This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists of mid-Victorian England and their radical departure from artistic conventions. Tim Barringer explores the meanings encoded in Pre-Raphaelite paintings and finds a dynamic energy that arises from paradoxes at the heart of the movement, between past and present, historicism and modernity, and symbolism and realism.

Liberated from the constraints of tradition, the Pre-Raphaelites of mid-Victorian England produced distinctive representations of nature and society in paintings remarkable for their compositional vitality and hallucinatory effects of color. This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists and their radical departure from artistic conventions. Tim Barringer explores the meanings so richly encoded in Pre-Raphaelite paintings and analyzes key pictures and their significance within the complex social and cultural matrix of nineteenth-century Britain. In chapters devoted to core themes, the author discusses such artists as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, and Ford Madox Brown and their engagement with medieval revivalism, nature worship, issues of class and gender, and the reconciliation of the religious image and realism.

Barringer draws on an imaginative selection of paintings, drawings, and contemporary photographs to suggest that the dynamic energy of Pre-Raphaelism arose from paradoxes at its heart. Past and present, historicism and modernity, symbolism and realism, as well as tensions between city and country, man and woman, worker and capitalist, colonizer and colonized—all appear within Pre-Raphaelite art. Focusing on these issues, the author casts new light on the Pre-Raphaelites and their innovative work.

Tim Barringer is assistant professor of the history of art at Yale University. He formerly taught at the universities of London and Birmingham and has published widely on Victorian visual culture.