In 1955, Henri Cartier-Bresson published "The Europeans", a portrait of the continent documenting a landscape shadowed by the war. In this book, the photographer brings together images spanning the years from the late 1920s to the early 1970s. He has travelled across Europe, from the Scandinavian shield to the Irish bogs, in order to capture what it means to be European. Beyond nationalism and the particular characteristics of each culture and nation, he has found evidence of a greater identity, a likeness shared by the people and the landscape. His photographs seek to speak of the same daily ceremony, of the ongoing business of living for people across Europe, whether Polish priests in alb or cassock, or Abruzzi peasants shrouded in the black of their cloaks and hats.
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豆瓣没找到同一版本，读的是Propos De Paris
评分55版的太贵了，入了98版的，经典依旧。
评分欧洲的每个国家都有自己不一样的风格，而那时候的中国……想想在文化上落后别人一两百年还是挺可怕的
评分欧洲的每个国家都有自己不一样的风格，而那时候的中国……想想在文化上落后别人一两百年还是挺可怕的
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