The Classic French Cinema, 1930-1960 pdf epub mobi txt 電子書 下載 2024


The Classic French Cinema, 1930-1960

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Colin G. Crisp
Indiana University Press
1997-04
510
USD 18.95
Paperback
9780253211156

圖書標籤: industry  France  1990   


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发表于2024-11-05

The Classic French Cinema, 1930-1960 epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

The Classic French Cinema, 1930-1960 epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

The Classic French Cinema, 1930-1960 pdf epub mobi txt 電子書 下載 2024



圖書描述

The three decades between 1930 and 1960 were one of the most creative periods in the history of cinema. During this era, films achieved a level of great sophistication, and in France this era produced some of the most famous films ever made - Jean Vigo's Zero de conduite. Rene Clair's A nous la liberte, Jean Renoir's Crime de M Lange, and Jean Cocteau's Orphee. In The Classic French Cinema, 1930-1960, Colin Crisp investigates the critical period from the introduction of sound to the beginning of the New Wave. He details the extraordinary ingenuity of French filmmakers who worked under economic and technological constraints that affected both the production and the consumption of films. In this comprehensive study, Crisp synthesizes a large body of work on the French cinema, most of it published only in French. At the same time, he radically re-writes aspects of the industrial history of the classic French cinema, shedding new light on its periodization and re-evaluating the extent of German influence on the French film industry's postwar organization. Crisp also reveals the New Wave filmmakers to be the natural heirs of the classic French cinema, rather than a break with the earlier tradition. Fully illustrated with over 50 black-and-white photos from these classic films, plus numerous charts, and figures.

The Classic French Cinema, 1930-1960 下載 mobi epub pdf txt 電子書

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The Classic French Cinema, 1930-1960 pdf epub mobi txt 電子書 下載
想要找書就要到 小哈圖書下載中心
立刻按 ctrl+D收藏本頁
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用戶評價

評分

The only authoritative work on the industrial and economic history of classic French cinema. Dry but so informative. Any "cinema in crisis" argument should be substantiated or debunked by a work like this. Furthermore, it demonstrates, from an industrial perspective, how the New Wave was possible from the infrastructures set up by the Germans.

評分

informative but too dry

評分

The only authoritative work on the industrial and economic history of classic French cinema. Dry but so informative. Any "cinema in crisis" argument should be substantiated or debunked by a work like this. Furthermore, it demonstrates, from an industrial perspective, how the New Wave was possible from the infrastructures set up by the Germans.

評分

The only authoritative work on the industrial and economic history of classic French cinema. Dry but so informative. Any "cinema in crisis" argument should be substantiated or debunked by a work like this. Furthermore, it demonstrates, from an industrial perspective, how the New Wave was possible from the infrastructures set up by the Germans.

評分

The only authoritative work on the industrial and economic history of classic French cinema. Dry but so informative. Any "cinema in crisis" argument should be substantiated or debunked by a work like this. Furthermore, it demonstrates, from an industrial perspective, how the New Wave was possible from the infrastructures set up by the Germans.

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