Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay 'The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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尤其是The Sandman，和弗兰肯斯坦一样作为浪漫主义文学一样，大致是关于不愿成熟的男人，如母亲一样般细腻的爱人，和未知事物的盘旋于毁灭，都是精神分析的好文本。弗洛伊德的解释把故事变得迷人了许多
评分尤其是The Sandman，和弗兰肯斯坦一样作为浪漫主义文学一样，大致是关于不愿成熟的男人，如母亲一样般细腻的爱人，和未知事物的盘旋于毁灭，都是精神分析的好文本。弗洛伊德的解释把故事变得迷人了许多
评分@RED 作为小说家的技术其实一般，但都是坐等改编成电影和喜剧的故事啊！
评分@RED 作为小说家的技术其实一般，但都是坐等改编成电影和喜剧的故事啊！
评分@RED 作为小说家的技术其实一般，但都是坐等改编成电影和喜剧的故事啊！
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