Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
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很棒。看完最直观的感受：如果说看之前觉得《鸦》很棒，看完后觉得更棒更让人着迷和期待完整阅读的却是和死亡有关的家庭相册项目（Aperture今年就出版了，贼贵也要买啊！）。另外猫的几个系列看着让人心碎，极生动的背面仍是死亡，和家庭相册项目一样是带给我对摄影这个媒介的死亡质感最直观和直接冲击的作品。Youtube上存着看过很多遍高清的翻书视频，可惜很难买到实体书了，有也买不起了……
评分从夸张的色彩和钉在脸上密密麻麻的钉子开始，到屠杀一只猪的淋漓尽致，再到通过爱猫展示自己所看到的世界，到总有一些异样的每一年的家庭照，与妻子快乐地跃起来的合照，再到后来疯狂的镜头对着自己的几百张相片、与不同的人拥吻的照片、浴缸里的照片、把自己放置在城市里每一个角落的照片...可以感受到Fukase孤寂的极致。
评分偶然看到，第一次看到『鴉』的历史。
评分站在假杂志图书馆里看完的，有点厚有点贵，没有买，但内容真的很好，包含了深濑昌久的所有作品。几乎都喜欢。
评分深濑昌久全集。日文版9月一上市就卖断货，英文版现在还可以买到。
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