2008 NATIONAL BOOK AWARD WINNER
Peter Matthiessen’s great American epic–Killing Mister Watson, Lost Man’s River, and Bone by Bone–was conceived as one vast mysterious novel, but because of its length it was originally broken up into three books. In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision.
Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.
Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."
Peter Matthiessen’s lyrical and illuminating work in the Watson narrative has been praised highly by such contemporaries as Saul Bellow, William Styron, and W. S. Merwin. Joseph Heller said "I read it in great gulps, up each night later than I wanted to be, in my hungry impatience to find out more and more."
Praise for Shadow Country
“ Shadow Country is altogether gripping, shocking, and brilliantly told , not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature. This magnificent, sad masterpiece about race, history, and defeated dreams can easily stand comparison with Ralph Ellison's Invisible Man and Robert Penn Warren's All the King's Men . Little wonder, too, that parts of the story of E.J. Watson call up comparisons with Dostoevsky, Conrad, and, inevitably, Faulkner . In every way, Shadow Country is a bravura performance, at once history, fiction, and myth–as well as the capstone to the career of one of the most admired and admirable writers of our time .” — The New York Review of Books
“Magnificent and capacious…. I'll just say right here that the book took my sleeve and like the ancient mariner would not let go. Matthiessen has made his three-part saga into a new thing…. Finally now we have these books welded like a bell, and with Watson's song the last sound, all the elements fuse and resonate….a breathtaking saga.” — The Los Angeles Times
“ Gorgeously written and unfailingly compelling, Shadow Country is the exhilarating masterwork of [Matthiessen’s] career, every bit as ambitious as Moby Dick .” — National Geographic Adventure magazine
“Peter Mattiessen consolidates his epic masterpiece of Florida -- and crafts something even better…[He] deserves credit for decades of meticulous research and obsessive details and soaring prose that converted the Watson legend into critically acclaimed literature….Anyone wanting an explanation for what happened to Florida can now find it in a single novel, a great American novel .” — Miami Herald
“Matthiessen is writing about one man's life in Shadow Country , but he is also writing about the life of the nation over the course of half a century. Watson's story is essentially the story of the American frontier, of the conquering of wild lands and people, and of what such empires cost…. Even among a body of work as magnificent as Matthiessen's, this is his great book. ” — St. Petersburg Times
“ Shadow Country is a magnum opus . Matthiessen is meticulous in creating characters, lyrical in describing landscapes, and resolute in dissecting the values and costs that accompanied the development of this nation.” -- Seattle Times
“Shadow Country” is an ambitious, lasting, and meaningful work of literature that will not soon fade away. It is a testament to Mr. Matthiessen’s integrity as an artist that he felt compelled to return to the Watson material to produce this work and satisfy his original vision….a multifaceted work that can be read variously or simultaneously as a psychological novel, a historical novel, a morality tale, a political allegory, or a mystery. -- East Hampton Star
“Matthiessen’s Watson trilogy is a touchstone of modern American literature …this reworking…is remarkable….Where Watson was a magnificent character before, he comes across as nothing short of iconic here; it’s difficult to find another figure in American literature so thoroughly and confincingly portrayed. ” — Publishers Weekly , starred review, Pick of the Week
“Matthiessen has reinvigorated and rejoined the trilogy’s novels…a mosaic about the life and lynch-mob death of a turn-of-the century Florida Everglades sugar planter and serial killer named E. J. Watson — into the 900-plus-page Shadow Country . This is no mere repackaging: Four hundred pages were cut from the novels, previous background characters now tromp to the foreground, and the books’ rangy, Faulknerian essence is rendered more digestible. Deliciously digestible , that is; this is a thick porterhouse of a novel .” — Men’s Journal
"The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. SHADOW COUNTRY lives up to anyone's highest expectations for great writing ." -- Richard Ford
"Peter Matthiessen is a brilliantly gifted and ambitious writer, an inspired anatomist of the American mythos. His storytelling skills are prodigious and his rapport with his subject is remarkable." -- Joyce Carol Oates
"Peter Matthiessen's work, both in fiction and non-fiction, has become a unique achievement in his own generation and in American literature as a whole. Everything that he has written has been conveyed in his own clear, deeply informed, elegant and powerful prose. The Watson saga-in-the-round, to which he has devoted nearly thirty years, is his crowning achievement . SHADOW COUNTRY, his distillation of the earlier trilogy, is his transmutation of it to represent his original vision. It is the quintessence of his lifelong concerns, and a great legacy ." -- W.S. Merwin
From the Hardcover edition.
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这部小说最让我印象深刻的,是它对人性复杂性的毫不留情的揭示。它没有树立脸谱化的英雄或恶棍,每一个角色都在道德的灰色地带挣扎求生。你会在某个人物身上看到自己的软弱,也会在另一个人身上瞥见自己渴望的坚韧。作者对“生存”这一主题的探讨,超越了简单的生理层面,深入到了精神和伦理的拷问。它迫使我们去思考,在极端压力下,何为底线?何为救赎?这种对人性幽暗角落的探索,虽然有时令人不安,但却是真实而必要的。它提供的不是安慰剂,而是一剂猛药,让人在痛苦的审视中获得一种清醒的力量。读完后,世界观仿佛被轻轻拨动了一下,那种微妙的、持续的影响力,才是真正伟大作品的标志。
评分我必须承认,起初我对这样一部看似厚重的作品抱有一丝疑虑,但很快就被其内在的张力所捕获。它不是那种平铺直叙、事无巨细地罗列事实的小说,而更像是一幅层层叠叠、需要不断后退才能看清全貌的巨幅油画。作者巧妙地运用了多重视角,使得原本看似单一的事件,从不同的立场解读,会呈现出完全不同的侧面和深度。这种叙事手法极大地丰富了作品的内涵,挑战了读者对于“真相”的固有认知。更令人赞叹的是,即使面对宏大的历史背景和复杂的人物关系,作者也从未丢失对个体情感的关注。那些微妙的情绪波动、那些难以言说的乡愁与不甘,都被精准地捕捉并放大,直击人心最柔软的角落。读完之后,那种久久不能散去的余韵,让我开始反思自己生活中的某些决定和选择,这是一部真正能引发深刻自我审视的作品。
评分这部作品的文字驾驭能力简直令人叹为观止,作者对细节的捕捉如同显微镜下的观察,每一个场景的描绘都充满了生命力。那种置身于特定历史背景下的沉浸感,让人几乎能闻到空气中的尘土味和远方的炊烟香。叙事节奏的处理非常老道,时而舒缓如溪流潺潺,娓娓道来人物内心的挣扎与成长;时而又陡然加速,如同山洪暴发般将读者卷入无法预测的命运洪流之中。特别是人物塑造,立体得让人心疼,他们不再是简单的符号,而是活生生的、带着各自的缺陷与光芒的个体。阅读过程中,我常常停下来,不是为了喘口气,而是为了细细品味那些精妙的措辞和富有哲理的隐喻。那种文字本身的质感,是如今许多快餐式阅读中难以寻觅的珍宝,它要求你慢下来,去感受,去思考,去真正地与故事发生一场深刻的对话。这是一场文字的盛宴,每一个句子都像精心打磨过的宝石,散发着独特的光泽。
评分这本书的结构设计,简直是一场精巧的迷宫探险。它不按常理出牌,在时间线上进行跳跃和穿梭,初读时可能会让人感到一丝迷茫,但一旦适应了这种独特的节奏,便会发现其中的匠心独运。每一次“迷失”感,其实都是作者在引导你走向下一个更重要的线索。这种非线性的叙事,完美地契合了记忆和历史的运作方式——片段、闪回、重叠。更值得称道的是,作者在处理那些充满争议或模糊地带的情节时,保持了一种令人信服的克制。他没有急于给出简单的答案,而是将解释的权力交还给了读者。这种对智力的尊重,使得阅读体验充满了主动性和参与感。每一次揭开一个谜团,带来的成就感都是巨大的。它不仅仅是阅读一个故事,更像是在参与一次智力上的协作,共同拼凑出一幅破碎的图景。
评分从文学语言的角度来看,这部作品展现出一种近乎古典的庄重与现代的敏锐相结合的独特风格。它的遣词造句极为考究,但又绝不故作高深,每一个用词都恰到好处地服务于当下的情境和人物心境。我尤其欣赏作者对环境描写的笔力,那种将自然景观与人物命运紧密编织在一起的能力,让人感觉天地万物都在共同见证着这场人间的悲喜剧。风、雨、光影,都成了推动情节或暗示情绪的无声角色。这种对“场域”的深入挖掘,使得整个故事拥有了一种厚重的宿命感,仿佛所有角色的行动都逃脱不了这片土地的印记。这是一部需要用耳朵去“听”的文字,因为那些潜藏在字里行间的韵律感和张力,比单纯的视觉呈现更具震撼力。
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