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Amazon.com Tyler makes things look so easy that she never gets enough credit， yet she portrays everyday Americans with such humor， grace and， ultimately， emotional force that her books are always deeply satisfying. In Saint Maybe her protagonist Ian Bedloe， stricken with guilt over the death of his older brother， raises three children unrelated to him by blood. He is strengthened in this Herculean task by the storefront Church of the Second Chance， to which he devotes himself with equal fervor. Someone once said all great writers are comic writers. Among living Americans， Tyler is exhibit A. From Publishers Weekly Although Tyler ( Breathing Lessons ; Dinner at the Homesick Restaurant ) is again writing about families--the way they cleave together in times of trouble and muddle through with stoic courage--her eminently satisfying new novel breaks her familiar mold， giving us ordinary， not eccentric characters who are shaped by disastrous events into quietly heroic behavior. The Bedloes are cheerful and count their blessings， even if they are far from rich and live on a slightly seedy street in Baltimore. But when 17-year-old Ian rashly informs his older brother Dan that the latter's wife was undoubtedly pregnant before their marriage， Dan commits suicide， and Ian is left with profound guilt--especially since Dan's wife dies soon after. Asking God's forgiveness， he receives spiritual guidance at the endearingly shabby Church of the Second Chance. He drops out of college， becomes a carpenter and helps his parents care for the three orphaned children; as the years pass， that burden falls primarily on Ian's shoulders. Wondering when God will signal that his atonement can end， Ian has an epiphany: "You could never call it a penance， to have to care for those three." Ian eventually does construct a life for himself， in one of Tyler's most appealing endings. The narrative also enjoys her whimsical humor (although the group role of the "foreigners" who live in the neighborhood verges on caricature). Since her characters' foibles never overwhelm their homespun simplicity， the reader is emotionally involved and touched as never before. 250，000 first printing; BOMC main selection; first serial to the New Yorker. Copyright 1991 Reed Business Information， Inc. See all Editorial Reviews
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说实话，这本书的语言风格简直是一场文字的盛宴，充满了古典的韵味和现代的张力。作者对于词汇的运用达到了炉火纯青的地步，每一个句子都像经过精心打磨的宝石，闪烁着独特的光芒。我尤其被那种富有韵律感的长句所吸引，它们像涓涓细流，将故事娓娓道来，却又蕴含着磅礴的力量。读这本书的过程，与其说是在阅读一个故事，不如说是在欣赏一场文学的表演。角色的对话设计得尤为精彩，表面上是日常的交流，实则暗流涌动，充满了潜台词和未尽之意，需要读者调动所有的感官去捕捉那些微妙的情绪变化。这种高强度的阅读体验，让我感到既疲惫又兴奋，仿佛完成了一次智力上的马拉松。
评分这部作品的叙事节奏真是让人眼前一亮，仿佛置身于一场精心编排的舞台剧，每一个转折都恰到好处地勾住了读者的心弦。作者的笔触细腻而富有层次感，将人物内心深处的挣扎与渴望描绘得入木三分。我特别欣赏其中对于环境细节的刻画，那些看似不经意的描写，却为整个故事奠定了坚实的情感基调。比如，某处雨夜的街道景象，那种潮湿、迷蒙的感觉，读来简直就像亲身经历了一场洗涤心灵的洗礼。故事的主线虽然清晰，但作者却巧妙地穿插了许多引人深思的哲学思考，让读者在享受阅读乐趣的同时，也能对生活中的一些既定观念产生新的审视。我发现自己常常需要停下来，回味一下刚才读到的那段话，那种被触动后的麻酥感，是很多平庸之作无法给予的。
评分从主题深度来看，这本书无疑是重量级的。它没有回避那些关于存在、选择与宿命的终极拷问，而是将这些宏大的议题融入到最平凡的生活场景之中。作者巧妙地利用象征和隐喻，构建了一个多义解读的空间，使得每个读者都能从中读出属于自己的那份解读。我特别赞赏它在探讨道德灰色地带时的那种审慎与深刻，没有轻易给出非黑即白的判断，而是将所有的复杂性原原本本地呈现出来，留给读者自己去权衡。这本书迫使我跳出固有的思维框架，去重新审视“意义”这个概念的构建过程。它不是提供答案，而是提出更具穿透力的疑问，这才是真正优秀文学作品的价值所在。
评分这本书的结构布局非常大胆，充满了实验性的尝试，这对于追求新意的读者来说绝对是一场惊喜。它没有采用传统线性叙事，而是通过碎片化的记忆、交叉对比的视角，构建了一个复杂而又迷人的世界观。起初阅读时可能会感到有些费力，需要集中十二分的注意力去梳理人物关系和时间线索，但这正是其魅力所在——它要求读者参与到故事的构建中来。每一次“拼图”完成，都会带来一种豁然开朗的成就感。我欣赏作者这种不畏挑战读者的勇气，愿意提供一个需要主动探索的文本，而不是一个唾手可得的答案。它更像是一个精妙的迷宫，引人入胜，让人甘愿迷失其中。
评分我必须指出，这部作品在情感刻画上达到了一个极高的水准。它没有采用歇斯底里的煽情手法，而是通过对人物微小动作和眼神的捕捉，不动声色地将深沉的情感推向高潮。那种内敛的、压抑的痛苦与爱意，通过文字渗透出来，直击人心最柔软的地方。特别是对于几个主要角色之间那种微妙的、无法言说的羁绊，作者处理得极其到位，让人读后久久不能平复。我感觉自己好像与这些角色一同经历了他们的春夏秋冬，他们的每一次呼吸都与我的心跳同步。这不仅仅是一本书，更像是一段共同经历过的，带着微苦的回忆，让人既珍视又感到一丝难以言喻的疼痛。
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