Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
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从夸张的色彩和钉在脸上密密麻麻的钉子开始，到屠杀一只猪的淋漓尽致，再到通过爱猫展示自己所看到的世界，到总有一些异样的每一年的家庭照，与妻子快乐地跃起来的合照，再到后来疯狂的镜头对着自己的几百张相片、与不同的人拥吻的照片、浴缸里的照片、把自己放置在城市里每一个角落的照片...可以感受到Fukase孤寂的极致。
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评分简直了，心极热，眼极冷！看会哭
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