Someone has killed one of the most powerful men in the U.S. Senate- and the whole world is watching. Someone has murdered a small black girl on the mean streets of Washington - and no one seems to care. But only D.C. homicide cop Alex Cross suspects that the evil striking down both the high and the lowly wears the same shocking face. From James Patterson, the sensational author of the bestsellers Kiss the Girls and Along Came a Spider, comes Jack Jill, the #1 thriller that breaks all the rules - and shatters every nerve.
A child killer is stalking the inner city of Washington, D.C., his latest victim Shanelle Green, an adorable first grader from Sojourner Truth School. This killing is especially unsettling to Detective Alex Cross. Sojourner Truth is the school his son Damon attends, just four blocks from his home.
While the death of an inner-city black child doesn't garner much media attention, another murder is making big headlines. The same day that Shanelle was beaten to death, Senator Daniel Fitzpatrick was found handcuffed to a bed and shot execution style. The only clue the police have to go on is a bizarre rhyme, signed "Jack and Jill," promising more high-profile executions, ultimately targeting the president of the United States. When Cross is called in to help protect the president, he begins to suspect that the two cases are somehow related. As he races to put all the pieces together, the killers continue their bloody rampage, paralyzing the city.
Like Along Came a Spider and Cat & Mouse, Jack & Jill is a rapid-fire thriller from start to finish, with enough plot twists to satisfy even the most jaded mystery fan.
Patterson's most recent thriller, Hide and Seek, lacked his customary hero, Alex Cross, and didn't catch fire with readers. Here, Patterson brings back the black psychiatrist and Washington, D.C., homicide cop (Kiss the Girls, etc.) for a gripping game of death that will have fans flocking. Two simultaneous investigations bear down on Cross: the first concerns the killings perpetrated by a duo known as "Jack and Jill," who are murdering famous people (beginning with a U.S. senator) in Washington, taunting the police and "practicing for the big one"; the second involves the brutal slayings of young black children in Cross's own Southeast D.C. neighborhood. The Washington P.D. makes Cross its liaison with a frantic Secret Service, FBI and CIA while he sets up his own off-duty team to track the child-killer. Through crisp cross-cutting of multiple points of view, first-person and third, Patterson grabs readers right from the beginning and sweeps them along toward riveting dual climaxes. He adds texture by devoting space to Cross's concern about his own motherless son and daughter (the first murdered child attended the same grammar school as Alex's boy), his growing interest in the school's attractive principal, his dealings with his octogenarian grandmother, Nana Mama (think of an acerbic Dilsey from The Sound and the Fury) and life in the largely black Southeast district. It's fine, full-blooded entertainment from start to finish, with a last-page surprise from an earlier Cross nemesis promising at least one more Cross installment to come. Literary Guild main selection; simultaneous Time Warner AudioBook.
Patterson is back with another winner featuring black Washington, D.C. detective/ psychologist Alex Cross, who is hot on the trail of yet another serial killer. This time out, however, he's faced with double trouble in the form of a killing duo calling themselves Jack and Jill, who threaten to kill politicians and celebrities until they finally reach the president. After several spectacular murders, the police and the White House start to take them seriously. At the same time, yet another psychopath is brutally murdering black schoolchildren. Whew! All of this mayhem keeps Alex jumping and the pages turning. This entry follows Patterson's usual formula of very short chapters, breakneck pacing, and grisly murders followed by a truly surprising ending, complete with an appearance of Gary Soneji, the serial killer from Along Came a Spider (LJ 12/92). Highly recommended for all public libraries.
-?Rebecca House Stankowski, Purdue Univ. Calumet Lib., Hammond, Ind.
Patterson once again keeps the reader's stomach queasy in his latest graphic "nursery rhyme." Returning as protagonist is African American psychologist-turned-detective Alex Cross, who adores his two young kids and his wise, wisecracking grandmother--his source of stability since his wife died. Alex is troubled when a young child is murdered near the school his son attends and frightened when the murderer strikes again. On the other side of town, away from the scary inner-city D.C. streets, a pair of killers who call themselves Jack and Jill are terrorizing the movers and shakers by murdering a series of high-profile people. At each killing, Jack and Jill leave sick rhymes implying that a certain resident of Pennsylvania Avenue is the ultimate target. (It is no coincidence that the murdering duo's moniker is the Secret Service's code name for the president and the First Lady.) When Alex is summoned to help protect the president, who has made powerful enemies by rebuffing business-as-usual politics, Alex is torn between his duty to protect his deteriorating neighborhood and his duty to his country. He belongs with his family, he believes, but the "powers that be" know that he is a master at negotiating with serial killers. A fast-paced, electric story that is utterly believable.
Mary Frances Wilkens
Dual narrators and the clever use of sound effects such as gunshots and crowd noises contribute to this thriller featuring psychologist Alex Cross. Narrators John Rubenstein and Blair Underwood offer their own styles as the story unfolds through different points of view. Underwood perfects Alex Cross's deliberate nature with a steady performance and succeeds in building tension appropriately. Rubenstein's rendering of the killers is equally impressive, showing the aloofness of the almost inhuman sociopaths. Although the abridgment may cause listeners to feel they've missed some of the plot along the way, there is enough to tie everything together in the end. K.M.D.
Can D.C. deputy chief Alex Cross (Hide & Seek, 1995, etc.) stop a demented duo thinning the ranks of the Washington elite en route to assassinating the President? You just might be surprised at the answer. A serial killer (who seems to have sat through the film Network one time too many) is at work. The killer, a self-anointed patriot code-named ``Jack'' has, together with his partner ``Jill,'' organized a bloody vendetta that gives the phrase ``bleeding-heart liberals'' a more visceral meaning. The Secret Service, worried that the doggerel notes signed ``Jack and Jill'' left at each killing might refer to their own code names for President Thomas Byrnes and his First Lady, bring nonpareil cop Cross into the case to help protect the First Family. And you don't need Cross's experience to see that Jack and Jill are working their way up the liberal ladder to the Byrneses when a caller to the President identifies herself as Jill, that Jill, and asks if he's ready to die. But it may not be such a great idea to pull Cross off his present case, a series of child murders, since the killer, convinced that the cops don't care anything about a few dead black kids, begins to see himself in competition with Jack and Jill, and steps up his own campaign accordingly. Meanwhile, it's Cross, whose idea of sharp investigative work consists of flushing suspects into futile, cinematic chases, versus Jack and Jill, whose improbable identities will be swiftly, abundantly clear to most readers as they continue to run rings around the hapless FBI, the CIA, and the Secret Service, even from beyond the grave. Makes you wonder. The real surprise here, though, is the cavalier lack of closure to this paranoid fantasy, as if an Oliver Stone film ended without fingering the conspirators. Even Patterson's most ardent admirers should beware of this dog. (Literary Guild main selection; $650,000 ad/promo for Jack and Jill and Miracle on the 17th Green, a Nov. title to come; author tour; radio satellite tour)
In the middle of the night, a controversial U.S. senator is found murdered in bed in his Georgetown pied-a-terre. The police turn up only one clue: a mysterious rhyme signed "Jack and Jill" promising that this is just the beginning. Jack and Jill are out to get the rich and famous, and they will stop at nothing until their fiendish plan is carried out. Meanwhile, Washington, D. C., homicide detective Alex Cross is called to a murder scene only blocks from his house, far from the corridors of power where he spends his days. The victim: a beautiful little girl, savagely beaten--and desposited in front of the elementary school Cross's son, Damon, attends. Could there be a connection between the two murders? As Cross tries to put the pieces together, the killer- or killers - strike again. And again. No one in Washington is safe - not children, not politicians, not even the President of the United States. Only Alex Cross has the skills and the courage to crack the case-but will he discover the truth in time?
length: (cm)17.2 width:(cm)10.7
我對主角群的塑造深感震撼,他們絕非傳統意義上的“好人”或“壞人”,而是充滿瞭矛盾和灰色地帶的復雜個體。作者沒有急於給任何角色貼上標簽,而是通過大量的內心獨白和極其真實的對話衝突,展現瞭他們在特定社會背景下的選擇是如何被環境和過往經曆所塑造的。我尤其關注那個配角,他初看似乎隻是個推動情節的工具人,但隨著故事的深入,你會發現他行為邏輯的連貫性和內在的痛苦,讓人不禁反思我們對身邊那些“邊緣人物”的刻闆印象是否過於草率。書中對於“信任”這一主題的探討也極為深刻,它並非一蹴而就,而是經曆瞭一次次試探、背叛和重建的過程,這種真實感讓人在閱讀過程中時常會為角色的每一次脆弱而感到揪心。這種對人性的細緻剖析,使得即便是最誇張的情節發展,也因為角色的內在真實性而獲得瞭閤理的支撐。總而言之,這是一部關於“人之所以為人”的深度考察,閱讀體驗是既愉悅又略帶沉重的。
评分這本書的語言風格,用“華麗”來形容可能都不夠貼切,它更像是一種富有音樂性和節奏感的散文詩。我發現自己不止一次地停下來,僅僅是為瞭重讀某一段落的措辭組閤。作者似乎對詞語的音韻和意境有著近乎偏執的追求,他能用一種非常規但又無比精準的方式來描述那些難以言喻的情緒,比如那種夾雜著懷舊與不安的“黃昏感”,或者“記憶如同被海水浸泡過的舊照片”這種富有畫麵衝擊力的比喻。這種對文學性的極緻追求,讓閱讀本身變成瞭一種美學體驗。雖然我必須承認,對於某些追求直白敘事的讀者來說,這種語言密度可能會稍顯“厚重”,但對我而言,這正是其魅力所在。它迫使你放慢速度,去品味每一個動詞和形容詞帶來的微妙的情感色彩。讀完後,那種文字沉澱在腦海中的餘韻,遠比故事本身的情節更持久,它留下的是一種對於語言錶達潛能的敬畏。
评分這部作品的社會批判力度,是它最讓我印象深刻的一麵。它並非那種高舉大旗、口號式的批判,而是將尖銳的社會觀察巧妙地編織進瞭日常生活的肌理之中。它不動聲色地揭示瞭在特定社會結構下,個人追求自由和尊嚴所要付齣的隱性代價。無論是對階層固化帶來的無力感,還是對主流敘事中被犧牲掉的那些無名之輩的描繪,都精準而有力。作者似乎對權力的運作機製有著深刻的理解,他沒有將反派塑造成麵目可憎的符號,而是展示瞭製度如何腐蝕人心,使原本善良的人也成為瞭體製的執行者和維護者。這種潛移默化的揭示,比直白的控訴更具穿透力,因為它讓我們意識到,那些看似堅不可摧的社會藩籬,其實是由無數普通人的妥協和習慣性服從共同構建的。讀完後,我感覺自己對周遭環境的觀察變得更加敏銳和審慎,這是一種非常難得的閱讀迴饋。
评分如果從結構主義的角度來看待這部作品,我會說它在對“真相的碎片化呈現”方麵做得極為齣色。故事綫索並非單綫直下,而是像一個錯綜復雜的迷宮,充斥著虛假信息、被刻意隱藏的秘密,以及被主角們自己構建的謊言。作者巧妙地利用不同角色的主觀視角來拼湊曆史的真相,而讀者則扮演瞭一個偵探的角色,必須不斷地質疑所看到的一切。這種不確定性極大地增強瞭閱讀的參與感和智力挑戰性。我尤其喜歡那種在一個章節的結尾,突然拋齣一個足以顛覆前文理解的關鍵信息點,讓你不得不倒迴去重新審視之前所有發生的事情。這種“迷霧重重”的設計,並非為瞭故弄玄虛,而是深刻地反映瞭生活中的信息不對稱和認知偏差。它成功地將一個看似簡單的衝突故事,提升到瞭對“何為真實”這一哲學命題的探討層麵。
评分這本書的敘事節奏簡直是教科書級彆的範本,作者對時間綫的掌控齣神入化。我幾乎能感受到每一個場景的轉換,那種流暢自然,仿佛我不是在閱讀文字,而是在觀看一場精心剪輯的電影。尤其是在描繪主角們在睏境中掙紮和最終實現目標的那幾個關鍵轉摺點,作者的處理方式極為細膩,毫不拖泥帶水,卻又保留瞭足夠的情感張力,讓讀者在心潮澎湃中自然而然地被推嚮下一個高潮。我特彆欣賞作者對於環境細節的捕捉,無論是那個古老小鎮的潮濕空氣,還是都市夜晚霓虹燈下的那種疏離感,都通過精準的詞匯構建起來,極具代入感。這種對畫麵感的執著,使得故事中的人物行動和動機都顯得格外真實可信,完全擺脫瞭許多小說中那種為瞭推動情節而生硬設置障礙的弊病。每一次閱讀,我都會因為作者巧妙的布局而感到驚喜,他似乎總能在你預料之外的地方埋下伏筆,而當真相揭曉時,所有的綫索又完美地匯聚在一起,形成一個完整而令人信服的閉環。這絕不是一部可以囫圇吞棗的作品,需要細細品味那些隱藏在字裏行間對人性復雜性的深刻洞察。
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