How Fiction Works

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詹姆斯•伍德(James Wood,1965— ),英國著名文學評論傢、作傢,現任哈佛大學文學批評實踐教授和《紐約客》專欄作傢。

出版者:Picador
作者:James Wood
出品人:
頁數:288
译者:
出版時間:2009-7-21
價格:USD 17.00
裝幀:Paperback
isbn號碼:9780312428471
叢書系列:
圖書標籤:
  • 文學理論 
  • 閱讀與書 
  • 閱讀 
  • 英美文學 
  • 電子版 
  • 文論 
  • 原版 
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In the tradition of E. M. Forster's "Aspects of the Novel" and Milan Kundera's "The Art of the Novel," "How Fiction Works" is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to "Make Way for Ducklings," from the Bible to John le Carre, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, "How Fiction Works" will be enlightening to writers, readers, and anyone else interested in what happens on the page.

具體描述

讀後感

評分

叙述 不可靠叙述(不可靠的第一人称叙述者,其自知之明不及最后的旁观者清) 第一人称叙事者经常是高度可靠的,简爱从一个后见之明讲述她的故事。表面上不可靠的叙事者也往往是可靠的不可靠。如亨伯特·亨伯特,作者一路提醒,让小说教会我们如何让阅读它的叙事...  

評分

《琅琊榜》近来比较火,好奇之下,把书和剧都找来看了,然后有点窝火,因为浪费了好几天时间。这么低劣的东西,被捧上神坛,奉为良心之作,可见今日之中国,神不过就是地摊上卖的泥塑木雕,良心属于同样廉价的玩意儿。 那谁说了,没有省察的人生是不值得过的人生,因此我反思了...  

評分

今年四十六岁的詹姆斯·伍德在英语文学界知名度极高。伍德08年被评为世界最顶尖的三十位批评家之一,也有人评价他为“他那一代最出色的文学评论家”;2010-11年度柏林奖研究员职位获得者。伍德现为《纽约客》的专职作家,同时也是哈佛大学文学批评实践教授。从伊顿公学到剑桥大...  

評分

今年四十六岁的詹姆斯·伍德在英语文学界知名度极高。伍德08年被评为世界最顶尖的三十位批评家之一,也有人评价他为“他那一代最出色的文学评论家”;2010-11年度柏林奖研究员职位获得者。伍德现为《纽约客》的专职作家,同时也是哈佛大学文学批评实践教授。从伊顿公学到剑桥大...  

評分

《小说机杼》在123小节戛然而止。译者的事就算结了。但詹姆斯·伍德背后还有太多亟待挖掘。作为读者,我像黑色故事里的那种侦探,不愿停手。 英语有个诡趣,“声名远播”(famous)常故意和 “恶名昭著”(infamous)通用。詹姆斯•伍德正是一位堪称infamous的批评家。从最...  

用戶評價

评分

James’ original choice of the book title was The Nearest Thing to Life. He didn’t tell us why he adopted this one, yet he did mention where he got the idea from G.E, “Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot.” Perceptive and accurate.

评分

James’ original choice of the book title was The Nearest Thing to Life. He didn’t tell us why he adopted this one, yet he did mention where he got the idea from G.E, “Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot.” Perceptive and accurate.

评分

James’ original choice of the book title was The Nearest Thing to Life. He didn’t tell us why he adopted this one, yet he did mention where he got the idea from G.E, “Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot.” Perceptive and accurate.

评分

James’ original choice of the book title was The Nearest Thing to Life. He didn’t tell us why he adopted this one, yet he did mention where he got the idea from G.E, “Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot.” Perceptive and accurate.

评分

James’ original choice of the book title was The Nearest Thing to Life. He didn’t tell us why he adopted this one, yet he did mention where he got the idea from G.E, “Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot.” Perceptive and accurate.

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