From Publishers Weekly One of her best efforts, this carefully crafted novel of psychological suspense by the prolific Whitney ( Woman Without a Past ), a Mystery Writers of America Grand Master, entices the reader into a series of enigmas. When Susan Prentice returns to her childhood home in Virginia 25 years after witnessing the death of her mother, Dolores, she wishes only to become reacquainted with her formidable grandmother, Alex, a former ballerina. But Susan finds herself isolated in a hostile environment, her relatives obviously fearful that she might recall hitherto repressed memories of the tragedy. Alex is correct but reserved, while her eccentric cousin Theresa is openly menacing. Her old playmate Peter (now Alex's physician) has survived the murder of his wife a year ago, a crime that might be linked to Dolores's death. And Susan is particularly dismayed to find an ebony swan carved by her late grandfather that ostensibly depicts Alex as Odile in Swan Lake --with a terrifyingly malevolent face. Is Susan at risk? The suspense never falters, and Whitney wonderfully enriches her storytelling with the lush background of Tidewater Virginia and well-integrated historical commentary. Literary Guild selection. Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Kirkus Reviews Whitney's 36th mystery suspense is tighter, neater, better than ever. This time, the protagonist is a 72-year-old former prima ballerina, although it's her granddaughter who, Whitney-style, follows clues into the past where all those closed doors hiding scandal (and sometimes murder) begin to creak open. The new Whitney settings for the armchair tourist are the northernmost peninsula of Virginia and the once-exotic island of Tangier. Alex Montoro, the widow of deceased Peruvian novelist Juan Gabriel, who married the much younger Alex at the peak of her dancing fame, is not at all sure that she wishes to see granddaughter Susan. Susan's father had swept the girl away when she was six, after Susan's mother Dolores had been killed in a fall--a fall for which the father had blamed Alex. (Yet only a wheelchair-bound Juan Gabriel and Susan were there at Dolores's death.) Susan arrives, impressed by grandmother, intimidated by Theresa, Juan Gabriel's niece (who's a bit sour), and drawn to Dr. Peter. Mysteries swarm. Peter was recently charged with, and acquitted of, the murder of wife Marilyn--had it something to do with notes left by Juan Gabriel? And what could explain the unflattering portrait of Alex in Juan Gabriel's novel? What could explain the anxiety of batty neighbor Hallie, who wants Susan to go home? What was the significance of Juan Gabriel's four last words? Alex holds the most potent secret--something to do with the island of Tangier. A sound, well-crafted mystery with every thread tied and knotted--plus Whitney's usual tour-guide view of some fine coastal scenery. (Literary Guild Dual Selection for Summer) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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这本书最成功的一点,在我看来,是对“记忆”这一主题的复杂探讨。它没有提供一个线性的、一尘不染的真相,而是呈现了一个充满裂痕和主观偏见的记忆集合体。每个章节似乎都从一个不同的角度去重塑或颠覆我们对核心事件的认知,这使得读者不得不时刻保持警惕,质疑自己刚刚接收到的“事实”。这种叙事上的不确定性,极大地提升了阅读的互动性和挑战性。我常常需要在脑海中搭建一个临时的思维导图,去追踪不同叙述者之间矛盾的陈述,这过程虽然烧脑,但带来的那种“解谜完成”的智力满足感是无与伦比的。而且,作者巧妙地运用了环境作为记忆的载体,例如某个特定角落的光线变化,或是某种气味,都能瞬间将人物(和读者)拉回某个被遗忘的瞬间,这种感官触发式的回忆手法,非常高明。
评分坦白说,初读时我有些不适应作者那近乎于诗歌般的、冗长而又华丽的句式结构,感觉像是在攀登一座语言构筑的陡峭山峰,每走一步都需要付出额外的注意力去解码那些层层叠叠的比喻和排比。但一旦适应了这种独特的叙事节奏,那种饱满的、近乎于巴洛克式的文学质感就显现出来了。作者似乎对“词语的力量”有着近乎偏执的尊重,每一个动词、每一个形容词似乎都经过了精密的掂量和打磨,没有一个字是多余的,却又充盈着爆炸性的信息量。角色之间的对话,与其说是信息交换,不如说是精妙的心理交锋,那些没有说出口的话,比说出来的话语更具杀伤力和张力。我特别欣赏作者在处理历史背景和现实事件交织时的那种微妙手法,它们不是生硬地插入解释,而是如同土壤中的根系一样,无声地支撑着整个故事的结构,让一切看似突发的情节都拥有了无可辩驳的逻辑起点。
评分我必须指出,对于追求快节奏情节推进的读者来说,这本书可能需要一些耐心。它更像是一部精心打磨的艺术品,而不是一箱快餐。开篇的铺陈略显缓慢,大量的笔墨似乎花在了营造一种几乎令人窒息的宿命感上,而不是急于抛出悬念。然而,一旦故事的驱动力被完全激发,那种被压抑已久的情感和真相便会以一种不可阻挡的洪流爆发出来,其后劲之大,让人久久不能平复。我特别欣赏作者对道德灰色地带的探索,书中几乎没有绝对的好人或坏人,每个人都在自己有限的认知和痛苦中做出了最“合理”的选择,这种复杂性使得故事的张力超越了简单的善恶对立,上升到了对人性局限性的深刻反思。这种对人性的深刻洞察力,是这本书远超同类作品的关键所在。
评分从装帧设计到内页排版,这本书都透露着一种对阅读体验的极致追求。纸张的质感厚重而温润,油墨的触感带着一丝微弱的颗粒感,这似乎也是作者刻意为之,与书中那种古老、被时间侵蚀的主题相呼应。这本书的配乐——是的,我是在想象它的“配乐”——一定是由低沉的大提琴和不和谐的钢琴音符构成的。它构建的世界观宏大而又私密,表面上聚焦于几个核心人物的命运纠葛,但实际上,它探讨的是社会结构如何无形中塑造和碾压个体的宏大命题。读完后,我感觉自己仿佛经历了一场漫长而又必要的精神洗礼,那些关于责任、牺牲和遗忘的思考,会像烙印一样留存下来,时不时地在我日常生活中某个不经意的瞬间,悄然浮现。这绝不是一本可以轻松翻阅过去的书,它要求你全身心地投入,并准备好被它改变一部分看待世界的方式。
评分这本书的整体氛围把握得实在太到位了,从翻开扉页的那一刻起,我就感觉自己被一股莫名的、带着潮湿泥土气息的神秘感紧紧包裹住了。作者对场景的描绘,简直像高清纪录片一样栩栩如生,尤其是对那个古老小镇日常生活的刻画,那些在鹅卵石街道上缓慢移动的行人,空气中弥漫着的烘焙香和一丝若有若无的铁锈味,都清晰可辨。我尤其喜欢作者处理人物内心挣扎的方式,那种克制而又汹涌的情感暗流,像水面下涌动的巨大冰山,你只能看到一角,却能感觉到它惊人的体积和力量。故事节奏的处理也很有章法,它不是那种一味追求速度的悬疑小说,而是懂得何时拉紧,何时放松,留给读者足够的喘息和思考空间去消化那些埋藏在对话和物件背后的深意。读到一半时,我甚至不得不放下书,走到窗边,只是为了让自己的思绪能从那种压抑又迷人的世界中暂时抽离出来,那份沉浸感是近年少有的体验。
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