Since March 2015, photographer and author Joey L. has gained unprecedented access to Kurdish guerrilla organizations fighting against ISIS, embedding himself into the chaos of the Iraq and Syrian Civil War on three separate trips. Three components meld to create an extraordinarily brave and important documentation: his medium format portrait photography, a written study of the history of the turmoil that led to the rise of armed Kurdish militias, and intimate journal notes of vivid personal experiences while working as a photographer in the war.
The war against ISIS in Iraq and Syria has flooded our daily news with troubling statistics of massacres and mass migrations, yet there are faces and human stories at the heart of the conflict. Joey writes, “From Iraq, one crosses the Tigris River into war-torn Syria, and is catapulted into a worldview crafted by the guerrilla. You are welcomed back by familiar faces wearing a palette of earth tones interrupted by a brightly colored scarf – likely given to them by their mothers. Conversations over cigarettes and tea with much too much sugar often drift to conspiracy theories about the entire world plotting to destroy their cause. Oddly, they begin to make sense. The guerrilla’s secretive hierarchy vanishes due to its compartmentalization, and you find yourself among individual Kurds who left their families with the intention of defending their culture and way of life. We had once again entered the world of the Kurdish guerrilla.”
During his travels, Joey observed ragtag volunteer guerrilla fighters with mysterious links to the outlawed Kurdistan Worker’s Party (PKK) grow into a fully functional army and the US-led coalitions most trusted partner–Syrian Democratic Forces (SDF). With little official government support and just light weapons; brothers, sisters, former university students and refugees that once fled from their homes have now taken up arms together against a common enemy–radical jihadist groups that contest the secular social reformations in Kurdistan.
Joey’s uncanny ability to gain trust and his fearless and open attitude to the unexpected, combined with his genuine love for his subjects and their quest for independence gives We Came from Fire a deeply felt sense of humanity.
Joey Lawrence is a Canadian-born photographer and director based in Brooklyn, New York. Since the age of 18, Joey’s work has been consistently sought out by a number of advertising clients, including National Geographic Channel, U.S. Army, Lavazza, Canon, Jose Cuervo, History Channel, The Government of Abu Dhabi, and many others. His work is regularly seen in magazines, subway advertisements, and billboards.
A firm believer in fostering creativity and fulfillment through personal pursuits, Joey wrote and directed his first scripted film entitled People of the Delta.
Most recently, Joey traveled three times to Iraq and Syria to document the ongoing crisis. He has embedded with multiple sides of the war, including the government-held areas in Damascus, to the Free Syrian Army opposition rebels, and Kurdish fighters of the YPG.
Joey has been listed as one of the “Most Influential Photographers on Social Media”; Complex magazine named him one of the “30 Photographers under 30 to Watch”; and he has been recently featured in London’s National Portrait Gallery as part of the Taylor Wessing Prize exhibition.
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如果你正在寻找那种能够彻底颠覆你世界观的硬核科幻或者奇幻史诗,那么请务必尝试这本书。它的想象力是狂野的,但又建立在坚实的逻辑基础之上,这一点非常难能可贵。我很少看到一部作品能够在如此广阔的尺度上处理“时间”这个概念,作者让时间不再是线性的河流,而更像是一个立体的迷宫,充满了循环、回响和错位。书中关于知识传承和遗忘的论述尤其发人深省,它探讨了文明的周期性兴衰,以及那些被时间掩埋的真相,究竟是如何影响着后世的每一个决定的。这本书的阅读体验是沉浸式的、几乎是膜拜式的,它让你感觉自己正在阅读的是一部被尘封了的古代智慧典籍,而非当代作家的作品。它带来的智力上的挑战和愉悦感,是无与伦比的。
评分对于一个历史爱好者来说,这本书简直是打开了一个全新的视角。它没有拘泥于传统史书的记载,而是巧妙地将神话、考古发现和文学想象融为一体,构建了一个自洽且令人信服的早期文明图景。我欣赏作者对细节的执着,比如对于某种古老仪式的描绘,那种对文化符号的精准拿捏,让人感觉仿佛真的置身于那个遥远的年代,亲眼目睹着人类文明的蹒跚学步。它不是一本轻松读物,需要读者有一定的背景知识储备,或者至少愿意去查阅那些晦涩的术语和文化概念。但正是这种“门槛”,过滤掉了肤浅的读者,留下了真正热爱探索未知领域的人。我发现自己时不时地会停下来,去搜索书中所提及的真实历史片段,感受文学与现实的交织,这种拓展阅读的体验是很少有小说能提供的。
评分这本书,天哪,我简直不敢相信我刚刚读完了它。从翻开第一页开始,我就被那种扑面而来的史诗感给攫住了。作者的笔触极其细腻,仿佛能让你闻到空气中燃烧的木柴味,感受到遥远星空下的寒冷。它讲述的不是一个简单的冒险故事,而是一部关于生存、关于文明起源的宏大叙事。我特别欣赏作者构建世界观的方式,那种层层递进的揭示,让人在阅读过程中不断产生“原来如此”的震撼感。角色的塑造更是栩栩如生,他们的挣扎、他们的信仰,都让人感同身受。我时常停下来,只是为了回味某一句精妙的描述,那些关于光与暗、希望与绝望的哲学思辨,简直是教科书级别的。这本书需要你全神贯注,因为它不是那种可以轻松翻阅的小说,它要求读者投入时间去理解每一个符号、每一次隐喻背后的深意。读完之后,我感觉自己的精神世界被极大地拓展了,它让我重新审视我们今天所拥有的一切,并将它们置于一个更广阔的时间轴上去考量。这本书无疑会成为我心中近年来最伟大的作品之一。
评分哇,这本书简直是一场情感的过山车,但它绝不是那种廉价的煽情。作者对人性的洞察力深不见底,他毫不留情地揭示了在极端环境下,人性中光辉与阴暗的并存。我被那些人物的牺牲和背叛深深触动,尤其是关于亲情和责任的那几条线索,处理得极其克制却又极具爆发力。每一次的转折都感觉是必然的,是角色性格和环境压力共同作用的结果,而不是为了制造戏剧冲突而生硬地安排。这本书成功地营造了一种既古典又极具未来感的氛围,它让你在为远古的火焰感到温暖的同时,又对未知的黑暗心生敬畏。读完最后一页,我久久不能平静,脑海中仍然回响着那些无声的呐喊和坚定的誓言。这本书的配乐(如果能想象的话)一定是宏大而悲壮的交响乐,充满了对生命复杂性的深刻理解和深深的同情。
评分说实话,一开始我有点被它的体量吓到,厚厚的一本,内容似乎又极其庞杂,担心会读不下去。但一旦进入状态,那种流畅的叙事节奏就彻底抓住了我。这书的结构设计得极其巧妙,它不是线性的,而是像一棵巨大的、盘根错节的古树,每一条枝干都通往一个不同的时代或一个不同的命运线,但最终它们又奇迹般地汇聚在一起,形成一个完整而有力的整体。我尤其喜欢作者处理历史时间跨度的方式,那种仿佛是俯瞰万古的视角,让人感受到人类存在的渺小与伟大。它探讨了集体记忆的脆弱性,以及个体如何在历史的洪流中试图留下自己的印记。文字功力深厚,一些段落的句式结构非常复杂且富有韵律感,需要朗读才能体会到那种古典的磅礴气势。如果你喜欢那种需要你不断在脑中构建地图和时间线的深度阅读体验,这本书绝对不容错过。它挑战了我的阅读习惯,但最终给予的回报是巨大的知识和情感上的满足。
评分极为震撼
评分抱着RPG的女兵,被击毙的ISIS战士尸体,废弃坦克上玩耍的小孩儿,英国志愿兵的葬礼,燃烧的油井前淡定的父子,作者身后爆炸的自杀式汽车炸弹——库尔德人战争生活全景图……其实拍的就是四、五年前的战斗,但除了地形图已经用iPad来显示,画面上几乎看不出明确的现代感,JL的用光、构图也很有致敬老派大师的范儿(其实本人是89年的,这书出版的时候还不到30岁),感觉此书极有可能成为新世纪战争题材的代表性作品。
评分抱着RPG的女兵,被击毙的ISIS战士尸体,废弃坦克上玩耍的小孩儿,英国志愿兵的葬礼,燃烧的油井前淡定的父子,作者身后爆炸的自杀式汽车炸弹——库尔德人战争生活全景图……其实拍的就是四、五年前的战斗,但除了地形图已经用iPad来显示,画面上几乎看不出明确的现代感,JL的用光、构图也很有致敬老派大师的范儿(其实本人是89年的,这书出版的时候还不到30岁),感觉此书极有可能成为新世纪战争题材的代表性作品。
评分抱着RPG的女兵,被击毙的ISIS战士尸体,废弃坦克上玩耍的小孩儿,英国志愿兵的葬礼,燃烧的油井前淡定的父子,作者身后爆炸的自杀式汽车炸弹——库尔德人战争生活全景图……其实拍的就是四、五年前的战斗,但除了地形图已经用iPad来显示,画面上几乎看不出明确的现代感,JL的用光、构图也很有致敬老派大师的范儿(其实本人是89年的,这书出版的时候还不到30岁),感觉此书极有可能成为新世纪战争题材的代表性作品。
评分极为震撼
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