The Kite Runner of Khaled Hosseini's deeply moving fiction debut is an illiterate Afghan boy with an uncanny instinct for predicting exactly where a downed kite will land. Growing up in the city of Kabul in the early 1970s, Hassan was narrator Amir's closest friend even though the loyal 11-year-old with "a face like a Chinese doll" was the son of Amir's father's servant and a member of Afghanistan's despised Hazara minority. But in 1975, on the day of Kabul's annual kite-fighting tournament, something unspeakable happened between the two boys.
Narrated by Amir, a 40-year-old novelist living in California, The Kite Runner tells the gripping story of a boyhood friendship destroyed by jealousy, fear, and the kind of ruthless evil that transcends mere politics. Running parallel to this personal narrative of loss and redemption is the story of modern Afghanistan and of Amir's equally guilt-ridden relationship with the war-torn city of his birth. The first Afghan novel to be written in English, The Kite Runner begins in the final days of King Zahir Shah's 40-year reign and traces the country's fall from a secluded oasis to a tank-strewn battlefield controlled by the Russians and then the trigger-happy Taliban. When Amir returns to Kabul to rescue Hassan's orphaned child, the personal and the political get tangled together in a plot that is as suspenseful as it is taut with feeling.
The son of an Afghan diplomat whose family received political asylum in the United States in 1980, Hosseini combines the unflinching realism of a war correspondent with the satisfying emotional pull of master storytellers such as Rohinton Mistry. Like the kite that is its central image, the story line of this mesmerizing first novel occasionally dips and seems almost to dive to the ground. But Hosseini ultimately keeps everything airborne until his heartrending conclusion in an American picnic park. --Lisa Alward, Amazon.ca --This text refers to the Hardcover edition.
'A gripping read and a haunting story of love, loss and betrayal. Guaranteed to move even the hardest heart' Independent 'Shattering devastating and inspiring' Observer 'Harrowing yet exhilarating The beautifully honed prose and the perfectly controlled narrative keep a tight rein on the horrors that unfold in this haunting, morally complex tale' Daily Telegraph 'Stunning and heartbreaking in its quiet intensity Hosseini's writing is meticulous and evocative' Guardian
'Beautifully nuanced, and the moment of Amir's ultimate betrayal is genuinely shocking. It is a passionate story' --This text refers to the Paperback edition.
'If you liked The God of Small Things, then you'll love The Kite Runner ... compelling' --This text refers to the Paperback edition.
'Told with simplicity and poise, it is a novel of great hidden intricacy and wisdom like a timeless Eastern tale' --This text refers to the Paperback edition.
‘A marvellous first novel ... It's an old-fashioned kind of novel that really sweeps you away’ --This text refers to the Hardcover edition.
‘Poignant ... offers a moving portrait of modern Afghanistan, from its pre-Russian-invasion glory days through the terrible reign of the Taliban’ --This text refers to the Hardcover edition.
'Hosseini's description of a childhood friendship between two boys in Kabul is a moving reflection on Afghanistan's upheavals’ --This text refers to the Hardcover edition.
‘This is one of those unforgettable stories that stay with you for years ... extraordinary ... powerful’ --This text refers to the Hardcover edition.
'Hosseini's sparkling descriptions of people, places and emotions never dry up. Hosseini is a truly gifted teller of tales' --This text refers to the Hardcover edition.
'An epic tale ... shattering ... Amir's story is simultaneously devastating and inspiring ... sharp and unforgettable' --This text refers to the Hardcover edition.
這本書的封麵設計簡直是視覺的盛宴,那種深沉的靛藍色背景,配上燙金的字體,一眼望去就帶著一股沉澱多年的曆史感和文學的厚重。我拿到手的時候,那種紙張特有的微澀感和油墨的清香,讓人忍不住想立刻沉浸其中。它不是那種輕飄飄的流行讀物,更像是某個古老書房裏被珍藏的寶藏,每一頁都仿佛能觸摸到那些文字背後的重量。盡管我還沒翻開內頁,僅僅是這裝幀的考究程度,就足以讓人對接下來的閱讀充滿期待。我猜想,這一定是一本經過精心挑選、匯集瞭世紀精華的作品集,它承諾的“21 Great Bloomsbury Reads”這個標題本身就帶著一種權威性和篩選的嚴謹性,仿佛是在為我們這些熱愛深度閱讀的讀者勾勒齣一條通往二十一世紀文學高峰的路綫圖。光是這種被“精選”的感覺,就讓人覺得這筆投資絕對值得,它暗示著我們即將接觸的不是一般的敘事,而是那些真正能觸動時代脈搏、經受住時間考驗的傑作。
评分從純粹的功利角度來看,這本書的定價雖然不算低廉,但考慮到它匯集瞭二十一篇“偉大”的作品,平均下來,每篇的成本其實是相當劃算的。這相當於用一個較為集中的投資,就能一次性擁有二十一個不同作者的聲音和視角,這對於想要快速瞭解二十一世紀初文學格局的讀者來說,是一個高效的捷徑。我把它看作是一種知識的濃縮和提煉,是想要構建一個紮實文學品味基礎的“入門工具箱”。它省去瞭我大海撈針般去尋找那些散落在各處獲奬雜誌或小眾期刊中的佳作的時間和精力。而且,即使隻是把這本書放在客廳的書架上,它散發齣的那種“我是一個有深度閱讀習慣的人”的無聲宣言,也是一種微妙的社交資本。它不僅僅是內容,更是一種身份的象徵,代錶著對高品質文化消費的追求。
评分這本書的排版布局透露齣一種對讀者體驗的極緻尊重,頁邊距的處理恰到好處,既保證瞭足夠的留白,讓眼睛在閱讀長篇幅文字時能夠得到充分的休息,又不至於讓篇幅顯得過於空曠而顯得單薄。字體的選擇也非常經典,那種襯綫體的優雅感,讓閱讀過程成為一種享受而非負擔。我尤其欣賞它在章節過渡頁上的設計,往往會有一兩句引人深思的引言或者一個極簡的裝飾性圖形,這種細膩的處理方式,讓原本可能有些枯燥的閱讀過程變得充滿瞭儀式感。它不像某些快餐讀物那樣追求速度,而是鼓勵你慢下來,去品味每一個句子的韻律和節奏。從物理層麵上來說,這本書的裝訂也極為牢固,平裝本卻有著精裝書的耐用性,這說明齣版商在製作過程中是下足瞭功夫的,目的是讓這本書能夠長久地陪伴讀者,成為書架上可以反復翻閱的夥伴,而不是一次性消費品。
评分我嚮來對“選集”類的圖書抱有一種審慎的態度,因為很多時候,選集往往是作者的“大雜燴”,缺乏統一的主題或連貫的情感綫索。然而,這本《The Kite Runner: 21 Great Bloomsbury Reads for the 21st Century》的副標題卻讓人眼前一亮,它似乎在暗示,這裏麵的每一篇文章或故事,雖然各自獨立,卻共同構成瞭一幅關於二十一世紀精神麵貌的宏大圖景。我猜想,這些作品一定是在探討諸如身份認同的模糊性、技術對人性的異化、全球化背景下的文化衝突等核心議題。我期待看到不同風格的作者如何從各自獨特的視角切入這些時代母題,他們的文字是否能提供新的洞察力,或者僅僅是重復我們已經厭倦的陳詞濫調。這種期待感非常強烈,因為它考驗的不僅僅是選篇的眼光,更是齣版方對當代文學精神的把握深度。
评分說實話,我購買這本書很大程度上是衝著“Bloomsbury”這個品牌去的,這個名字在文學界,尤其是在英美文學圈子裏,本身就是一種質量的保證。它讓人聯想到那些思想深邃、敘事大膽的文學先驅們。因此,我預設這本書中的選文一定不會是那種人雲亦雲、安全無害的作品,它們很可能帶有一定的批判性、實驗性,甚至可能在主題上會觸及一些敏感或復雜的人類經驗。我希望看到那些敢於挑戰傳統敘事結構,並且在語言上有所創新的作品。如果這21篇選作都是中規中矩的商業小說,那這個名頭就顯得有些言過其實瞭。我更希望它們能提供一種智力上的挑戰,迫使我跳齣舒適區,去理解那些尚未被完全馴服的思想流派,去感受文學在探討“人類如何存在於這個新世紀”時的那種陣痛與輝煌。
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