Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality.Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in this, his very first book. This title is accompanied by an hour-long DVD featuring many of the stars, with an original musical score.
Glamour from the ground up
The most tempting part of a woman's body is her feet. Feet are a woman's second body, the one I can visually enjoy without her being offended or even aware, and never would I have imagined that my little secret would attract so many people. —Ed Fox
Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality.
Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in this, his very first book.
Bonus: an hour-long DVD featuring many of the stars, with an original musical score.
About the editor and author:
Dian Hanson is TASCHEN's sexy book editor. As a 25-year veteran of men’s magazine publishing, she edited titles including Puritan, Oui, Outlaw Biker, Juggs, and Leg Show. Her many books for TASCHEN include Vanessa del Rio: 50 Years of Slightly Slutty Behavior and R. Crumb’s Sex Obsessions.
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这本书的封面设计简直是一场视觉的盛宴,那种深邃的蓝色调,仿佛将人拉入了一个无边无际的夜空之下,星星点点的光芒若隐若现,营造出一种既神秘又令人心神向往的氛围。我原本以为这会是一部探讨宇宙奥秘的科幻巨著,但当我翻开扉页,那种强烈的预期瞬间被一种更内敛、更贴近生活的情感所取代。作者的文字功底毋庸置疑,他对人物心理活动的细腻捕捉,简直达到了令人拍案叫绝的地步。特别是主角在面临重大抉择时的内心挣扎,那种仿佛能穿透纸面直击人心的焦虑与渴望,让我这位读者在阅读过程中,无数次地停下来,长长地舒一口气,仿佛自己也一同经历了那份煎熬。全书的节奏把握得张弛有度,叙事线索如同一条蜿蜒的河流,时而湍急激昂,将我推向情节的高潮;时而又舒缓平静,允许我沉浸于那些琐碎却又至关重要的日常细节之中。我特别喜欢其中对于环境描写的笔墨,即便是对一间老旧书房的刻画,也充满了生命力,光线的角度、尘埃的浮动,都仿佛成了推动剧情发展的无声角色。这本书并非那种让你读完后会立刻合上书本,然后去搜索相关背景资料的类型,它更像是一坛陈年的老酒,需要细细品味,每一次回味都会带来新的感悟。我敢肯定,这本书会成为我书架上一个值得反复重读的珍藏。
评分老实讲,我打开这本书时,抱着“速读完事”的心态,毕竟现在能静下心来读完一本厚书的人不多了。但这本书有一种奇特的“吸力”,让你不自觉地放慢速度,去品味那些看似不经意的段落。作者的幽默感是内敛而尖锐的,它不是那种会让你拍案大笑的段子式幽默,而是一种基于对人类荒谬处境的深刻洞察而产生的、带着一丝苦涩的会心一笑。书中对社会阶层的微妙区隔和潜规则的揭示,尤其让我印象深刻。作者并未直接批判,而是通过人物微妙的社交距离、措辞的选择,以及对物质的占有欲,不动声色地勾勒出一幅清晰的社会权力地图。我注意到作者在处理对话时,非常注重人物的“语境性”,每个角色的发言都带着他们独有的口音、教育背景和情感负荷,使得阅读起来仿佛置身于一个嘈杂却真实的会场。这本书的优点在于它的“留白”,很多关键的情感转折和人物动机,作者都选择点到为止,把解读的空间完全交给了读者。这使得这本书具有极高的二次阅读价值,因为你每次重读,都可能因为自身阅历的增加,而对那些“未写明”的部分产生全新的理解。总而言之,这是一部需要耐心,但回报丰厚的作品,它让你感觉自己不仅是在阅读一个故事,更是在参与一场关于生活本质的深刻辩论。
评分我最初是被这本书的装帧设计吸引的,那种略带粗粝感的纸张触感,仿佛能感受到作者在创作过程中的那份执着与不妥协。然而,真正让我沉迷其中的,是作者对于“时间流逝”这一主题的独特处理。时间在这本书里不再是线性的刻度,而更像是一种具有粘性和重量感的物质,它会因为回忆的强度而被拉伸,也会因为日常的重复而被压缩。作者巧妙地在过去、现在和那些尚未发生的未来之间进行跳跃,但这种跳跃却不是令人困惑的,反而像是一种多维度的观察,让读者得以从不同时间点去审视同一个事件的复杂性。书中许多场景的描绘,都带着一种强烈的感官记忆——空气中弥漫的特定气味、雨水打在窗户上的声音、食物在口中碎裂的质感——这些细节的堆砌,构建了一个无比真实且令人信服的世界。这本书没有明显的反派或英雄,只有一群在各自的轨道上挣扎前行,试图理解自身位置的普通人。它迫使你去思考,在巨大的历史惯性面前,个人的自由意志究竟能发挥多大的作用?阅读的最后阶段,我感到一种极度的疲惫,但这种疲惫是充实的,它源于思维被充分调动和情感被彻底释放的结果。
评分这本书的文字排列组合方式,简直像是一组精密的数学公式,表面上是散漫的叙述,实则每句话的份量都经过了精确的计算。我通常阅读时会有做笔记的习惯,但在这本书面前,我的笔却常常悬在半空,因为作者的每一个句子都像是一个完整的论点,你很难从中抽取任何一部分而不破坏其原有的结构和韵味。故事情节的发展,与其说是线性的推进,不如说是一种螺旋式的上升,总是在看似重复的情境中,加入新的维度和更深的含义。我注意到作者非常擅长使用对比手法,比如将极度的贫瘠与短暂的富裕并置,将高尚的理想与卑微的欲望交织,这种强烈的反差极大地增强了故事的戏剧张力。这本书的语言风格非常独特,它既有古典文学的典雅和精准,又不失现代白话的犀利和节奏感,这使得阅读体验既有“咀嚼”的乐趣,又有“吞咽”的畅快。如果非要给这本书找个对标,我可能会说它拥有某种欧洲文学的内敛和对个体命运的史诗性关注,但其最终呈现出的气质,却是完全原创的。它挑战了我们对“完整故事”的传统认知,更像是一幅未完成的宏伟壁画,邀请读者自行填补那些留白之处的想象空间。
评分说实话,我对这类以“人名”命名的作品总是抱持着一种审慎的态度,总担心它会沦为某种自传式的、过于自我中心的叙事窠臼。然而,这本书的开篇就狠狠地“扇”了我一巴掌,用一种近乎冷峻的现实主义笔触,迅速将我卷入了一个充满灰色地带的世界。叙事视角极其灵活多变,时而拉到宏观的社会背景之下,审视着时代洪流如何无情地冲刷着个体命运;时而又精准地聚焦于某个细微的动作——比如主角喝咖啡时,手指轻敲杯沿的那个频率——以此来暗示其内心深处的巨大不安。书中关于“选择”与“代价”的探讨,无疑是本书的核心驱动力。它没有提供廉价的解决方案或圆满的结局,相反,它赤裸裸地展示了每一步跨出都需要付出的沉重代价,以及那些永远无法弥补的遗憾。我尤其欣赏作者处理冲突的方式,不是通过外显的争吵或戏剧性的场面,而是通过人物之间那些“未说出口的话”和“眼神的交错”来构建张力,这种含蓄的表达方式,反而更具穿透力,让阅读变成了一种主动的“解码”过程。读完之后,我的心情久久不能平静,不是因为情节有多么震撼,而是因为书中折射出的那种对人性复杂面的深刻理解,让人在敬佩之余,更添一丝对自身局限性的反思。这绝对是一部需要用灵魂去阅读的作品,而不是用眼睛。
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