From Publishers Weekly Harriss, who won an Edgar Award for The Bay Psalm Book Murder , has given his third mystery the perfect title and metaphor for its breezy narrative about shady doings in California's Napa Valley. Just as the benign fungus Botrytis cinerea ("noble rot") invades the grapes of Chateau Letessier, so deception, sabotage and revenge infest the vineyard's tenants and neighbors. Bankrupt bon vivant Vinnie Letessier returns to his Uncle Francis's troubled business, only to find a corpse in the cabernet sauvignon fermentation tank; shortly thereafter, Francis dies in a suspicious car fire. Among the suspects pursued by Vinnie and Det. Holly Shelton: his uncle's money-grubbing ex-wife Adrienne; her paramour George Preston, formerly the Chateau's resident manager; Francis's niece Delphine and her husband, Bert Craven, who stand to inherit if Vinnie dies; and Andy Lacroix, a shady member of the Napa Valley Board of Supervisors. Holly and Vinnie have romantic interludes with, respectively, the Chateau's foreman and a custom-tile designer, then uncover a land-development scheme that involves a local loan officer and a Bible-thumping gas station attendant. Most readers will be entertained by the book's effervescent banter, clever clues and ingenious modus operandi . Copyright 1993 Reed Business Information, Inc. From Kirkus Reviews In Harriss's third (Timor Mortis, 1986; The Bay Psalm Book Murder, 1983), Vinnie Letessier, after playing his way through college and an inherited fortune, finds refuge with his uncle Francis, beleaguered owner of a winery in Napa Valley. Vinnie sets about learning the business, which suffers another setback when a body is found in the fermentation tank--probably the work of Triskelion, a sinister company that covets the winery's land for a mega-resort complex. Homicide detective Holly Shelton is investigating when things turn really nasty with the murder of Uncle Francis. Vinnie manages to pull the business together, fall in love with ceramic artist Peggy Singletary, and look into some possible candidates for his uncle's killing--such as Francis's ex- wife Adrienne, now living with the winery's ex-manager George Preston; and politician Andrew Lacroix, with a shady European past and a girlfriend who was no friend to Francis. There are other suspects, and Vinnie eventually fumbles his way to the right one- -with Detective Shelton just a step behind him. Never gripping but affable, with a chuckle or two. Add a plus for wine buffs. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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这部作品的场景描绘简直可以称得上是视觉盛宴。作者似乎拥有某种魔力,能将抽象的情感具象化为可触摸、可感知的画面。无论是对某个特定地理环境的细致描摹,还是对室内陈设的精准捕捉,都充满了生活气息和时代烙印。我清晰地“看”到了那些人物在特定光线下疲惫的侧脸,闻到了空气中弥漫的特定气味,那种沉浸式的体验是很多小说难以企及的。这种高超的环境塑造能力,不仅烘托了气氛,更直接影响了角色的选择和行动轨迹,使得故事的逻辑链条更加坚固。读到后半部分,我甚至感觉自己已经搬进了书中的那个世界,对角色的命运感同身受,那种代入感极其强烈,仿佛窗外的世界都已变得模糊不清。
评分这本书的对话设计非常高明,它远非简单的信息传递工具,更像是角色性格的锋利刀刃。不同角色的说话方式、用词习惯,甚至停顿的方式,都带着强烈的辨识度,不需要作者明确标注“谁在说”,单凭语气和句式就能分辨出来。尤其是一些充满机锋的交锋场景,那些看似平淡却暗藏杀机的对话,张力十足,每一次唇枪舌战都充满了智力上的博弈和情感上的试探。我甚至会忍不住反复品味其中几段对话,感受那种言外之意的丰富性,它迫使读者去解码文字背后的真实意图,使得阅读过程充满了解谜的乐趣,这绝对是一本在语言层面达到了极高水准的作品。
评分如果用一个词来形容这本书的基调,我会选择“宿命感”。它探讨的主题非常宏大,关乎时间、选择与不可逆转的后果。作者似乎对人性的弱点有着近乎残酷的洞察力,他毫不留情地揭示了那些潜藏在光鲜外表下的贪婪、恐惧与爱恋的扭曲形态。这本书的魅力在于,它没有提供简单的答案或救赎,而是将所有角色都置于一个巨大的、由他们自己编织的命运之网中,看着他们如何挣扎、如何最终接受或反抗。这种对“人”的深刻哲学思考,让这本书的重量远超普通的娱乐小说,它更像是一面镜子,映照出读者自己内心深处那些不愿直面的阴影和迷茫。
评分坦白说,初读这本书时,我差点被它那种略显晦涩的语言风格劝退。它不像现在市面上流行的那些轻快读物,文字密度高,句式结构也偏向古典和书面化,初读时需要慢下来,甚至需要查阅一些背景资料才能完全跟上作者的思路。然而,一旦适应了这种节奏,你会发现作者的文字功底极其扎实,每一个词语的选择都像是经过千锤百炼,精准地击中了情感的靶心。它构建的世界观宏大而严谨,涉及的历史背景和社会结构非常复杂,但这并非是为了炫技,而是为人物的命运提供了坚实的依托。这本书更像是一件需要耐心打磨的艺术品,初看或许略显粗粝,但深入其中,便能感受到其内在的光泽和厚度,是对智识和耐心的一种回报。
评分这本书的叙事节奏感真是绝了,仿佛能抓住读者的喉咙,让人喘不过气来。作者对人物心理的刻画细腻入微,每一个细小的动作、每一次不经意的眼神交流,都蕴含着巨大的信息量。我感觉自己不仅仅是在阅读一个故事,更像是在亲身经历一场情感的过山车。特别是主角在面对困境时的挣扎与反思,那种真实感让人心疼又敬佩。章节之间的衔接处理得非常巧妙,常常在一个高潮点戛然而止,让人恨不得立刻翻到下一页,那种期待感简直要将人逼疯。而且,书中的一些意象和象征手法运用得炉火纯青,为原本就复杂的情节增添了一层深邃的哲学意味,需要反复琢磨才能体会到其中精妙的层次感。整体读下来,酣畅淋漓,但留下的回味却是悠长而复杂的,是那种读完之后会有一段时间需要整理思绪的力作。
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