Valley of the Dolls was sexy, shocking, and unrelenting in its revelations of the dangers facing women who dare to chase their most glamorous dreams. It shot to the top of the bestseller lists in 1966 and made Jacqueline Susann a superstar. It remains the quintessential big, blockbuster, must-read, can t-put-down bestseller.Before her death in 1974, Susann spent many months working on a draft for a sequel that continued the stories of Anne Welles, Neely O Hara, and Lyon Burke. Now, after nearly thirty years, the perfect writer has been found to turn Susann s deliciously ambitious ideas into a novel that matches the original shock for shock and thrill for thrill.In Jacqueline Susann s Shadow of the Dolls, Rae Lawrence — herself a bestselling author — picks up the story in the late 80s and brings it right into the new century. Long a devoted “Valley” girl herself, Rae has re-imagined the original characters in a contemporary reality (and adjusted their ages just a bit), exactly as Jackie would have wanted her to. And if you ve never read Valley of the Dolls, no matter. Sometimes the present is even more surprising and fun when you don t remember the past.And what a story! Neely s golden voice has brought her fame and success, but now she craves acceptance in social circles where her kind of celebrity means nothing at all. Anne, born and bred in those very circles, must choose between returning home or pursuing a fabulous television career — and the kind of passion she once knew with Lyon. And Lyon, who loses everything including Anne, looks for happiness in the most unexpected of places.Taking us behind the closed doors of New York, East Hampton, and Los Angeles, whetting our appetites for more with a new generation of young women and men who grow up far too fast, and spicing the whole story with a generous sprinkling of sex, drugs, and cosmetic surgery, Jacqueline Susann s Shadow of the Dolls is the ultimate beach read for our time. But feel free to devour it any time of the year, wherever you are.It s been a long time since readers had this much fun between the covers. It s time to jump back in.Anne Welles . . . She finds the courage to leave the only man who ever made her feel like a woman . . . She fights her way to the top of a television career that is even more cutthroat than she s been warned . . . She finds security and contentment with the kind of man she was destined to marry . . . Now she must choose between destiny and her dreams.Neely O Hara . . . Her talents take her to the top, while her troubles drag her through rehab after rehab . . . She grasps at the things Anne has turned her back on (her class, her man) . . . She always knows exactly what she wants, and will do whatever it takes to make her dreams come true.Lyon Burke . . . He takes lovers over love . . . He hustles other people s talent while neglecting his own . . . He always knows how to look, which restaurants offer the perfect drink and the most cachet, who to pursue, and where to find the best percentage . . . He waits so long to realize his dreams that in the end it may be too late.Jacqueline Susann s Valley of the Dolls was one of the sexiest, most shocking, and most sensational novels ever to fly off the shelves. Now, thanks to bestselling novelist Rae Lawrence — working from Susann s own draft for a sequel — the fun has just begun.
看完這本書,我産生瞭一種奇怪的、混閤著被背叛與被啓迪的復雜情緒。敘事上的不確定性被推嚮瞭極緻,你手中的“事實”如同被沙子做的房子,隨時可能在一陣風中坍塌。作者的高明之處在於,他讓你相信瞭你所看到的一切,讓你對某個角色深信不疑,讓你在最關鍵的時刻纔發現,你所依賴的那個“指南針”其實指嚮的是虛無。這種對讀者信任的反復利用和瓦解,在當代小說中是相當罕見的。我特彆欣賞它在處理“記憶”這一主題時所采用的手法,記憶在這裏不是一個靜態的檔案庫,而是一個不斷被重寫、被汙染的戰場。書中充斥著大量的閃迴和未經驗證的獨白,你必須學會在真假難辨的河流中遊泳。坦率地說,這種閱讀體驗讓人精疲力盡,因為它要求你不斷地進行自我修正和立場轉換,你甚至不能相信自己的閱讀感知。但正是這種摺磨,帶來瞭最終的頓悟——也許存在的本質就是一種不斷被建構和解構的敘事。這本書的後勁非常大,它不是那種讀完就扔的書,它會像一個幽靈一樣,在你處理日常事務時突然跳齣來,讓你重新審視你對過去事件的認知。
评分從文學流派的角度來看,這本書似乎拒絕被簡單歸類,它像一個收容瞭各種文學“病原體”的巨大容器。你可以在其中瞥見哥特式小說的陰影,感受到現代主義對時間流逝的焦慮,甚至能捕捉到一些後現代主義對意義本身的嘲弄。這種融閤並非生硬的拼貼,而是一種有機體的生長,各種元素相互滲透,形成瞭一種獨特的、難以定義的“氣質”。特彆是作者對“時間”的非綫性處理,它不是簡單的倒敘或插敘,而是多重時間層級的疊加,過去、現在和潛在的未來在同一句話中並存、甚至相互矛盾。我必須承認,在閱讀中期我曾感到迷失,因為我試圖用單一的邏輯框架去套牢它,但最終我領悟到,這部作品的“意義”就在於它的多義性。它不是要給你一個答案,而是要你適應沒有終極答案的狀態。它更像是一麵棱鏡,將我們習以為常的現實世界摺射齣無數細碎、不和諧卻又異常真實的光譜。這是一部需要讀者放下既有閱讀期待,以一種近乎開放的心態去擁抱其混亂與深邃的傑作。
评分這部作品的聲場設計簡直是大師級的。我很少在一本書中感受到如此清晰的“聽覺”維度。作者似乎非常擅長運用文字來模擬那些微小、令人不安的聲音:腐爛木材發齣的吱呀聲、遙遠鍾樓傳來的沉悶迴響、以及那種仿佛在耳膜內側持續不斷的、低頻的嗡鳴。這不僅僅是環境烘托,這些聲音本身就是敘事的一部分,它們是角色心理狀態的外化,是潛意識的入侵。例如,書中某個特定場景中對“水滴聲”的重復描寫,從最初的令人放鬆,逐漸演變成一種無法逃脫的審判般的節奏,這種細微的聲學變化被捕捉得入木三分。你幾乎不需要想象,聲音就會自己鑽進你的腦子裏。這使得閱讀過程變得非常私人化和沉浸式,仿佛你就是那個被睏在密閉空間裏,對外界刺激過度敏感的主角。這種專注於聽覺的描寫,成功地避開瞭許多同類作品中常見的那種視覺主導的平庸,提供瞭一種更加原始和本能的恐怖體驗。如果這部作品能被改編,我相信它的音效設計將是其最大的賣點之一,因為它已經將聲音的潛力在文字層麵發揮到瞭極緻。
评分我必須承認,這本書在結構上的野心令人敬畏,但同時也帶來瞭一種近乎傲慢的疏離感。它更像是一個精密的鍾錶機械,每一個齒輪——無論是時間綫的跳躍,還是不同敘事視角的切換——都被安排得天衣無縫,但這種完美卻少瞭一種人性的溫度。如果你期待的是那種能讓你熱淚盈眶或者拍案叫絕的直接情感衝擊,那你可能會感到挫敗。作者似乎更熱衷於構建一個宏大的、冷峻的邏輯迷宮,引導讀者去解構其內部的權力結構和隱藏的符號係統。閱讀過程更像是一場智力上的攀登,需要大量的背景知識和對文學典故的熟悉度纔能真正領略其深層意涵。我花瞭大量的篇幅去查閱那些晦澀的哲學引用和曆史背景,而一旦你將這些碎片拼湊起來,作品的整體圖景便會展現齣一種冰冷的、近乎數學般的美感。但這種美感是需要讀者付齣巨大努力纔能獲取的,它不會主動迎閤你。對於那些追求輕鬆閱讀體驗的讀者來說,這可能是一次艱難的遠徵;但對於那些熱衷於深度文本分析和解構主義閱讀的“硬核”讀者來說,這無疑是一座值得長期探索的寶庫。它挑戰的不是你的恐懼,而是你的智識耐受度。
评分這本書簡直是文字的饕餮盛宴,每一頁都散發著一種近乎腐朽的華麗感。作者對於環境細節的描摹達到瞭令人發指的地步,那種陰鬱、潮濕的氛圍仿佛能滲透到讀者的皮膚裏。我不是在“閱讀”故事,我更像是被吸入瞭一個由鉛灰色天空和永不熄滅的煤氣燈構成的迷宮。敘事節奏的處理非常高明,它不是那種一馬平川的綫性推進,而是像一條潛伏在泥沼中的蛇,時而緩慢地蠕動,積蓄著令人窒息的張力,時而又猛地竄齣,用一個突如其來的轉摺將你拋嚮深淵。人物的內心掙紮被剖析得淋灕盡緻,他們的動機復雜得像一團打滿瞭死結的麻繩,你永遠無法完全確定誰是受害者,誰又是隱藏在最深處的操縱者。這種模糊性帶來的閱讀體驗是極其刺激的,它迫使你不斷地質疑你所看到的一切。更令人稱道的是,作者對語言的掌控力,那些詞匯的選擇,仿佛是從一個陳舊的、落滿灰塵的維多利亞式圖書館裏精心挑選齣來的古董,每一個詞都有其沉重的曆史感和獨特的紋理。讀完之後,我感覺自己像是剛從一場漫長而詭譎的夢境中醒來,那種宿醉般的恍惚感和對現實世界清晰度的懷疑,久久不能散去。這是一部需要慢品、需要反復咀嚼的作品,任何急躁的翻閱都會錯過它隱藏在字裏行間的那些精妙的、令人不寒而栗的低語。
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