Confirming his position as Britain's fastest-rising crime-writing star, Rankin's new novel involves his hero DI John Rebus in a triple-pronged story involving a serial killer, a paedophile ring and the missing son of two old school friends. Rankin ingeniously weaves the stories together and brings them to a dark conclusion. (Kirkus UK)
Increasingly - though still in his 40s - Detective Inspector John Rebus of the Edinburgh police has been sounding the autumnal note. The tenth in his series (The Hanging Garden, 1998, etc.) finds him full in the winter of his discontent. Bleak questions prevail. Will his daughter's automobile accident leave her permanently crippled? Has his relationship with his lover plummeted past the irretrievable? And what about his job? Has he lost his sense of vocation? One of his colleagues thinks so. "Something in you has gone bad, John," she tells him. After a stakeout at the Edinburgh zoo, Rebus makes a bad mistake - arrests the wrong man - setting in motion a chain of events that leads to a brutal murder. Now Rebus is face to face with that most searching of all questions, one that early in his career would have been unimaginable: Should he actually quit? But then the pace of events accelerates swiftly. There's time only to pursue the links between the death he may have caused, a young man's inexplicable disappearance, and a fellow cop's apparent suicide. He connects them, of course. And in the process tracks down a particularly vicious murderer whose cleverness and talent for gamesmanship is sufficient to force Rebus to the top of his own game. Rebus in action is Rebus restored. Some lives, he decides - his own, for instance - are best left unexamined. Hard-drinking, hard-living Rebus remains a compelling figure, but in a book this long he gets too much time to pick at himself. (Kirkus Reviews) --This text refers to an out of print or unavailable edition of this title.
Born in the Kingdom of Fife in 1960, Ian Rankin graduated from the University of Edinburgh in 1982, and then spent three years writing novels when he was supposed to be working towards a PhD in Scottish Literature. His first Rebus novel was published in 1987, and the Rebus books are now translated into twenty-two languages and are bestsellers on several continents.
Ian Rankin has been elected a Hawthornden Fellow, and is also a past winner of the Chandler-Fulbright Award, as well as receiving two Dagger Awards for the year's best short story and the Gold Dagger for Fiction. He has also been shortlisted for the Edgar and Anthony Awards in the USA, and won Denmark's Palle Rosenkrantz Prize in 2000. Ian Rankin is also the recipient of honorary degrees from the universities of Abertay, St Andrews and Edinburgh.
A contributor to BBC2's 'Newsnight Review', he also presented his own TV series, 'Ian Rankin's Evil Thoughts', on Channel 4 in 2002. His most recent novel, A QUESTION OF BLOOD, was a Sunday Times Number One bestseller in both hardback and paperback. He recently received the OBE for services to literature, opting to receive the prize in his home city of Edinburgh, where he lives with his partner and two sons.
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我必须承认,这本书的阅读体验是相当颠覆性的。它不像那些情节驱动的小说那样紧紧抓住你的眼球,反而更像是一部慢镜头纪录片,镜头对准那些被主流社会忽视的面孔。作者的叙事视角非常独特,他似乎总能站在一个更高的维度,冷静地审视着这一切的发生,但他又将读者拉入了角色的内心世界,让他们那份可笑又可悲的挣扎变得如此真实可感。书中对于环境氛围的渲染,简直是教科书级别的范例,你仿佛能感受到空气的沉闷,能体会到人物内心的焦虑与压抑。每一次对话的张力都拿捏得恰到好处,那些未说出口的话语,那些眼神的交锋,比直接的表白更具有冲击力。这本书成功地将讽刺文学的犀利与人道主义的温暖熔铸一体,读完后,你会开始用一种更加审慎和充满同理心的目光去看待周围的人和事。
评分这本书的文字功底实在令人叹为观止,那种对俄罗斯乡村生活细腻入微的描摹,仿佛能让我闻到泥土和汗水的味道。作者的笔触时而幽默辛辣,时而又带着一种难以言喻的悲悯,构建了一个光怪陆离却又无比真实的人物群像。每一个配角,哪怕只是匆匆登场,都刻画得入木三分,他们身上那种根植于土地的淳朴、狡黠和无可奈何,让人在捧腹大笑之后,又陷入深深的沉思。我尤其欣赏叙事者那种游走于讽刺与同情之间的复杂情感,他似乎毫不留情地揭露着人性的弱点,但字里行间又流淌着对这些“可怜人”的深切关怀。阅读的过程,就像是跟随一个经验老到的导游,穿梭在一个充满矛盾与张力的社会肌理之中,那种对旧制度下众生相的深刻洞察,即便在今天读来,依然具有振聋发聩的力量。整本书的节奏把握得极好,像一首悠长而抑扬顿挫的交响乐,让人沉浸其中,难以自拔。
评分这本书的文字密度极高,每一页都充满了值得反复咀嚼的句子和段落,绝对是那种需要配着浓茶,在安静的午后才能慢慢消化的佳作。我特别欣赏作者那种近乎于古典戏剧的宏大叙事感,即使描述的是最琐碎的日常生活,也仿佛被赋予了一种史诗般的重量感。它不像现代小说那样追求快速的代入感,而是需要读者投入极大的耐心去适应其独特的韵律和节奏。书中的一些场景描写,尤其是对某些特定地点的描绘,具有极强的画面感,以至于我感觉自己仿佛真的走进了那个特定的时空背景下,与那些人物同呼吸共命运。更值得称道的是,作者在处理复杂人性时展现出的那种深刻的洞察力,他揭示了人心中最隐秘的欲望和最矛盾的动机,这使得整部作品的厚度和深度远远超出了简单的社会批判范畴,达到了对人类精神困境的终极叩问。
评分说实话,我一开始对这种俄国经典文学有点望而却步,总觉得会是枯燥乏味的冗长叙述,但这本书完全颠覆了我的认知。它的叙事结构非常巧妙,那种“收集灵魂”的主线虽然贯穿始终,但实际呈现出来的是一连串精彩绝伦的片段式遭遇,节奏明快,充满了戏剧张力。作者的语言风格极其富有表现力,他擅长运用夸张和反讽的手法,把那些看似平淡无奇的对话写得妙趣横生。我感觉自己不是在阅读一个故事,而是在聆听一个技艺高超的说书人,他带着我们去看那些被社会遗忘的角落,去接触那些在庸常生活中挣扎的灵魂。书中对“美德”和“罪恶”的界限的探讨,也极其高明,它不给你一个明确的答案,而是让你自己去感受那种模糊地带的灰色地带。读完之后,我久久不能平静,脑海中反复回荡着那些鲜活的形象和他们那充满宿命感的命运。
评分这本书的魅力在于其永恒的主题性,它超越了特定时代的背景,触及了人类经验中最核心的困境。我反复思考着主角那些看似荒唐的行为背后所蕴含的深刻寓意——那种对“存在意义”的追寻与迷失,对“价值”的重新定义,构成了全书最引人入胜的部分。作者对于社会阶层固化和人与人之间隔阂的描绘,尖锐得如同手术刀,毫不留情地剖开了当时社会的病灶。但是,这种批判并非是冰冷的,它被包裹在一层层富有诗意的文字外衣之下。我特别喜欢那种穿插在情节中的哲思片段,它们不是突兀的议论,而是自然地从人物的处境和环境的氛围中涌现出来,显得那么自然而然,却又掷地有声。这本书需要细细品味,每一次重读都会有新的发现,不同的年龄阶段去读,解读出的层次也会完全不同,这大概就是真正伟大的作品才有的特质吧。
评分当作早读材料和闲余读物看了一个月。快期末考试了,不开新书了,好好复习。
评分当作早读材料和闲余读物看了一个月。快期末考试了,不开新书了,好好复习。
评分当作早读材料和闲余读物看了一个月。快期末考试了,不开新书了,好好复习。
评分当作早读材料和闲余读物看了一个月。快期末考试了,不开新书了,好好复习。
评分当作早读材料和闲余读物看了一个月。快期末考试了,不开新书了,好好复习。
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