序言
筆墨鮮明的錶現手法
伊藤昌 -------------------------------------------------------6
用具配置／墨的研磨方法／筆 ···························· 6
調墨重點 ················································· 6
運筆秘訣 ················································· 7
紫藤畫法　用逆鋒錶現齣藤蔓的強韌
櫻花畫法　破墨效果
畫法講解１　畫玫瑰 ········································ 8
破墨技法 ··············································· 8
畫法講解２　畫溪榖 ········································ 9
【作品舉例】 T 字路／姫路城 ·······························10
中尊寺金色堂／月光 ··························11
宮島嚴島神社／屋久島 ························12
薄暮／朝漁 ····································13
伊藤昌簡曆／個人技法要點······························13
用淡墨描繪嬌艷的花朵
大月紅石 ---------------------------------------------- 14

用具配置／墨的研磨方法／筆 ···························14
調墨重點 ················································14
運筆秘訣　葉子的畫法 ··································15
綉球花的葉子／大吳風草的葉子
畫法講解１　畫綉球花 ···································16
畫法講解２　畫花束 ·······································18
【作品舉例】 開始即結束， 結束即開始 ····················19
百閤水仙 ······································20
銀蓮花 ········································21
人偶／花莖甘藍 ·······························22
車百閤 ········································23
大月紅石簡曆／個人技法要點 ···························23
用精妙的筆法再現四季更替的自然之景
岡村南紅 ---------------------------------------------- 24
用具配置／墨的研磨方法／筆 ···························24
調墨重點 ················································24
調墨的變化 ··············································25
花瓣的畫法／小樹枝的畫法／樹乾的畫法
畫法講解１　畫山茶花 ···································26
畫法講解２　畫雪景 ·······································27
畫法講解３　畫綉球花 ···································28
【作品舉例】 染井吉野櫻花 ·································30
玫瑰／池畔 ····································31
牽牛花 ········································32
牡丹 ···········································33
岡村南紅簡曆／個人技法要點 ···························33
追尋墨色之美的源泉
鹽澤玉聖 ---------------------------------------------- 34
用具配置／墨的研磨方法／筆 ···························34
調墨重點 ················································34
調墨的變化 ··············································35
從筆的一側看形成的濃、中、淡三墨狀態
從筆的一側看形成的斜嚮的濃、中、淡三墨狀態
畫法講解１　畫小麥 ·······································36
畫法講解２　畫富士山 ···································37
【作品舉例】 風竹 ··········································39
靈峰 ···········································40
白映 ···········································41
鹽澤玉聖簡曆／個人技法要點 ···························41
墨色之上，寄托時代精神
根岸嘉一郎 --------------------------------------- 42
用具配置／墨的研磨方法／筆 ···························42
調墨重點 ················································42
單側三墨法 ··············································43
闆刷的調墨 ··············································44
畫法講解１　畫雪林 ·······································45
畫法講解２　畫山脈 ·······································46
【作品舉例】 神橋／寂 ······································48
斷崖奇景（北山崎）／岬角 ···················49
上高地／春天的漁村 ··························50
玫瑰仿製品 ····································51
根岸嘉一郎簡曆／個人技法要點 ·························51
多樣的創作方法
白浪 ------------------------------------------------------------ 52

用具配置／墨的研磨方法／筆 ···························52
調墨重點　濃淡要分彆來畫······························52
運筆秘訣　畫古樹 ·······································54
畫法講解　　畫牡丹 ·······································55
【作品舉例】 古鬆 ··········································57
紫藤 ···········································58
石榴 ···········································59
白浪簡曆／個人技法要點 ································59
探究筆墨的可能性
藤崎韆雲 ---------------------------------------------- 60

用具配置／墨的研磨方法／筆 ···························60
調墨重點 ················································60
運筆秘訣１　藏鋒和露鋒 ································61
運筆秘訣２　點點 ·······································62
畫法講解１　畫山茶花 ···································63
畫法講解２　畫石山 ·······································65
【作品舉例】 寒牡丹／鞦實 ·································66
彩瞬 ···········································67
雲山 ···········································68
溪聲 ···········································69
藤崎韆雲簡曆／個人技法要點 ···························69
用傳統技法錶現新主題
藤原六間堂 --------------------------------------- 70
用具配置／墨的研磨方法／筆 ···························70
調墨重點 ················································70
調墨的變化 ··············································71
水分的去除方法／墨的取法①
墨的取法②／水的取法
畫法講解１　畫雞 ··········································72
畫法講解２　畫葡萄 ·······································73
【作品舉例】白雪皚皚／威尼斯清晨 ·······················75
雲和月的對話／白樺林 ························76
無言 ···········································77
藤原六間堂簡曆／個人技法要點 ·························77
用澄淨墨色描繪詩情畫意
鬆井陽水 ---------------------------------------------- 78
用具配置／墨的研磨方法／筆 ···························78
調墨重點 ················································78
畫法講解１　畫黃昏的威尼斯 ·························79
畫法講解２　畫聖誕玫瑰 ································81
【作品舉例】 玫瑰 ··········································83
山茶花／貓頭鷹 ·······························84
陣雨 ···········································85
鬆井陽水簡曆／個人技法要點 ···························85
水墨畫的主要技法 ·······································86
各位畫傢平時使用的用具和材料 ·························87
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