Luthiel's Song has been nominated for two upcoming young fiction awards, The Virginia Readers' Choice Award and the Florida Teens Read Award, and was a semifinalist nominee for the 2007-08 Georgia Peach award for teen fiction!
First Summer's Eve has come and all elves celebrate as the black moon's shadow fades from the world. It is also Luthiel's fifteenth birthday. With it come two extraordinary and dangerous surprises: a Wyrd Stone, its silvery heart a window into a world of dreams and nightmares, and a Blade Dancer, dreaded protector of the Faelands, who bears a dark message. Instead of celebration, Luthiel is given a terrible choice: if she does nothing, someone she loves deeply will die. Or to save a life, she can break the most perilous law of the Faelands, and venture alone to the Vale of Mists. If she chooses the journey, she must race Othalas -- eldest and most feared of all the werewolves -- past great back spiders who weave webs out of nightmares, through glittering mists with the power to reshape flesh, and at last into death by the teeth of dark and ancient Vyrl, who feed on the blood of elves. Either choice will bring death -- unless Luthiel can find the secret in her remarkable Stone, a secret that even the nightmares fear.
Robert Fannéy was born on November 4, 1972 in Southeastern Virginia. He lived in Virginia Beach, VA for much of his younger life and currently resides in Old Town Portsmouth with his wife, Catherine, and two talkative Maine Coon cats.
The scenic Seashore State Park and the frothy Atlantic Ocean bordered Robert's world as a child. Ever changing and full of mystery, both were an inspiration to Robert as he set out to create the fantastic settings of Oesha and the Vale of Mists. A surfer since a very young age, Robert has felt a deep connection with nature and finds that his most spiritual times are while sitting on a tiny surfboard upon a vast ocean or laying on the sand beneath an even vaster sea of stars.
As a teen, Robert often wrote short stories and poems about his adventures. He made frequent trips to the library and book store and read widely. Some of his favorite books were Michael Ende's The Neverending Story, Peter S. Beagle's The Last Unicorn, Susan Cooper's The Dark is Rising, Roger Zelazney's Chronicles of Amber, and Lloyd Alexander's Chronicles of Prydain.
Robert was also inspired by the strong women in his life and, while attending the gothic Flagler College in St. Augustine, FL, he began writing a female epic fantasy which he later named Luthiel's Song. Despite numerous hardships, Robert continued to write throughout much of his adult life. He worked at a number of different jobs -- waiting tables, serving as a police officer, and even working as a coordinating editor and author for a well known niche publisher -- Jane's Information Group. During his time at Jane's Robert edited and contributed to over 15 books and magazines and co-authored Jane's Citizen Safety Guide.
Robert was able to put his experience -- both in writing and in life -- to good use and finally, after nine years, Robert had a completed first novel. With the help of his friend Matthew Friedman, a talented artist by the name of Siya Oum, and his wife Catherine, Robert decided to self publish. He started a boutique publishing house named Dark Forest Press and in six months produced a professional quality fantasy novel.
Robert spent the year promoting the book himself. Beginning with online promotion and talks at local libraries, and high schools, Robert has given over 40 presentations at libraries, schools, and bookstores and now is one of the most popular authors on myspace with over 50,000 fans.
Robert is currently working on book 2 in the Luthiel's Song series -- The War of Mists -- which he hopes will print by the end of 2007.
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这本书的装帧设计简直是一场视觉盛宴,从封面插画到内页排版,都透露着一种精致且富有古典韵味的美感。我尤其喜欢封面上那种略带忧郁的色调,它恰到好处地烘托出一种史诗般的、带着宿命感的氛围,让人在翻开扉页之前,就已经被深深吸引住了。纸张的触感也相当不错,厚实而富有质感,即便是长时间阅读也不会感到疲惫。字体选择上,那种带有衬线的字体阅读起来非常舒适,配合着恰当的行距和页边距,营造出一种沉浸式的阅读体验。看得出来,出版方在每一个细节上都倾注了心血,这不仅仅是一本书,更像是一件值得收藏的艺术品。我常常在不同的光线下审视这本书的侧边,观察光线是如何被那些微妙的纹理所捕捉和反射的,这种对实体书的珍视感,是电子阅读无法比拟的。如果说内容是灵魂,那么这实体书的呈现方式,绝对是赋予了这灵魂一副华丽且恰如其分的躯壳,极大地提升了整体的阅读愉悦度,让人忍不住想要一遍又一遍地摩挲和把玩。
评分在人物刻画方面,这本书展现出一种令人不安的真实感。这些角色绝非扁平的符号,他们内部充满了矛盾、犹豫和非理性的冲动,这使得他们的每一步行动都显得沉重而真实可信。我特别关注主角群体的内在冲突,他们之间的友情、猜忌和相互依存的关系,构筑了一条复杂的情感迷宫。有那么几个瞬间,我仿佛能清晰地感受到他们内心的剧痛和狂喜,这种共情能力的设计,体现了作者对人性幽暗角落的深刻洞察。他们犯错,他们挣扎,他们并非完美无缺的英雄,正是这种“不完美”,才让他们的胜利显得弥足珍贵,也让他们的失败更令人心碎。这种对复杂人性的毫不避讳的展现,使得整个故事的基调不再是简单的善恶对立,而是一部关于生存、选择与救赎的深刻寓言。
评分我必须承认,我购买这本书的契机,很大程度上是基于一些圈内朋友的私下推荐,他们用一种近乎神秘的语气描述了这本书带来的某种“心灵震颤”。这种期待值被拉到极高后,我起初是抱着一种批判性的眼光去审视它的叙事节奏的。然而,作者在构建世界观时的那种宏大叙事与微观细腻描述之间的平衡处理,着实令人叹服。他们并没有急于将所有的背景信息一股脑地灌输给读者,而是通过人物的对话、环境的渲染,以及那些若有似无的历史回响,逐步揭示出这个世界的复杂肌理。我欣赏那种“慢慢来”的叙事策略,它迫使读者放慢脚步,去品味每一个场景的层次感,去感受角色在命运洪流中的挣扎与选择。这种克制的美学,让故事的张力得以持续积累,直到某些关键的转折点爆发出来时,才显得那样水到渠成,充满力量。
评分我是一个对语言风格有极高要求的人,很多奇幻作品的文字往往流于华丽的堆砌,缺乏内在的韵律感。但这本书的行文却自成一派,它拥有古典文学的严谨结构,同时又穿插着一些极富创造力的比喻和意象,让人读起来感到既有深度又不失灵动。作者似乎深谙如何利用节奏的变化来引导读者的情绪,时而使用长句来描摹辽阔的景观或漫长的沉思,时而又用短促有力的句子来捕捉突发的动作或紧张的对峙。这种文字上的高超技艺,使得阅读过程本身也成为一种享受,仿佛在跟随一位技艺精湛的音乐家进行一场听觉和想象力的交响乐之旅。我常常会因为某一个措辞的精妙而停下来,反复咀嚼其背后的意味,体会那种文字被雕琢的痕迹。
评分从结构上来看,这部作品的伏笔设置堪称教科书级别。很多在故事前期看似不经意的细节、一句随口说出的预言,或者一个不起眼的物件,都在后续的情节中被赋予了极其重要的意义。我特别享受那种“啊哈!”的顿悟时刻,当读者回溯前文,将那些看似松散的线索串联起来时,会发现作者早已布下了精密的网络。这种叙事上的严密性,给予了故事极高的可重读价值。每一次重读,都像是在探索一座已经被你初步了解的迷宫,但这次你可以更清晰地看到那些隐藏的机关和通道。这种对读者智力的尊重,以及对故事整体逻辑的强大掌控力,是区分平庸作品与杰出作品的关键所在。它不仅仅是讲了一个故事,更像是构建了一个逻辑自洽且充满深意的宇宙模型。
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