Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it "the allegory for the world's maturity", but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

FYODOR MIKHAILOVICH DOSTOEVSKY was born in Moscow in 1821, the second in a family of seven children. His mother died of consumption in 1837 and his father, a generally disliked army physician, was murdered on his estate two years later. In 1844 he left the College of Military Engineering in St Petersburg and devoted himself to writing. Poor Folk (1846) met with great success from the literary critics of the day. In 1849 he was imprisoned and sentenced to death on account of his involvement with a group of utopian socialists, the Petrashevsky circle. The sentence was commuted at the last moment to penal servitude and exile, but the experience radically altered his political and personal ideology and led directly to Memoirs from the House of the Dead (1861–2). In 1857, whilst still in exile, he married his first wife, Maria Dmitrievna Isaeva, returning to St Petersburg in 1859. In the early 1860s he founded two new literary journals, Vremia and Epokha , and proved himself to be a brilliant journalist. He travelled in Europe, which served to strengthen his anti- European sentiment. During this period abroad he had an affair with Polina Suslova, the model for many of his literary heroines, including Polina in The Gambler . Central to their relationship was their mutual passion for gambling— an obsession which brought financial chaos to his affairs. Both his wife and his much- loved brother, Mikhail, died in 1864, the same year in which Notes from the Underground was published; Crime and Punishment and The Gambler followed in 1866 and in 1867 he married his stenographer, Anna Snitkina, who managed to bring an element of stability into his frenetic life. His other major novels, The Idiot (1868), Demons (1871), and The Karamazov Brothers (1880), met with varying degrees of success. In 1880 he was hailed as a saint, prophet, and genius by the audience to whom he delivered an address at the unveiling of the Pushkin memorial. He died six months later in 1881; at the funeral thirty thousand people accompanied his coffin and his death was mourned throughout Russia.