From Publishers Weekly
It's impossible to read Algrant's relatively reserved study (compared with that of Evelyne Lever, [see review on p. 166]) without thinking, at least fleetingly, of Monica Lewinsky. Jeanne-Antoinette Poisson (1721-1764) too set her sights on winning the affections of a head of state, in her case, King Louis XV of France. She succeeded and became as famous as her paramour but far more reviled primarily because Pompadour actively sought to be the power behind the throne. Algrant (Philippe, duc d'Orl‚ans) does a terrific job portraying a woman driven by a potent combination of ambition, insecurity and a dogged determination to fulfill the destiny set forth for her at age nine, when a fortune teller predicted she would become the mistress of the king of France. According to Algrant, there's no doubt that Pompadour loved the king, but it's never quite clear how much of that love was pure and how much was motivated by her almost pathological need for power. And power she had: by the time she died, at age 42, Pompadour had overseen the hiring and firing of government officials and military officers. Armed with objectivity and a wealth of facts, Algrant either because she shows without telling or refuses to speculate lets readers draw their own conclusions about Pompadour's true character. The result is a comprehensive but detached portrait that provides plenty of food for thought. 8 pages of color illus. not seen by PW.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Here are two biographies of Jeanne-Antoinette Poisson, who became famous in 18th-century France as mistress of and confidante to Louis XV. When Poisson was young, a fortune-teller predicted that she would become the mistress of the king, and thereafter she was groomed by family and friends for the role. Eventually, she became a patron of the arts and was known to such luminaries as Voltaire and Montesquieu. In 1745, when she came to Louis XV's attention, she transformed herself into Madame de Pompadour. Poisson was given rooms at Versailles, and, though she was the king's lover for only five years, she remained his close adviser until her death. Algrant, author of Philippe, duc d'Orleans, a 1997 New York Times Notable Book, has written a well-researched volume on Madame de Pompadour. While previous biographies, such as Margaret Crosland's Madame de Pompadour: Sex, Culture, and Power, have focused on the cultural and sociological aspects of her era, Algrant brings her to life in an engaging study that will appeal to the general reader as well as the specialist. Leading French historian Lever (e.g., Marie Antoinette: The Last Queen of France) delivers a well-researched biographical account that gives a picture of Louis XV as well as of Madame de Pompadour in an easy-to-read manner. While Algrant's account tells more about Poisson's early life and rise as mistress, Lever's discusses more broadly the king's history of mistresses and life at court. Both books ably describe Madame de Pompadour's influence on France and the French people. Algrant's book, written in a slightly more accessible, storytelling manner, may bring the famous courtesan a bit more vividly to life than Lever's, but both biographies are recommended for most collections. [Algrant's book was previewed in Prepub Alert, LJ 3/15/02.]-Mary Salony, West Virginia Northern Community Coll. Libs., Wheelin.
--Mary Salony, West Virginia Northern Community Coll. Libs., Wheeling
Copyright 2002 Reed Business Information, Inc.
Review
'More than just a fine portrait, Algrant's Madame de Pompadour makes you hear the rattle of the tumbrels, just thirty years down the road.' Alistair Horne 'Historical drama related with great flair and knowing affection for the colourful characters' all-too-human foibles.' Kirkus Review '[A] riveting new biography.' Antonia Fraser, Mail on Sunday ' Mordantly witty.' Emily Eakin, New York Times Book Review --This text refers to an out of print or unavailable edition of this title.
Christine Pevitt Algrant was born in Lancashire and studied classics at Cambridge University. She has worked as a television reporter and publisher in London and New York, and now writes on the history of 18th-century France. Her previous book, Philippe, duc d'Orleans was a New York Times Notable Book of the Year. --This text refers to an out of print or unavailable edition of this title.
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坦白说,这本书读起来非常“重”,它不是那种能让你在睡前放松心情的书。它像一块沉甸甸的铅块,压在你的心口,让你持续思考一些宏大且令人不安的主题。作者似乎对“永恒”和“虚无”有着一种近乎偏执的迷恋,并将其编织进了每一个角色的命运之中。即便是在最欢快、最浮华的场景描述下,你也能捕捉到一种深植于骨髓的、对时间流逝和生命徒劳的悲剧性认知。这种哲学的重量感,需要读者投入相当的情感能量去承载。我发现自己在阅读时,会不自觉地将书中的讨论与我自己的生命体验进行对照和反思,这使得阅读过程带有一种近乎宗教仪式的严肃性。它没有提供任何廉价的安慰或简单的道德评判,反而将人性的光辉与阴暗面一起暴露在冰冷的光线下,迫使你直面存在的本质困境。读完合上书的那一刻,我感到的是一种被深刻触动后的疲惫和澄明,仿佛刚刚经历了一场漫长而艰辛的精神跋涉。
评分我读这本书时,脑海中不断浮现出音乐的画面,仿佛每一个章节都是一首精心编排的奏鸣曲。它的结构严谨得近乎数学般精确,章节之间的过渡并非突兀的跳跃,而更像是乐章内部的和声转换,每一个主题的引入、发展和再现,都遵循着一种内在的、不易察觉的韵律。特别是一些对话场景的描绘,那简直是语言的舞蹈!人物的台词交锋如同高难度的对位法,你听着甲说的话,却能感受到乙在言外之意中悄悄布下的陷阱。作者对语言的运用达到了近乎炫技的程度,但这种炫技是服务于故事的,而非凌驾于故事之上。我发现自己忍不住会大声朗读某些段落,仅仅是为了感受那些长句和短句错落有致的节奏感。这本书要求读者不仅用眼睛“看”文字,更要用耳朵去“听”文字的音乐性。它打破了传统小说的线性叙事模式,更像是一部多声部的复调作品,信息量巨大,但组织得井井有条,需要读者反复品味才能真正体会到其音乐结构上的精妙之处。
评分这本书的视角转换极其令人困惑,或者说,极其大胆。你永远无法确定你此刻站在谁的肩头观察这个世界,前一秒还是局外人的冷酷观察者,下一秒,你可能就被拉进了某个角色最私密、最混乱的思维风暴中心。这种多重主观性的叠加,使得整个叙事蒙上了一层厚重的、不可完全穿透的迷雾。我时常感到一种智力上的挑战,需要不断地在不同的立场间切换,去拼凑出一个相对完整的画面。这绝非一本提供标准答案的读物;它更像是一个邀请,邀请你去质疑你所看到的一切,去审视“真相”是如何被不同的人所建构和扭曲的。在某些段落,作者甚至玩起了“不可靠的叙述者”的游戏,让你开始怀疑自己对角色的基本判断。这种不确定性带来的阅读体验是刺激的,它迫使你成为一个更积极、更具批判精神的参与者,而不是一个被动的接受者。我喜欢这种作者对读者智力的尊重,它拒绝简单化处理复杂的人性,而是将其呈现为一团充满张力的灰色地带。
评分这本书的叙事节奏简直是慢得让人抓狂,但奇妙的是,这种缓慢却构建出了一种令人上瘾的张力。它不是那种快餐式的阅读体验,你必须放慢自己的脚步,去适应作者精心设计的、如同古老钟表般精确但缓慢的滴答声。一开始,我几乎要合上书页,因为那些冗长而详尽的物件描述和环境渲染似乎毫无必要,但坚持读下去后,我才领悟到,这些细节才是构建世界观的基石。每一个被详述的丝绒质地、每一件被细致描摹的银器,都在无声地诉说着拥有者的地位和秘密。作者似乎在用文字进行一种考古工作,一层层剥开历史的尘埃,但她不是急于下结论,而是让你和她一起,用显微镜般审视每一个碎片。我感觉自己像是一个闯入了一座布满了复杂机械装置的密室,需要时间去弄明白齿轮是如何咬合的,每一个动作的背后隐藏着怎样的连锁反应。对于追求即时满足的现代读者来说,这无疑是一场考验耐心的修行,但对于那些渴望沉浸式体验、愿意为深度挖掘付出时间的人来说,这本书的回报是丰厚的——它给予的不仅仅是一个故事,而是一个可以呼吸、可以感受的完整世界。
评分这本书的文字简直就像一场华丽的巴黎沙龙,每一个句子都带着精致的洛可可式弯曲和优雅的讽刺。作者对那个时代贵族阶层微妙的权力游戏描绘得入木三分,那种浮光掠影下的暗流涌动,让人不自觉地屏住呼吸,生怕错过任何一个眼神的交汇或一句暗藏机锋的寒暄。我尤其欣赏作者在刻画人物内心挣扎时所用的细腻笔触,那些看似光鲜亮丽的外表下,是多么汹涌澎湃又克制隐忍的情感洪流。书中的场景转换流畅得如同一次完美的圆舞曲,从凡尔赛宫的金色大厅到秘密的林间小屋,每到一个地方,那种特定的氛围和气味仿佛都能穿透纸页,直达读者的感官。读到一半时,我甚至需要停下来,走到窗边,让自己从那种极度繁复却又迷人的美学中抽离出来,然后再沉浸其中。这本书不是那种让你轻松翻阅的消遣之作,它更像是一份需要你全神贯注去品鉴的古董珍品,每一页都值得反复摩挲,去解读那些潜藏在华美辞藻之下的历史纹理和人性复杂。那种阅读的满足感,并非来自情节的跌宕起伏,而是源自对一种高度风格化艺术的深度体验。
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