s a mythicala ccount of the creative

interactiono f mastersa nd disciples,p romptedb y concernsw ith institutionall egitimation:

"It may be that, insteado f 'mind-to-mindt ransmissiong' iving rise to the

recording of historical lineage, it was actually the other way round" (p. 141). But

againI wonderi f Huang Po'ss tatement," Mindi s transmittedw ith Mind and these

Mindsd o not differ"r eallyr eferst o "ane xactr eplicao f the Buddha''sa wakening"(p' .

142); the word "replica"is surelyi napplicablet o "awakeningu"n der any circumstances.

W hy not read" do not differ"a s meaning" don ot fundamentallyo r essentially

differ"?W right addressest his possibility,a lreadyf ound in the Zen sources:

"Whilet he substanceo r essenceo f mind couldb e saidt o be identicalb etweene qually

enlightenedm asterst, he way this 'awakeningf'u nctionsi n the worldm ight differs ignificantly"(

p. 142). He arguest hat such a differentiationa nd hierarchyo f substance

and function is discreditedi n Madhyamakat hought as well as in contemporary

deconstructivep hilosophy.B ut one could still be certaint hat an identicalr ealityi s

transmittede, ven if one could not pretendt o distilli t in a pure form from the variety

of its realizationsI.n some sensea piece of music is substantiallyid enticald espite

the infinite varietyo f individualp erformancesW. hat is to preventZ en awakening

havingt his degreeo f substantiaild entity?I n this sense, "to maintaina n essencef or

enlightenmenti n the fact of its changinga ppearancess"e emsq uite defensible.I do

not see that it "inevitablyp ushes the elusive' essenceo f enlightenment'o ut of the

finitew orldi nto a transcendenrt ealma boutw hich nothingc an be said becauseo ne

encounterso nly its appearances("p . 145). The essenceo bviouslye xistsi n all its realizations(

which only a Platonistw ould call its "appearances"a)s, the music existsi n

all its performancess,o that therei s no call to formulatei t in some abstracte xtraperformativesp

ace.W e could even claimt hat koan literaturer, ightlyi nterpretedh, as

something of the objectivity of a musical score, helping its student find the way to

the awakeningi t reflectsT. he insistenceo n identityi n the Zen texts is perhapso nly

a way of sayingt hat Zen discoversa realitya nd does not merelyi nventi t. To say that

Zen awakeningis "bestc onceived,n ot as a timeless,a historicael ssence,b ut as a continuallye

volving,h istoricalr ealizationo f successiveg enerationsh' ighesta spirations"

(p. 144) may not do phenomenologicajlu sticet o contemplativee xperiencew, hose

discoveriesa re "ever-anciente,v er-new,"a nd do seem to claim an independenceo f

languagea nd history.F or Wright,t he experienceo f emptinesse ntails" denialo f all

claimst o truth and absolutenessi,n cludingi ts own claim to know somethingu ltimately

truthful about all claims" (p. 197). Again, I wonder if Zen statements to the

effectt hat nothing is "known"o r "obtained"in enlightenmentr eallyu nderminet he

(nonconceptual) truth and ultimacy of the experience. Perhaps they serve only as

150

BOOK REVIEWS

phenomenologicali ndicators of the non-graspabilityo f enlightened insight (as

expoundedb y Wright,p p. 199-200), without the implicationso f radicale pistemological

scepticism that the phrase "denial of all claims to truth" suggests.

Wrightc ontestst he use of "enlightenmenta"s the standardE nglisht erm for the

Zen experiencep, ointingo ut that therei s no exacte quivalentf or it in HuangP o and

suggestingt hat it attemptst o graftt he Zen worldo nto the EuropeanE nlightenment

(p. 182). This is far-fetched;" enlightenmenti"s a fairlys traightforwartdr anslation

of Japaneses atori.I t is also far-fetchedt o characterizteh e claim that Zen perceives

"thingsa s they are"a s a "rhetoricafilg ured rawnf romE uropeanr ationalism("p . 182),

ultimatelyd erivingf rom Descartesu' se of meditationt o purifyt he mind so as to see

clearly and without prejudice. The obvious source of the expression is Sanskrit

tathata( thusness,s uchness),w hich D. T. Suzukia ssociatesw ith the homelyJ apanese

expressionsk ono-mamaa nd sono-mama", justa s it is." I noticed some slight inaccuraciesi

n Wright'sc ritiqueo f Blofeld.N ote 22 on page 186 reads:" The Zen master

is thought 'to clothe invisible Reality in the garments of the religion then and there

prevailing'( Blofeld, TheZ en Teachingo f Hui Hai, p. 18)." In fact, in the passage

quoted Blofelds ayst he oppositeo f this: he speakso f "threea lternatives-to remain

silent . . .; to clothe invisible Reality. . .; or to point the way by systematically

demolishinga ll the categorieso f thought.. ... It is this last approachw hich gaver ise

to ... Zen."A gain,W rights ayst hat Blofelds eesE nlightenmenat s "anU ltimateP erfection

lying beyond the realmo f ever-changingfo rms"( p. 184), but the reference

in Blofeld'st ext is to the objecto f PureL andf aith.

A mere review is not the place to resolve the issues dealt with in Dale Wright's

profoundly attentive study of a classic moment in Zen history. As we continue to

strugglew ith these issues,h is book will remaina landmarkp oint of reference.

Joseph S. O'Leary

SophiaU niversityT, okyo

《静观生死:禅宗的智慧与生命的沉思》 本书并非探讨特定学术专著《Philosophical Meditations on Zen Buddhism (Cambridge Studies in Religious Traditions)》的详细内容,而是以一种更普遍、更深入的视角,邀请读者踏上一段关于禅宗智慧与生命本质的哲学沉思之旅。我们在此呈现的,是一场跨越时空的对话,一次对内心深处的回溯,一次对存在的无尽追问。 目录概览: 第一部分:觉醒的开端——禅宗的根基 第一章:无字真经的传承: 追溯禅宗的起源,从释迦牟尼的拈花微笑,到达摩东渡,直至六祖惠能的顿悟。本章并非罗列历史事件,而是着力于展现禅宗“不立文字,教外别传”的核心精神如何孕育,以及它如何成为一种超越语言的生命体验的载体。我们将探讨禅宗如何从印度佛教的繁复教义中脱颖而出,化繁为简,直指人心。 第二章:禅定的力量: 深入解析禅定的实践方法与理论基础。我们并非提供一份简单的静坐指南,而是探索禅定如何作为一种认识世界和认识自我的独特工具。通过对“止”与“观”的精微剖析,以及对不同禅修法门的审慎考量,本章旨在揭示禅定如何帮助我们平息纷扰的思绪,开启内在的觉察力。 第三章:公案的启示: 公案作为禅宗独特的教学工具,其背后蕴含的智慧远超字面意义。本章将选取若干极具代表性的公案,通过解读其叙事结构、人物对话以及最终的“破语”,展现禅宗如何通过悖论、反常识的提问,打破习以为常的思维定势,引导修行者体悟超越二元对立的实相。 第二部分:存在的深渊——禅宗对生命命题的洞察 第四章:我之为我,谁是我?——“无我”的境界: 深入探讨禅宗核心的“无我”思想。我们并非从心理学或社会学的角度来分析“自我”,而是从禅宗的实践体验出发,揭示“无我”并非虚无,而是一种摆脱执念、回归本真的状态。本章将引导读者思考,我们所执着和认同的“我”,在无常的生命流转中,究竟是何面目? 第五章:世间万象,皆是虚幻?——“空性”的理解: 禅宗的“空性”并非虚无主义的消极论调,而是一种对事物本质的深刻洞察。本章将尝试以通俗易懂的语言,阐释“空性”如何并非否定存在的真实性,而是揭示事物相互依存、无自性而存在的真相。我们将探讨“空性”如何引导我们超越对事物的片面认知,培养一种更具包容性和智慧的视角。 第六章:生之喜悦,死之安宁——生死无碍的智慧: 禅宗对生死的态度,是其智慧的集中体现。本章并非讨论死亡的哲学,而是深入探讨禅宗如何通过对生命无常的深刻体悟,帮助我们接纳生命的生灭过程。我们将探讨“生死自在”的境界,以及如何在当下生命的每一个瞬间,活出真实而充盈的意义,从而安然面对生命的终结。 第三部分:实践的当下——将禅宗智慧融入日常生活 第七章:行动中的禅——行、住、坐、卧的觉照: 禅宗的智慧并非仅存于禅堂,更应融入生活的方方面面。本章将引导读者思考,如何在日常的行走、站立、坐卧乃至吃饭、说话中,保持觉察,将禅宗的“正念”融入每一个行为。我们并非提供一套刻板的修行法则,而是鼓励读者在生活中寻找属于自己的“禅”。 第八章:人我关系中的慈悲与智慧: 探讨禅宗如何指导我们在人际交往中展现慈悲与智慧。从理解他人的苦难,到以不带评判的眼光看待差异,本章旨在揭示禅宗如何帮助我们构建更和谐、更具同情心的人际关系。我们将探讨如何将“无我”的智慧应用于处理人际冲突,如何用“空性”的眼光看待他人的行为。 第九章:烦恼即菩提——转化痛苦的艺术: 烦恼与痛苦是人生不可避免的一部分。本章将深入探讨禅宗如何将看似负面的情绪,转化为提升觉悟的契机。我们并非提供简单的“快乐秘籍”,而是引导读者认识到,痛苦的本质并非事物本身,而是我们对事物的执着和分别。通过学习转化痛苦,我们将获得内心的平静与力量。 第十章:活在当下,安住此刻——生命的圆满: 贯穿全书的核心思想,便是“活在当下”。本章将总结前文的论述,并再次强调,禅宗的智慧并非遥不可及的玄学,而是对生命本然状态的回归。我们将探讨如何在纷繁复杂的现代生活中,安住于每一个当下,体验生命的真实与圆满。 这本书不是一本学术论文,也不是一本讲解某个特定著作的导读。它是一扇窗,透过这扇窗,读者可以窥见禅宗智慧的广阔天地。它是一面镜子,映照出我们内心深处的迷茫与渴望。它是一盏灯,指引我们在人生的道路上,找到属于自己的宁静与光明。 我们期待这本书能成为您探索生命、理解存在、活出真实自我的一个有益陪伴。愿您在这段沉思之旅中,有所收获,有所启迪。

作者简介

目录信息

读后感

评分

评分

评分

评分

评分

用户评价

评分

我购买这本书完全是基于对该领域内几位权威学者的推荐,他们一致认为这本书在探讨禅宗的“空性”与现象学之间关联方面,提供了前所未有的洞察力。我的兴趣点主要集中在作者如何处理“当下性”这个核心议题,以及这种处理方式是否能有效地避免陷入纯粹的神秘主义阐释,而是将其置于一个可被审视的哲学框架之内。阅读过程中,我特别留意了作者引用的那些跨学科的文献,那些横跨欧陆哲学与东方思想的引用链条,构建了一个非常扎实的学术基底。作者的论证过程严密得如同精密的仪器,每一个转折点都建立在前文确凿的铺垫之上,这使得即使是面对极具挑战性的概念,读者也能感受到一种被引领的安全感。我发现自己不得不时常停下来,在笔记本上画出概念间的关系图,因为作者构建的知识网络太过庞大和精妙,需要读者投入大量的认知资源去消化和整合。

评分

这本书的排版和字体选择对我这种长时间阅读者来说至关重要。那种适中的行距和清晰的字体,极大地减轻了视觉疲劳。但这仅仅是外在的因素。内在的结构安排更是体现了作者高超的组织能力。全书的章节划分逻辑清晰,仿佛遵循着某种内在的螺旋上升结构——每一章都在前一章的基础上,以一种更细致、更具穿透力的方式重新审视旧有概念。我特别欣赏作者在引入不同流派观点时所采取的平衡策略,他没有偏袒任何一家之言,而是将它们并置,让读者自行在张力中寻找平衡点。这种处理方式,使得原本可能陷入教条主义的论述,反而获得了强大的生命力和开放性。我感觉自己像是在进行一场与古代大师的智力交锋,每一次阅读的进展都伴随着心智的拓宽。

评分

这本书的封面设计散发着一种沉稳而富有禅意的气息,那种深沉的蓝与留白之间的对比,立刻将读者的心绪引向一种宁静的境地。拿到手中时,那种纸张的质感和装帧的精良,也让人感受到出版方在制作上的用心。我之所以选择阅读这本书,很大程度上是出于对其副标题——剑桥宗教传统研究系列——的信任。这个系列的声誉,通常意味着内容的深度和学术的严谨性,让人期待能从中获得对禅宗哲学更系统、更深入的理解,而非仅仅停留在肤浅的介绍层面。我希望它能提供一种多维度的视角,去审视禅宗思想如何与西方哲学传统进行对话,或者至少能为我理解这些复杂的概念提供一个清晰的框架。初翻几页,语言的组织就显示出作者深厚的功底,那种对概念的精准拿捏和逻辑的层层推进,让人对后续的阅读充满了期待。它似乎在引导读者进入一个需要慢下来、去沉思的阅读空间,这本身就是一种对现代快节奏生活的微妙反拨。

评分

作为一名业余的冥想实践者,我寻找的不仅仅是理论,更是一种能与我的日常体验产生共鸣的语言。这本书的价值在于,它成功地搭建了一座沟通理论与实践的桥梁。作者在阐述那些关于“非二元性”的理论时,所使用的比喻和类推,都非常贴合冥想中可能出现的心理状态。例如,他对“心猿意马”的描述,精确到了神经层面的微小波动,但又将其提升到了哲学的宏大叙事之中。这种“既入世又出世”的叙述风格,让我倍感亲切。这本书没有要求我放弃我的生活去追求某种虚幻的彼岸,反而是教导我如何在此时此地,通过对思想的审视,来实现一种内在的安顿。读完后的感觉不是知识的堆砌,而更像是一次彻底的“心智清洁”,让思绪变得更为空灵和敏锐,为接下来的日常活动注入了一种新的、更具觉察力的基调。

评分

坦率地说,我原本对这类探讨宗教哲学的书籍抱有一种审慎的态度,总担心会遇到大量晦涩难懂的术语堆砌,最终沦为少数专业人士的内部讨论工具。然而,这本书的叙事节奏却出奇地具有吸引力。它没有试图用华丽的辞藻去粉饰主题,而是采用了一种近乎“临床”的冷静笔触来解剖禅宗的核心教义。更令人惊喜的是,作者似乎刻意在文本中留出了一些“呼吸的空间”,那些看似不经意的脚注或侧边议论,往往是通往更深层理解的捷径。我喜欢作者那种不动声色的幽默感,那种在极其严肃的哲学探讨中偶尔闪现的、对人类认知局限性的温柔嘲讽。这让整个阅读体验变得人性化,不再是冰冷的学术报告,而更像是一位经验丰富的智者在循循善诱,引导你逐步走近真理的门槛,而不是直接将你推入其中。

评分

理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.

评分

理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.

评分

理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.

评分

理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.

评分

理論為中心的書。對不立文字有比較細緻的探討。但是我覺得還是葛兆光分析不立文字--文字禪說的更透徹。後現代典型:the authors’ voice didn't matter, nor was authenticity—the end is the transmission of right message, always altering according to time and place.

本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度google,bing,sogou

© 2026 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有