Amazon.com "Ah no, waste no pity on young Kumar. Whatever he got while in the hands of the police he deserved. And waste no pity on her either. She also got what she deserved." August 1942. World War II is reaching its apex, with the conflict consuming almost all of Asia and Europe. In Southeast Asia, the Japanese have driven the British army out of Burma and are threatening India, where Britain's beleaguered forces find themselves facing an increasingly hostile Indian populace tired of decades of unfulfilled promises of freedom. On a dark monsoonal night in the town of Mayapore, amid an outbreak of anti-British rioting, a gang of Indian men rape a young British woman. Through this rape, we are introduced to a cast of characters engulfed and subsequently carried away by the storm of events. Paul Scott's The Jewel in the Crown is part historical novel, part mystery, part love story, part allegory. But to reduce it to any of these elements is to miss its irony, poignancy, and beauty. Full of complex characters and rich in atmosphere and symbolism, this is a novel that works on many different levels. The events unfold through the eyes of a varied cast of characters--both British and Indian--united by their inability to escape the straightjacket of race and social roles, no matter their class, education, or political views. This is particularly excruciating for the rape victim and the young Indian man accused of the crime. These two are drawn to each other by their alienation from the roles they are expected to play. Englishwoman Daphne Manners finds herself increasingly estranged from her countrymen, while Hari Kumar, an Indian who has lived in Britain for all but two years of his life and is so anglicized that he doesn't even speak Hindi, can't abide his native land. Their struggle with the identities and constraints that society imposes on them and the manifestations of their conflict form the core of the novel, providing the timelessness and richness that make it one of the great novels of the 20th century. The Jewel in the Crown, originally published in 1966, is the first of the Raj Quartet, the sweeping epic that looks at the collapse in the 1940s of British rule in India. It was followed by The Day of the Scorpion, The Towers of Silence, and A Division of Spoils. --Jonathan King --This text refers to the Paperback edition. From AudioFile Daphne Manners, an unsophisticated British woman visiting Mayapore, falls in love with Hari Kumar, a complex, young Indian who has been educated in England. Inexorably the two lovers are caught up in the social upheaval sweeping India at the end of British ruleÉuntil they are parted forever after the fatal confrontation in the Bibighar Gardens. Since the author is saying that their tragedy is as much about India as it is about them, he tells the story in the words of seven diverse characters involved in the affair. Sam Dastor interprets them all with dramatic ease. Having for years narrated the books about Inspector Ghote of the Bombay Secret Police, he has perfected his Indian accent. But he was also educated at Cambridge and is just as convincing as Miss Crane and Ronald Merrick and the other British expatriates. He captures beautifully the deep feeling growing between Daphne and Hari as they reach out to each other. Once again a narrator's inspired reading breathes life into two characters who never seemed so alive on the printed page.Their star-crossed love, glorified as it is by the human voice, reaffirms the enduring tragedy of The Jewel in the Crown. J.C. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
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我必须承认,我对这部小说的语言风格感到既敬畏又有些难以招架。它不像我们习惯的流畅叙事,更像是一部由古老史诗和现代意识流交织而成的挂毯,充满了晦涩的象征和异常华丽的辞藻堆砌。初读时,我感觉自己像是在迷宫中摸索,每一个句子都像是一道谜语,需要反复咀嚼才能捕捉到其深层的意图。然而,一旦适应了这种独特的韵律,你会发现其中蕴含着巨大的能量。作者似乎对每一个词汇都怀有一种近乎宗教般的虔诚,精确地放置在它应该存在的位置,即便这个位置看起来偏离常规。这种对语言的极致追求,使得作品的质感异常厚重,充满了古典主义的美感,但也无疑提高了阅读的门槛。对于那些寻求轻松阅读体验的人来说,这可能是一次挑战,但对于渴望在文字的深处挖掘出哲学矿藏的读者而言,这无疑是一座尚未被完全开采的金矿。
评分从社会历史评论的角度来看,这部作品展现出一种近乎残忍的洞察力。它并没有满足于对宏大历史事件的表面描绘,而是将镜头聚焦于那些被时代洪流裹挟的、身份边缘化的小人物身上。作者对权力结构、阶级固化以及文化冲突的分析,是如此深刻和尖锐,仿佛一把冰冷的手术刀,精准地切开了时代表象下的腐朽组织。我尤其欣赏他对于“被遗忘者”的关注,那些在史书中找不到名字的人,他们的恐惧、他们的希望、他们的卑微反抗,都被赋予了史诗般的重量。读完之后,你很难再用过去那种简单、乐观的态度去看待你所处的社会环境。它不是在说教,而是通过构建一个高度真实且令人窒息的微观世界,让你自己去得出结论:真正的历史,往往是由无数沉默的受害者共同铸就的。
评分这部作品的氛围营造能力,是我近年来读到的小说中最具穿透力的之一。它成功地创造了一种弥漫在字里行间、挥之不去的“宿命感”。无论人物如何努力抗争,你总能从字里行间感受到一种巨大而无形的引力,似乎正将他们拖向一个早已注定的终点。这种感觉并非源于简单的悲剧设定,而是根植于环境的压抑和时代精神的沉重。作者巧妙地运用了环境描写——无论是对阴郁气候的刻画,还是对建筑衰败感的描摹——来映射人物内心的荒芜和绝望。阅读体验是极其感官化的:你可以“闻到”空气中的潮湿和旧木头的味道,“听到”远处隐约传来的钟声,这种全方位的感官调动,使得读者对角色的处境产生了强烈的共情。它不是一本读完就可以束之高阁的书,它会像一块烙印,在你心头留下关于时间和无常的深刻印记。
评分这部小说的结构设计,简直是对传统线性叙事的公然挑战。它采用了多重时间线和不同叙事视角的交错编织手法,像是一个精密的万花筒,当你以为你看清了图案时,轻轻一转,全新的、却又相互关联的景象又出现了。一开始,我需要准备一张思维导图来追踪不同人物的命运轨迹,因为他们之间的联系是如此微妙和间接,往往需要通过一些微小的、看似无关的物品或对话片段才能将线索串联起来。这种非线性的叙事,固然增加了阅读的难度,却也带来了无与伦比的惊喜感。每一次的视角切换,都像是从不同的侧面去审视同一个历史事件或情感核心,使得整个故事的立体感达到了极致。它迫使我跳出单一的“好人”与“坏人”的二元对立框架,去理解人性中那些灰色地带的复杂性与合理性,真正体会到历史是由无数个破碎的瞬间拼凑而成的道理。
评分这部作品的叙事节奏简直是一场精心编排的舞蹈,时而轻盈如羽毛般拂过历史的尘埃,时而又沉重得如同泰坦之躯压在读者的心头。作者对于人物心理的刻画,简直达到了令人咋舌的细腻程度。我尤其欣赏他对主角在道德困境中挣扎的描摹,那种撕裂感不是简单地用“痛苦”二字就能概括的。他不是在讲述一个故事,而是在解剖一个灵魂,把那些隐藏在光鲜外表下最不堪一击的脆弱和最坚韧不拔的信念,一丝不苟地呈现在我们眼前。书中的场景转换,仿佛置身于一个巨大的、不断变换的舞台剧场,灯光聚焦的瞬间,所有的细节都清晰可见,而当幕布缓缓合上,留下的只有无尽的余韵和对未来的不安。读到某个转折点时,我甚至需要放下书本,到窗边深呼吸,因为文字的力量已经超越了纸张的限制,直接渗透进了我的呼吸系统。这种沉浸式的体验,是许多当代小说难以企及的,它要求读者全身心地投入,去感受那些无声的呐喊和隐秘的渴望。
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