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From Publishers Weekly The latest from elegant German stylist Kruger ( The End of the Novel ) is a bleakly comic memoir of a purloined life. Richard， the sour， diffident narrator， has built an acclaimed career as a travel writer and ethnologist on another man's work--a journal kept by Leo Himmelfarb， the German Jew who accompanied him on a wartime journey among the Indians of the Brazilian rainforest. Himmelfarb's observations reflected all the intellectual curiosity and ambition the Nazi-approved Richard lacked; Richard abandoned him， at death ' s door， in the jungle. Fifty years later， Richard celebrates his 80th birthday， a hollow man， his only companions a morose wolfhound and a pair of conniving domestics. Surrounded by unread books and unwanted testimonials， he is oppressed by the corrosive conviction of his own inauthenticity. But his sullen， solitary senescence is dramatically shaken by the arrival of a letter bearing the unmistakable hand of Himmelfarb himself--still alive， finally aware of the injustice done him and demanding recompense. In conception， Kruger's mendacious bookworm has clear echoes of Beckett and Bellow， but the wry philosophical tone that colors his reflections on his odd life lived in history's margins is quite distinctive. A tale rooted in the reveries of so stunted and unlikable a personality won't be to all tastes; but those who prefer the whimper to the bang will find much to admire in Kruger's deft shadings. Copyright 1994 Reed Business Information， Inc. From Library Journal In the early 1940s， Richard， a young and inexperienced German ethnologist， travels through the Amazon with Leo Himmelfarb， an impoverished expatriate Galician Jew who serves as guide and mentor， friend and antagonist. While Richard， who is burdened with Nazi racial ideology and his German bourgeois heritage， faces the primitive peoples they encounter with fear and contempt， Leo learns their languages and immerses himself enthusiastically in their customs and beliefs. Falling ill and expecting to die， Himmelfarb dictates a brilliant manuscript to Richard who， upon returning to Germany， presumes Himmelfarb dead， publishes the manuscript under his own name， and becomes famous. Now， 50 years later， Himmelfarb reappears and demands a settling of accounts. Surprisingly evocative despite its spare， aphoristic style， this novel makes interesting reading as it explores this odd relationship. Recommended for literary collections.Michael T. O'Pecko， Towson State Univ.， Md.Copyright 1994 Reed Business Information， Inc. See all Editorial Reviews