A Brief History of Curating pdf epub mobi txt 電子書 下載2025
漢斯•烏爾裏希•奧布裏斯特，1968 年生於瑞士蘇黎世，現為倫敦蛇形畫廊展覽與國際項目總監，是活躍於當代藝術界的國際策展人和批評傢。奧布裏斯特迄今曾參與策劃和發起瞭至少150 多個展覽與項目，並編撰有70 多本學術著作，他的訪談項目已經積纍瞭近2000 小時的錄音素材，涉及無數全球重要的藝術傢，因為他的影響力，他連續兩年在《藝術評論》雜誌的“藝術權力榜”中名列全球第二。
- 策展
- 藝術
- criticism
- HansUlrichObrist
- curatorship
- Art.History
- 設計
- 藝術史
Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a 'spiritual guest worker'... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice--itself defined by selection and arrangement--would come to be seen as an art that operates on the field of art itself?"
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Museums have long been considered as “the cemetery for art” and “the heaven for dead useless objects.” In his conversation with HOU, Seth Siegelaub stipulates that the old-fashioned definition of the functions of a museum is “historicization,” that mu...
評分 評分 評分Museums have long been considered as “the cemetery for art” and “the heaven for dead useless objects.” In his conversation with HOU, Seth Siegelaub stipulates that the old-fashioned definition of the functions of a museum is “historicization,” that mu...
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评分When new cultural formations appear they tend to use fragments from already obsolete forms. The future is constructed out of elements from the past - nothing appears ex nihilo. Curators are not archeologists. They are a guide into artistic landscapes that are yet to emerge.
评分全書精華部分在前言，剩下的真的很垃圾，同班同學也都再說hans的書真的很水，某畫廊主視作珍寶我實在不理解
评分全書精華部分在前言，剩下的真的很垃圾，同班同學也都再說hans的書真的很水，某畫廊主視作珍寶我實在不理解
评分When new cultural formations appear they tend to use fragments from already obsolete forms. The future is constructed out of elements from the past - nothing appears ex nihilo. Curators are not archeologists. They are a guide into artistic landscapes that are yet to emerge.
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