The most famous dance， originally from Ouarzazate<br >and tile linguistic zone of Taselhit (south-western<br >Morocco， comprising a square which includes the<br >western and central Atlas. the Sous valley and the<br >Anti Alias) may be the Hawas， known also as<br >"Berber opera". Up to two hundred persons take<br >part and at the ，，end the rhythms and situations are of<br >collective fl enzy. Generally a great fire is lit at the<br >center of the casbah. The men take place on one side<br >with the women in a semicircle. A man in the center<br >directs the dances and the sound， while the women<br >invoke God. with undulating frenetic movements. In<br >the Tamazigt language area， one of the Berber<br >dialects， another collective dance， the ahidus， has<br >become popular. The principal identifying featm e is<br >the participation of the women with shrill shrieks.<br >Of particular note is the Guedra (the name of an<br >amphora covered with a skin)， a desert dance，<br >danced by a single woman. The woman kneels in<br >the center of a circle of men， often wearing a large<br >dark cloak. Generally she is very young， with a<br >black veil which however does not cover her fac~<br >and with silver jewelry braided into her hair. She<br >will continue as if obsessed， with a crescendo of<br >movments of her hips， body， hands， until suddenly<br >she stops. The groups of dancers， the Gnawa， who<br >perform in Place Djemaa el-Fna are also of African，<br >in particular Sudanese， origin.<br >The best way to get at least an idea of Moroccan<br >
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