Editorial Reviews
From Publishers Weekly
In his striking debut collection, Coake considers how character is revealed under pressure. The title story is a stunner, a series of three vignettes in which a young man recalls a tragic accident, two lovers witness a death and a married couple grapple with the husband's terminal cancer. A misfit couple breaks into an Upper Peninsula cabin, but find themselves trapped in a blizzard in "Abandon." In "Cross Country," a man estranged from his wife takes their young son on a road trip; several shifts in point of view—from father, to son, to an outside observer—throw the dynamics of their relationship into question and blur the lines between love and menace. The story concludes with an ambiguous gesture made with protective intent: "He tightens his grip on the wheel, and concentrates instead on what he knows: the flat horizon stretched out ahead. The soft warmth of the boy's neck. His hand resting on it. The way his fingers curl, to fit its shape." "A Single Awe" introduces Dana, a married woman tormented by adulterous thoughts. Her husband is a good but dull man, and the selfless act of heroism that won her love also revealed her own limitations. With unadorned but dramatic, economical prose, Coake explores the human capacity for altruism and cowardice in these high-stakes tales.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In these seven harrowing short stories, the characters often face serious physical danger, from nearly being engulfed in a fiery auto wreck to succumbing to the cold while snowbound in Michigan's Upper Peninsula. Spurred by these extreme situations, the characters experience deep emotional insights, although the painful truths they learn about themselves can be discomfiting. The scenarios depicted are dramatic and suspenseful, which adds immeasurably to the stories' readability. In "All through the House," for example, one of the most affecting stories in the collection, a sheriff in rural Indiana must escort a best-selling true-crime writer as she seeks information about a notorious murder-suicide. A house in the woods is the site of the Christmas Eve massacre, in which an enraged husband killed his entire family and then himself. He was the sheriff's best friend from childhood. As the sheriff grimly stonewalls the writer and her incessant probing, the scenes shift to the night of the murders and then further back, to childhood. Gripping reading from a talented newcomer. Joanne Wilkinson
Copyright © American Library Association. All rights reserved
Coake is the author of a collection of short stories, We're in Trouble (Harcourt, 2005),[1] for which he was awarded the PEN/Robert Bingham fellowship in 2006. He was named by the 2007 issue of the British fiction journal Granta as one of the twenty "Best Young American Novelists."
Coake currently resides in Reno, Nevada, where he teaches creative writing at the University of Nevada, Reno. He is currently at work on his first novel.
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与其说这是一部小说,不如说它是一本关于时间与记忆的哲学探讨集。作者巧妙地运用了非线性叙事结构,将过去、现在和未来在同一页纸上交织缠绕,让人不得不时刻保持警惕,去拼凑那些看似破碎的线索。这种叙事手法极具挑战性,但回报也是丰厚的,因为当所有的碎片最终归位时,那种豁然开朗的震撼感是无与伦比的。书中对某些特定历史时期的社会风貌描摹,其考据之严谨令人叹为观止,每一个道具、每一句俚语都仿佛是从那个时代“打捞”出来的,带着岁月的沉淀。我感觉作者在这本书里倾注了巨大的心血去构建一个自洽的世界观,它宏大却不空泛,充满了细微的、可触摸的真实感。读完之后,我甚至对现实生活中的某些既定认知都产生了微妙的动摇,这正是一部伟大作品应有的力量。
评分这本书的叙事节奏简直像一场精心编排的舞台剧,每一章的转折都出乎意料却又在情理之中。作者对人物心理的刻画细腻入微,即便是那些看似配角的角色,其内心的挣扎与成长轨迹也描绘得栩栩如生。我尤其欣赏作者在处理复杂情感关系时的克制与精准,没有落入俗套的狗血桥段,而是让人物的情感变化顺应着事件的自然发展而水到渠成。书中的对话部分更是精彩,充满了生活的质感和机锋,几句简短的交流,往往能透露出人物深层的动机和未言明的秘密。阅读过程中,我好几次停下来,反复咀嚼某些段落的措辞,那种文字带来的韵律感和画面感实在太强了。它不像是在读一个故事,更像是在参与一场深刻的集体体验,让人在合上书本后,仍能感受到角色们的呼吸和心跳。这种沉浸式的阅读感受,是近年来难得一见的佳作所能提供的。
评分我必须承认,这本书的开篇稍微有些慢热,它用大量的篇幅来建立一个看似平淡无奇的生活场景,铺陈着日常的琐碎和重复。但请相信我,一旦你熬过了最初的沉淀期,接下来的情节爆发力是排山倒海的。作者的高明之处在于,他用这种极度的“日常化”来反衬后续“非日常事件”的突兀和残酷。书中的幽默感也是恰到好处的,它不是那种刻意的插科打诨,而是源于人物面对困境时,那种近乎荒谬的、自我保护式的黑色幽默。读到那些让人会心一笑的地方,紧接着就是心头一紧的错愕,这种情绪的快速切换,让阅读体验充满了活力和不可预测性。对于追求剧情张力,又不满足于表面热闹的读者来说,这本书无疑是一剂强心针。
评分这本书的文风非常独特,它带着一种近乎冷峻的、新闻报道式的客观,却又在冰冷的文字表面下暗藏着炙热的情感熔岩。作者似乎刻意拉开了与读者的距离,用一种冷静的旁观者的视角来审视这群被命运推搡着向前走的人们。起初我有些不适应这种疏离感,觉得人物的情感不够外露,但渐渐地,我发现这种“不介入”反而更显力量——它迫使读者必须自己去感受,去填补那些被留白的、最富张力的部分。书中关于环境变迁和个体渺小的对比,写得尤其震撼人心。那些关于自然力量的描绘,宏大得让人感到自身的无足轻重,却又在极小的细节中捕捉到了生命顽强的韧性。这是一部需要静下心来,反复研读才能体会其精髓的文本,每一次重读都会发现新的层次。
评分这本书的语言风格充满了强烈的地域色彩,仿佛能闻到空气中弥漫的泥土和海水的味道。作者对地方习俗和人物行为模式的捕捉,精准得像是人类学家的田野调查报告,但其文字的优美性又远远超出了学术的范畴。它像一首流动的、带有民谣气息的叙事诗,节奏舒缓,韵脚自然。我特别喜欢其中描绘的几代人之间那种代际的隔阂与最终的和解,它没有用宏大的口号去宣扬家庭和睦,而是通过一个个细微的、充满遗憾的互动片段,展现了爱是如何在误解与时间中艰难存续的。这种根植于土地和家族历史的叙事,给予了故事一种沉甸甸的重量感,让人在阅读时,油然而生一种对“传承”二字的敬畏之情。
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