Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City where she worked in magazine publishing and marketing for nine years. She currently lives in Atlanta with her husband and daughter. This is her first novel.
文/严杰夫 回顾上个世纪60年代的美国,对于我们这些“第三只眼”来说,可能会产生如下疑问:19世纪60年代经过南北战争后,黑人奴隶不是已经得到解放了么,但在100年后的20世纪60年代,美国却仍然存在着严重的种族问题。显然,被玛格丽特·米切尔感动过的我们,对美国种族问...
评分你喜欢一本书,很多时候是因为写的是你的日常生活,这个时候,这本书就是你解决问题发泄情感的一本手册。但另一些时候,也可能是因为这本书正好跟你的频率节奏一致,产生了共鸣。比方说《相助》就是这样的一本书。 种族问题在当代的中国很少成为问题,但这不代表这本书你看不到...
评分在火车上,我读完《相助》,眼眶潮热。这感觉可真是久违了。 从内容和外观上来看,这书都算得上厚重,可读来的感觉却是轻快的。作者的文笔干净,纯净如水,译者的用词到位,优雅从容。它是小说,可我更倾向于把它看作一本启蒙书,有关人与人之间,人与社会之间爱与被爱的启蒙...
评分收到书友寄来《相助》的时候,正在整理以前的旧杂志翻看一些当时折角批注的读后感,所以打开这本书开始阅读的时候,仅仅一个开篇就让我觉得似乎巧合的好笑。 根据以往所知的有限历史知识,我们都以为没有被2次世界大战波及的美国,又是第三次科技革命的绝对受益者,上个世纪60...
评分我时常真心的羞愧:我太狭隘了。 昨天花了一整天的时间,一口气读完了《相助》, 明天要去雨枫书店,和水木丁对谈这本书。 很多电影是电影史上的经典,明明知道技法牛逼,观念牛逼,艺术牛逼, 但是它走不进我的心里,我不喜欢它们。 很多电影只是电影史上的二流电影,甚至一...
看完电影又看的英文原版.写的很质朴,感人...
评分写的很好..就是人物跳来跳去的有点乱- -
评分不敢相信这样的事情发生在只离我们现在40多年前的社会。
评分写得太好,但不推荐给对美国南部和civil right不感兴趣的人。
评分9
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