具体描述
You know the authors’ names. You recognize the title. You've probably used this book yourself. And now The Elements of Style –the most widely read and employed English style manual–is available in a specially bound 50th Anniversary Edition that offers the title's vast audience an opportunity to own a more durable and elegantly bound edition of this time-tested classic.
Offering the same content as the Fourth Edition, revised in 1999, the new casebound 50th Anniversary Edition includes a brief overview of the book's illustrious history. Used extensively by individual writers as well as high school and college students of writing, it has conveyed the principles of English style to millions of readers. This new deluxe edition makes the perfect gift for writers of any age and ability level. Fifty Years of Acclaim for The Elements of Style , by William Strunk Jr. and E.B. White I first read Elements of Style during the summer before I went off to Exeter, and I still direct my students at Harvard to their definition about the difference between 'that' and 'which.' It is the Bible for good, clear writing.”-- Henry Louis Gates Jr. “For writers of all kinds and sizes the world begins and ends with Strunk and White’s Elements of Style . Only something to actually write abouttrumps the list of what is required to put words together in some kind of coherent way. I treasure its presence in my life and salute its fifty years of glory and accomplishment."-- Jim Lehrer “ The Elements of Style remains an unwavering beacon of light in these grammatically troubled times. I would be lost without it.” -- Ann Patchett "To the extent I know how to write clearly at all, I probably taught myself while I was teaching others -- seventh graders, in Flint, Michigan, in 1967. I taughtthem witha copy of Strunk & White lying in full view on my desk, sort of in the way the Gideons leave Bibles in cheap hotel rooms, as a way of saying to the hapless inhabitant: ‘In case your reckless ways should strand you here, there's help.’ S&W doesn't really teach you how to write, it just tantalizingly reminds you that there's an orderly wayto go about it, that clarity's ever your ideal, but -- really -- it's all going to be up to you." -- RichardFord “ The Elements of Style never seems to go out of date. Its counsel is sound and funny, wise and unpretentious. And while its precepts are a foundation of direct communication, Strunk and White do not insist on a way of writing beyond clear expression. The rest is up to the imagination, the intelligence within.” -- David Remnick, editor of The New Yorker “It’s the toughness–the irreverence and implicit laughter–that attracted me to the little book when I was seventeen. I fell in love with Strunk & White’s loathing for cant and bloviation, the ruthless cutting of crap, jargon, and extra words. For me, that skeptical directness included a tacit permission by The Elements of Style to break its rules on occasion: an alloy of generosity in the blade, a grace I still admire and still learn from.” -- Robert Pinsky “In the quest for clarity, one can have no better guides than Strunk and White. For me, their book has been invaluable and remains essential.” -- Dan Rather "Eschew surplusage! A perfect book."--Jonathan Lethem "Not until I started teaching writing and I reread The Elements of Style did I realize that most everything I would be teaching young writers, and everything I would be learning myself as a writer, was contained between the covers of this slim, elegant, wise little book. -- Julia Alvarez “Strunk and White seared their way into my brain long ago, and I benefit from them daily.” -- Steven J. Dubner, co-author of Freakonomics “Since high school, I have kept a copy of this book handy. That should be unnecessary. I should, by now, have fully internalized The Elements of Style . But sometimes I get entangled in a paragraph that refuses to be ‘clear, brief, bold.’ I dip back into The Elements of Style and am refreshed.
After Scott Simon interviewed me on NPR about whether the word ‘e-mail’ needs a hyphen (yes, it does), some listeners, including friends of mine, wondered why I had answered in the affirmative when asked, in passing, ‘Are you a drunken white man?’ Those listeners misheard. ‘Strunk and White man’ was what Scott said.” -- Roy Blount Jr. “Strunk & White--writing's good-natured law firm--still contains enough sparkling good sense to clean up the whole bloviating blogosphere." -- Thomas Mallon “I used Strunk -- that’s what we called it, Strunk -- as a student at Berkeley fifty years ago. I didn't know that it was new, and that we were the first generation to be educated in The Elements of Style . I got a firm foundation in the English language, learned to write basically, and could depict the realistic world.Then I was able to become an impressionist and expressionist.” -- Maxine Hong Kingston “Strunk and White's gigantic little book must be the most readable advice on writing ever written. Side by side with Roget, Shakespeare, the Bible, and adictionary, it's an essential forevery writer's shelf.” -- X.J. Kennedy...
美国大学校园人手一册的英语语法书籍。
作者简介
目录信息
读后感
知道这本书,准确地说是一本只有43页的小册子,是从徐宥博客上一篇介绍计算机科学经典书籍的文章。 徐宥说:“各位读者老大中有不少都是大学生,相信不少都参加过形形色色的英语写作培训班。如果当年您参加培训班的时候,老师没有介绍一本叫做 <The Elements of Style> (TEoS)...
看这本书是因为英语e书房管理员写了强烈推荐,加之张五常和董桥的两篇推荐文章,才知道这本小册子在英文写作界的知名度。 先是花了两天的时间听完这本书的音频。一开始很吃力,因为之前就没有好好学过语法,对于标点符号的单词完全不认识。都是一边听一篇用灵格斯...
剑桥英语语法主编溥哲夫(Geoffrey Pullum) 痛骂Strunk和White的ELEMENTS OF STYLE. Pullum在句法理论领域的学术水平完全超越怀疑。看完之后,我觉得他的批评很有道理。小白书的两位主编确实是不太懂英语语法的小白,我为我的盲从感到羞愧。 50 YEARS OF STUPID GRAMMAR ADVIC...
I bought this book for almost two years, but never finished reading it. Appealing stories always distract me. I take seriously to enhance my writing this time. The fellowing is my note. Part One: 11 principles of usage 1. Form the possessive singular of n...
剑桥英语语法主编溥哲夫(Geoffrey Pullum) 痛骂Strunk和White的ELEMENTS OF STYLE. Pullum在句法理论领域的学术水平完全超越怀疑。看完之后,我觉得他的批评很有道理。小白书的两位主编确实是不太懂英语语法的小白,我为我的盲从感到羞愧。 50 YEARS OF STUPID GRAMMAR ADVIC...
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我最近读完了一本令人耳目一新的小说,它讲述了一个关于时间旅行的复杂故事,名叫《时间的褶皱》。这本书最让我惊叹的是作者构建世界观的精妙程度。叙事线索交织在一起,时间线索仿佛是一张巨大的蜘蛛网,每一个微小的变动都会引发蝴蝶效应般的连锁反应。我尤其喜欢主人公在面对道德困境时的挣扎,他必须在拯救所爱之人与维护宇宙基本秩序之间做出抉择。作者对物理学概念的阐释非常到位,不是那种枯燥的教科书式描述,而是巧妙地融入到角色对话和环境描写之中,使得那些高深的理论也变得触手可及。小说的高潮部分,主角试图在过去和未来之间架设一座桥梁,那段描写紧张到让我手心冒汗,仿佛我本人也置身于那场时空对决之中。这本书的后劲很大,读完后我花了整整一个下午来梳理脑海中那些碎片化的信息,试图拼凑出完整的图景。它不仅仅是一部科幻作品,更是一部关于选择、宿命与自由意志的哲学探讨,非常值得那些喜欢深度思考的读者去细细品味。
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最近沉迷于一本名为《失落的星图》的奇幻史诗,简直无法自拔。这本书的魅力主要源于它对异域文化的细腻刻画。作者似乎花费了数年时间去研究和构建这个架空的世界——阿瑟瑞亚。从沙漠部落的祭祀仪式到极地冰原上独居法师的隐秘生活,每一个文化群体都有其独特的语言体系、宗教信仰和复杂的政治结构。书中对魔法系统的设定也极为严谨,它不是随意施展的奇迹,而是需要学习、消耗能量,并且受制于自然法则的“科学”。我最欣赏的是主人公并非传统意义上的“天选之子”,他更像是一个被命运推着走的普通人,他的成长充满了血泪和不确定性。尤其是当他深入到禁忌的古代遗迹中,面对那些超越凡人理解的古老实体时,那种渺小感和敬畏感被刻画得淋漓尽致。全书的节奏把握得非常好,既有宏大的战争场面,也有细腻的内心独白,让读者既能感受到史诗的磅礴,又不失人物的温度。读完后我立刻上网去搜索关于书中那些虚构神祇的“背景故事”,可见其设定的吸引力之大。
说实话,我对传记类的书籍一向不太感冒,总觉得它们太过拘谨和教条,但《光影炼金术师:某位早期电影先驱的未公开日记》完全颠覆了我的看法。这本书的叙事视角非常独特,它不是从旁观者的角度去评判这位电影大师的一生,而是直接呈现了他私人日记中的只言片语。这使得人物形象变得极其立体和真实,充满了矛盾性——他既有对艺术近乎偏执的追求,也有那个时代知识分子常见的傲慢与脆弱。我特别着迷于那些关于早期电影制作细节的描述,比如如何在没有完善绿幕技术的年代,通过精妙的布景和光线控制,创造出令人信服的视觉奇观。那些关于如何“偷光”的技巧,以及如何说服顽固的投资者支持他那些“不切实际”的镜头设想的段落,读来像是在看一部幕后悬疑剧。这本书的价值在于它不仅仅记录了一个人的职业生涯,更像是一扇窗,让我们得以窥见一个伟大艺术家的内心世界是如何在商业压力和创作激情中不断拉扯、最终淬炼出永恒光芒的。
峰哥一直推荐的这本书果然令人惊喜。读完后才发现写作真是艰苦卓绝却又乐趣无穷啊!英文也好,中文也罢,写得清楚是底线,写得“好听”,写出自己的风格,都需要历练啊。
对于 clarity 和 brevity 近乎偏执的追求。
又感叹又辛酸好吗!
囧,好貴!原版咩?前幾天看過中文版,覺得特別坑爹。書還在媽媽公司……媽媽付的款不過XD。
Old fashioned.