From Publishers Weekly In this arresting, funny-sad sequel to The Last Picture Show, McMurtry's small Texas town of Thalia has gone from boom to bust practically overnight, a victim of the mid-'80s oil glut. Under the strain of financial calamity, the townsfolk are becoming increasingly irrationalone man dreams of bombing OPEC, the mayor is going quietly mad, sexual mores are turning bizarre, and the civic leaders are pressing on with a centennial celebration even though there's nothing to celebrate. The stresses of the time seem concentrated in Duane, a one-time oil millionaire on the verge of bankruptcy who has four untamable children, a disaffected wife and a diminishing grip on his sanity. Duane's problems are exacerbated when his high school sweetheart, Jacy, now a movie actress, comes bowling into town like tumbleweed. McMurtry, who won a Pulitzer Prize for Lonesome Dove, is a writer with a distinctive voice, a profound understanding of Texans and a brilliant gift for capturing the vagrant moods of the heart. Major ad/promo; reprint rights to Pocket Books; BOMC selection. Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library Journal Can a novel that deals with midlife crises, the loss of youthful aspirations, the withering of love, and the entombing of dreams be side-splittingly funny? This one is. Pulitzer Prize winner McMurtry returns to Thalia, Texas, setting of The Last Picture Show , where the once lovelorn teenagers are now town fathers planning a county centennial celebration. But what's there to celebrate? The town got rich with the oil boom and is now going broke with the oil glut, and its residents seem as sunk in emotional depression as the town is in its economic one. What McMurtry's characters take most seriously and worry most about inevitably turns out comically. The unplanned high points of the celebration are a tumbleweed stampede, broom-handle battles between teetotalers and beer-guzzlers, and an egg bombardment. For some this may seem a less than satisfying sequel to The Last Picture Show , but it is a more mature book, less angry, more tolerant, and more accepting of human foibles. Recommended. BOMC main selection. Charles Michaud, Turner Free Library, Randolph, Mass.Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews
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这本书的气氛实在太浓郁了,读起来就像是直接被拽进了德克萨斯州那个炎热、尘土飞扬的小镇里。作者对细节的捕捉简直是大师级的,我能闻到空气中混合着烤肉的烟火气和干旱土地散发出的那种独特气味。故事的推进虽然不紧不慢,但恰到好处地展现了小镇生活的缓慢节奏和那种深入骨髓的社区感,你仿佛能听到老人们在门廊上摇着蒲扇聊着陈年旧事。那些人物的塑造极其立体,每一个角色的困境和希望都让人感同身受,尤其是在面对生活中的那些无解的困境时,他们的反应真实得让人心疼。这本书的魅力就在于它没有试图去美化生活,而是坦诚地展示了那些藏在表面平静之下的挣扎与坚韧。那种地方特有的幽默感和偶尔闪现的诗意,让整个阅读体验充满了层次感,我合上书本后,那种被阳光暴晒过后的疲惫感和满足感久久不能散去,强烈推荐给喜欢深度挖掘人性与地域文化联系的读者。
评分这本作品成功地捕捉到了一种普遍存在却又难以言喻的“局外人”心态。书中描绘的群体内部,每个人似乎都在努力扮演着被期望的角色,但总有一个或几个人,他们的存在本身就代表着对既定规则的无声挑战。我尤其被主角群体的精神内核所吸引——那种在被主流社会边缘化后,反而发展出一种独特、近乎原始的生存智慧和道德准则的过程。作者没有给出简单的对错判断,而是将读者置于一个道德模糊的地带,迫使我们去反思我们习以为常的价值观。这种对边缘群体的深入刻画,既有批判的锋芒,更有深切的人文关怀,展现了人性在极端环境下的可塑性和韧性。它不是一本读起来轻松愉快的书,但它无疑会引发你对“归属感”和“自我认同”进行长时间的深刻思考。
评分从纯粹的文学技巧层面来看,这本书的节奏感掌握得极为精准。开篇的铺垫带着一种缓慢的压抑,像暴风雨来临前的宁静,让你在不知不觉中被卷入漩涡。接着,情节的张力逐步增强,那些积累已久的情感和矛盾集中爆发的段落,简直是教科书级别的调度。作者对场景转换的处理也极其高明,总能在最需要喘息或者需要加剧紧张感的时候,切换到最合适的视角或环境。我发现自己读到激动处时,会不自觉地放慢语速,生怕错过任何一个细微的表情或对话中的停顿,这充分说明了作者在掌控读者情绪方面的功力。它不仅仅是一个故事,更像是一部精心剪辑的电影剧本,充满了视觉冲击力和情感共振,读完后留下的回味无穷。
评分这本书最让我感到震撼的是它对“时间流逝”这一主题的处理方式。它并没有采用传统的线性叙事,而是通过物件、记忆碎片以及人物口中不经意的重复,构建了一个非线性的时间感知体系。你感觉到时间在这里不是线性的河流,更像是一个不断回旋的漩涡,过去的阴影总是在不经意间投射到当下。那些老旧的建筑、尘封的信件,都成了承载历史重量的媒介。作者的笔触非常细腻,即便是最轻微的情绪波动,也能被捕捉并赋予深远的意义,仿佛每一个细小的事件都是被命运之手精确安排好的。这种对时间与记忆交织的深刻探讨,使得这本书拥有了一种超越时空限制的厚重感,让人在阅读时,仿佛能触摸到历史的纹理。
评分我得说,这本书的叙事结构简直是一场精心设计的迷宫,每一次转折都出乎意料却又在回想时觉得是必然的。作者娴熟地运用了多重视角,将一个看似简单的事件层层剥开,揭示出背后错综复杂的人际关系网和历史遗留问题。我特别欣赏作者在处理时间线时的手法,那些闪回和现实的交织,构建了一种宿命般的张力,让人忍不住想要拼凑出完整的图景。文字功底深厚,遣词造句充满了力量感和画面感,即便是描述最平淡的场景,也能读出一种暗流涌动的戏剧性。读这本书的过程更像是一种智力上的挑战,你需要全神贯注地去捕捉那些看似不经意的线索,去解读那些潜台词。对于那些偏爱高智商、注重文本肌理的读者来说,这本书绝对是一场盛宴,它要求你投入时间、用心去品味,回报你的将是极大的满足感。
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