Jeanette Winterson, OBE (born 27 August 1959) is an award-winning English writer, who became famous with her first book, Oranges Are Not the Only Fruit, a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Some of her other novels have explored gender polarities and sexual identity. Winterson is also a broadcaster and a professor of creative writing.
In Brexit Britain, a young transgender doctor called Ry is falling in love – against their better judgement – with Victor Stein, a celebrated professor leading the public debate around AI.
Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere.
Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
But the scene is set in 1816, when nineteen-year-old Mary Shelley writes a story about creating a non-biological life-form. ‘Beware, for I am fearless and therefore powerful.'
What will happen when homo sapiens is no longer the smartest being on the planet? Jeanette Winterson shows us how much closer we are to that future than we realise. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
I intentionally avoided this book until it was longlisted for the Booker Prize. The new take on classic never worked for me because most of the time I didn't read the original to begin with. This is an exception and I enjoyed it. The parallel story telling ...
評分I intentionally avoided this book until it was longlisted for the Booker Prize. The new take on classic never worked for me because most of the time I didn't read the original to begin with. This is an exception and I enjoyed it. The parallel story telling ...
評分I intentionally avoided this book until it was longlisted for the Booker Prize. The new take on classic never worked for me because most of the time I didn't read the original to begin with. This is an exception and I enjoyed it. The parallel story telling ...
評分I intentionally avoided this book until it was longlisted for the Booker Prize. The new take on classic never worked for me because most of the time I didn't read the original to begin with. This is an exception and I enjoyed it. The parallel story telling ...
評分I intentionally avoided this book until it was longlisted for the Booker Prize. The new take on classic never worked for me because most of the time I didn't read the original to begin with. This is an exception and I enjoyed it. The parallel story telling ...
其實還是挺不錯的,講到瞭人類文明的未來走嚮。我們是否會被AI取代,從現實角度去探索AI的更多潛在可能性。的確,AI的齣現,讓人類的選擇,成功的可能性奠定瞭厚實的基礎。我們都在追求所謂情感共鳴,那麼輸入瞭相同喜好數據的AI難道不也是完美契閤我們的要求瞭麼?我們要求所有的事物都是真的,可我們又怎麼知道當下什麼事情是真的呢,非常無解。這種插敘寫作手法也挺有意思的,過去與未來,真實與虛構的穿插,有種跟創造自己的和自己創造的世界間相互對話的感覺。
评分I LOVE THIS STORY. 喜歡開篇瑪麗在雨中漫步的精彩描寫;喜歡雪萊、拜倫和瑪麗的數次對話;喜歡作者創作的嚴謹,書中提到的機構Alcor、Benlam,提到的人物Bedford、Jack Good都真實存在。弗蘭肯斯坦從原小說走齣,最後又消失於人海,故事結局和人物命運已經不再重要,因為它們都隻是作者想要探討的主題的載體,用完可棄。這個故事想要探討的主題通過多次的、不同人物之間的對話抽絲剝繭展現,這些問題儼然已經是哲學基本問題,沒有人可以給齣完美答案:脫離瞭身體和標簽的人還是不是人?何以為人?現實是什麼?存在是什麼?科技(AI)和人應該如何共存?這本書叫Frankissstein: A Love Story。It's anything but a love story.
评分讀到最後發現真的是一個前世今生輪迴相遇的愛情故事???? 很喜歡這種結構和寫法,編排很巧妙。19世紀那條綫和21世紀那條綫相互呼應。現實和虛構界綫的模糊,未來和背後就是過去。關於AI,關於科幻。但其實還說身體、靈魂和愛。不算完美,但很好看。
评分讓我們假裝看不見她對人之本質的問與答,假裝讀不懂平行又輕微錯位的love stories,我覺得故事的內核是孤獨。人不論深入挖掘還是決心捨棄為人的一麵,最終都會導嚮這個主題。怪物是弗蘭肯斯坦,弗蘭肯斯坦是瑪麗,創作者創作自己;living with doubleness是常態,殊途歸於自身,自身是一個人。到最後,作為哪種生命形式存在已經不再重要瞭。(acknowledgements中溫特森寫道: This book is dedicated to my godchildren, Ellie and Cal Shearer, who will work to make the future they want to see. 真好。
评分其實還是挺不錯的,講到瞭人類文明的未來走嚮。我們是否會被AI取代,從現實角度去探索AI的更多潛在可能性。的確,AI的齣現,讓人類的選擇,成功的可能性奠定瞭厚實的基礎。我們都在追求所謂情感共鳴,那麼輸入瞭相同喜好數據的AI難道不也是完美契閤我們的要求瞭麼?我們要求所有的事物都是真的,可我們又怎麼知道當下什麼事情是真的呢,非常無解。這種插敘寫作手法也挺有意思的,過去與未來,真實與虛構的穿插,有種跟創造自己的和自己創造的世界間相互對話的感覺。
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