From the show's creators comes the groundbreaking novel inspired by the hit Broadway show Dear Evan Hansen.
Dear Evan Hansen,
Today's going to be an amazing day and here's why...
When a letter that was never meant to be seen by anyone draws high school senior Evan Hansen into a family's grief over the loss of their son, he is given the chance of a lifetime: to belong. He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend.
Suddenly, Evan isn't invisible anymore--even to the girl of his dreams. And Connor Murphy's parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he's doing can't be right, but if he's helping people, how wrong can it be?
No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He's confident. He's a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself.
A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.
Val Emmich is a writer, singer-songwriter, and actor. He has had recurring roles on Vinyl and Ugly Betty as well as a memorable guest role as Liz Lemon's coffee-boy fling, Jamie, on 30 Rock. His debut novel, The Reminders, was a B&N Discover selection that Library Journal called "quirky, touching and addictive." Emmich lives in Jersey City, New Jersey, with his wife and their two children.
Steven Levenson is the Tony Award–winning book writer of Dear Evan Hansen. His plays include If I Forget, The Unavoidable Disappearance of Tom Durnin, Core Values, The Language of Trees, and Seven Minutes in Heaven. Honors include the Obie Award, Outer Critics Circle Award, Outer Critics John Gassner Playwriting Award, Drama League Award, Drama Desk nominations, Hull-Warriner nomination, Lucille Lortelle nomination, and the Helen Hayes Award. A former Artist in Residence at Ars Nova, he worked for three seasons as a writer and producer on Showtime's Masters of Sex and is a founding member of Colt Coeur and an alumnus of MCC's Playwrights Coalition and Ars Nova's Play Group. His plays are published by Dramatists Play Service and Playscripts. A graduate of Brown University, he is a member of the Dramatists Guild of America, Inc., and the WGA.
Benj Pasek and Justin Paul are the Tony, Oscar; and Golden Globe–winning songwriting team behind the Broadway musicals Dear Evan Hansen (Tony Award, Drama Desk Award, Obie Award, Outer Critics Circle Award, Helen Hayes Award) and A Christmas Story, The Musical (Tony, Drama Desk, Outer Critics Circle Award nominations). Other musicals include Dogfight, (Lucille Lortel Award winner, Drama League, Outer Critics Circle, London Evening Standard Awards nominations), James and the Giant Peach, and Edges. Film projects include: La La Land (Lionsgate); Trolls (Dreamworks Animation); The Greatest Showman (FOX). Upcoming film projects include Snow White (Walt Disney Pictures); Medusa (Sony Pictures Animation); Aladdin (Walt Disney Pictures). TV credits include Smash, Sesame Street, The Flash and Johnny and the Sprites, and Fox's A Christmas Story live musical. Additional honors: Richard Rodgers Award for Musical Theatre (American Academy of Arts and Letters); ASCAP Foundation Richard Rodgers New Horizons Award; Jonathan Larson Award. Both are graduates of the University of Michigan Musical Theatre program and members of the Dramatists Guild of America, Inc.
高中时代真是一段复杂的人生经历。经历过恋爱失败、结婚、生子的我仍要这样说。高中时代所形成的欲望、渴望和期望驱动着一大群人向前奔跑,跑过青年,跑进中年。这可能就是为什么一大群叔叔阿姨辈儿的人看The Fault in Our Stars看Dear Evan Hansen还是不由自主的为这些虚构的...
评分高中时代真是一段复杂的人生经历。经历过恋爱失败、结婚、生子的我仍要这样说。高中时代所形成的欲望、渴望和期望驱动着一大群人向前奔跑,跑过青年,跑进中年。这可能就是为什么一大群叔叔阿姨辈儿的人看The Fault in Our Stars看Dear Evan Hansen还是不由自主的为这些虚构的...
评分高中时代真是一段复杂的人生经历。经历过恋爱失败、结婚、生子的我仍要这样说。高中时代所形成的欲望、渴望和期望驱动着一大群人向前奔跑,跑过青年,跑进中年。这可能就是为什么一大群叔叔阿姨辈儿的人看The Fault in Our Stars看Dear Evan Hansen还是不由自主的为这些虚构的...
评分高中时代真是一段复杂的人生经历。经历过恋爱失败、结婚、生子的我仍要这样说。高中时代所形成的欲望、渴望和期望驱动着一大群人向前奔跑,跑过青年,跑进中年。这可能就是为什么一大群叔叔阿姨辈儿的人看The Fault in Our Stars看Dear Evan Hansen还是不由自主的为这些虚构的...
评分高中时代真是一段复杂的人生经历。经历过恋爱失败、结婚、生子的我仍要这样说。高中时代所形成的欲望、渴望和期望驱动着一大群人向前奔跑,跑过青年,跑进中年。这可能就是为什么一大群叔叔阿姨辈儿的人看The Fault in Our Stars看Dear Evan Hansen还是不由自主的为这些虚构的...
这本小说的叙事节奏简直让人欲罢不能,作者的笔触细腻得如同捕捉了夏日午后的微风,轻轻拂过人物的心灵。故事的展开不像那种直来直去的线性叙事,它更像是在层层剥开一个洋葱,每一层都带着酸楚和意想不到的甜。我特别欣赏作者在处理角色内心挣扎时的那种毫不留情的真实感。你几乎可以感受到主角那种被世界遗忘的孤立,那种渴望被看见、被理解的强烈愿望,它不是那种刻意煽情的矫揉造作,而是渗透在每一个细微动作和每一个不经意的对白里。我读到好几处,那种心口被猛地揪住的感觉,就是因为作者精准地描绘出了那种“说不出口”的情绪。特别是关于“连接”这个主题,它探讨得非常深刻,探讨了在如今这个看似人人相连的时代,个体如何依旧能感到深深的孤立。那些关于家庭关系的处理,更是精妙绝伦,没有绝对的好人或坏人,只有一群在各自的困境中挣扎着寻找出路的灵魂。这本书真的能让人在合上书本之后,依然久久地沉浸在角色的命运之中,反复咀嚼那些未竟的对话和未曾实现的期盼。
评分坦白说,我最初是带着一丝怀疑开始阅读的,但很快就被作者驾驭复杂叙事的能力所折服。这本书的精妙之处在于,它将一个看似私密、局限的个体困境,放大成了具有普遍意义的哲学探讨。它探讨的不仅仅是某一个人的故事,而是关于“真实性”的边界——我们愿意向世界展示多少真实的自己,以及我们自己相信的“真实”究竟有多可靠。文字的排布和句式的选择,都显示出一种成熟且克制的叙事功力,没有一句多余的废话,每一个形容词和动词的选择都带着明确的目的性。特别是对青春期情感的刻画,那种放大镜下的敏感和笨拙,被捕捉得如此精准,让所有经历过类似迷茫时刻的人都能产生强烈的共鸣。这本书就像一场精心设计的心理实验,把你带入一个密闭的空间,观察你在压力下如何反应、如何挣扎,最终如何寻求和解。它不是一本轻松读物,但它提供的回味和思考价值是无可估量的。
评分从结构上来看,这本书的巧妙设计实在值得称赞。它不像传统小说那样有清晰的起承转合,反而更像是音乐作品中的变奏,主题不断回归,但每一次的演绎都带着新的层次和更深的理解。作者在构建人物动机时展现了极高的技巧,你不会完全认同所有角色的行为,但你能理解他们做出那些艰难决定的“为什么”。特别是主角周遭那些配角,他们绝非功能性的人物,每个人都有自己完整的内心世界和未被满足的渴望。阅读过程中,我忍不住会思考,如果我处于那个情境下,我会做出怎样的选择?这种强烈的代入感,正是优秀文学作品的标志。书中关于“被理解的渴望”这一主题的探讨,触及了现代社会许多人内心深处的痛点,它以一种极其温柔却又毫不留情的方式,揭示了我们常常为了融入而付出的隐性代价。总而言之,这是一部需要全神贯注去阅读的作品,因为它蕴含的信息量远超表面文字所呈现的。
评分我必须说,这本书的语言风格简直是一场文字的盛宴,它毫不费力地将日常的琐碎提升到了一种近乎诗意的境界。初读时,你会觉得文字有些跳跃,仿佛思绪在不同的时间线和记忆碎片间快速切换,但一旦你适应了这种节奏,就会发现这正是作者高明之处——它完美地模拟了那种焦虑和沉思交织的心态。那种散落在各处的细节,比如某个特定季节的光线,或者某个场景中特有的气味,都被捕捉得栩栩如生。读到某些段落,我甚至需要停下来,深吸一口气,因为那种情感的密度实在太高了。这本书的厉害之处在于,它没有给你一个简单的答案或明确的道德判断,它更像是一面镜子,映照出我们每个人在面对压力、面对选择时,内心深处那些幽暗而复杂的回响。我尤其喜欢作者对“谎言的重量”的处理,它不是简单的善恶对立,而是深入剖析了谎言如何在无意间形成一个复杂的保护壳,最终却将人困得更深。这本书的后劲很足,属于那种需要反复品味的佳作。
评分这本书给予我的感受,与其说是一次阅读体验,不如说是一次深刻的情感共振。它并非讲述了一个波澜壮阔的宏大故事,而是聚焦于人类最脆弱、最真实的那一部分。作者对情感的捕捉极其精准,那种介于希望与绝望之间的微妙状态,被刻画得入木三分。每当我以为自己已经完全理解了角色的处境时,作者总能通过一个不经意的转折,将我带入一个更深层次的思考维度。我欣赏它对“记忆的不可靠性”这一母题的探索,我们如何构建自己的叙事来应对现实的残酷,以及这些叙事如何影响我们与他人的关系。这本书的魅力在于它的“留白”,它没有把所有的事情都解释得一清二楚,而是巧妙地将解释的空间留给了读者,让每个人都能带着自己的经历去填补那些空白。这使得这本书的体验具有极强的个体化色彩,也决定了它会成为一本值得反复重读,每次都能发现新意的作品。
评分有声书听了一半,觉得很一般,这小说何德何能被翻拍成那么精彩的剧。主线剧情和剧一毛一样,但听到Connor鬼魂自述的部分时,我着实被雷到了…一查,得知这是基于音乐剧的reinvention。。。官方同人啊,打扰了!怪不得一些细节填补得那么生硬又多余,例如强行给Connor安排了一个真朋友,名叫路人甲。真的没必要…我弃了,再见!
评分很明显我是一个原著音乐剧粉,如果音乐剧按书排的话大概会乱得不成样子
评分Such verbiage Boring as hell
评分3.5
评分跟音乐剧没啥差别
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