具体描述
Book Description
Whether writing about a racetrack gambler, a firefighter with a broken heart, or a pair of bickering brothers and their Coney Island bar, LeDuff takes a reader into the lives of his subjects to explore their fears, faults, and fantasies as well as their own small niches of the globe. In doing so, he has expanded the jurisdiction of the news story from competent reports on political campaigns and budget bills to include the love lives of B-rate gangsters and the moral qualms of unapologetic drunks. He has tackled race, class, sex, death, work, and alcohol as topics, to name a few.
Work and Other Sins is a paean to the real New York - not the candied Big Apple of the movies or the flashy neon metropolis of ad campaigns. Here is a book that proves the guy on the bar stool has just as much to say about life as the stiff in the suit.
From Publishers Weekly
At least partially drawn from LeDuff's former "Bending Elbows" column in the New York Times's Sunday City section (available only in the five boroughs), the pieces collected here sketch various habitues of city saloons, mostly working men. Clearly in the grip of some potent nostalgia for John O'Hara, LeDuff is, to his credit, pretty respectful of his subjects-bartenders and lounge singers, bankrupt dot-commers and prison inmates, lighthouse keepers and firemen, homeless freaks and transsexual hustlers-basically anyone who fits into his particular concept of poignant, grubby, overlooked humanity. His carefully dry, clipped style honors their experiences and habits, but with the notable exception of one sequence on immigrant laborers in a Long Island suburb, he does little to advance the interests of his subjects. And while LeDuff does provide a handful of familiar female types-a faded chorus girl, a stricken widow, a runaway teenager, a pair of 50-ish spinsters looking for "Mr. Dreamy" and a few old mamas-the city's female workers evidently don't rate as worthy of the name. LeDuff, who now covers L.A. life and lifestyles for the Times, won a Pulitzer in 2001 for a series on race, and produces some nice counterpoints of prejudices, sentiments, pearls of wisdom, and non sequiturs. "When the cocktail set tells me they enjoy the cast of losers... I smile and drink their liquor. They don't know what work is." That may be true, but it's equally clear, with myriad descriptions like "a Laura Ashley girl gone wrong," that LeDuff is writing for them.
From Booklist
In his first book, LeDuff, an intrepid Pulitzer Prize-winning New York Times reporter, is a nervy, tough-guy sketch artist, composing concise, punchy profiles of New York hustlers and working stiffs. Spiked with social commentary and graced with frank wonder at the resourcefulness and resiliency of the diverse people he portrays, LeDuff's compelling and entertaining essays create a veritable parade of intriguing characters. There's a good-hearted doorman who worked at the same building for 33 years, a teenage runaway, a florist, a transvestite hooker, an inept pimp, a down-and-out dot-com has-been, Mohawk ironworkers, Latino day workers, slaughterhouse employees, the quirky denizens of an array of drinking establishments from shot-and-beer holes-in-the-wall to the famed Elaine's, the last licensed trapper within city limits, and a gravedigger who observes, "New York can be the saddest place on earth," a theme LeDuff respectfully explores in his somber post-9/11 stories. New York is a "glamorous city, constituted mostly of nobodies," LeDuff writes, but his powerful and mesmerizing stories remind us that, in fact, everyone's a somebody, and every life matters.
Donna Seaman
Book Dimension
Height (mm) 243 Width (mm) 162
作者简介
目录信息
读后感
New York is a glamorous city, and full of glamorous people. This is a city where you can find entrepreneurs, lawyers, bankers, investment bankers, and movie stars ect., where people dress well and eat well, where people shops in big and fancy stores. We get...
New York is a glamorous city, and full of glamorous people. This is a city where you can find entrepreneurs, lawyers, bankers, investment bankers, and movie stars ect., where people dress well and eat well, where people shops in big and fancy stores. We get...
New York is a glamorous city, and full of glamorous people. This is a city where you can find entrepreneurs, lawyers, bankers, investment bankers, and movie stars ect., where people dress well and eat well, where people shops in big and fancy stores. We get...
New York is a glamorous city, and full of glamorous people. This is a city where you can find entrepreneurs, lawyers, bankers, investment bankers, and movie stars ect., where people dress well and eat well, where people shops in big and fancy stores. We get...
New York is a glamorous city, and full of glamorous people. This is a city where you can find entrepreneurs, lawyers, bankers, investment bankers, and movie stars ect., where people dress well and eat well, where people shops in big and fancy stores. We get...
用户评价
这本书的结构设计简直是神来之笔,完全打破了我对传统线性叙事的预期。作者像是一位技艺高超的钟表匠,将时间线打散、重组,用碎片化的视角不断拼凑出一个完整却又充满矛盾的世界观。初读时可能会感到一丝迷惘,那些时间点的跳跃、不同叙事声音的切换,确实需要读者投入极大的注意力去梳理线索。但一旦适应了这种叙事节奏,那种“豁然开朗”的体验是无与伦比的。它迫使你主动参与到故事的建构中去,而不是被动地接受信息。我发现自己常常在读完一个章节后,会立刻回顾前文,试图将那些看似毫不相关的片段连接起来,这种阅读过程本身就成了一种智力上的冒险。更令人称奇的是,即便是这种复杂的结构,作者依然保持了情感的稳定输出。那些关于人际关系中微妙的权力动态、身份认同的模糊地带,都巧妙地穿插在这些时间碎片中,随着读者拼图的完成而逐渐清晰。它不是一本轻松读物,它更像是一场精密的思维迷宫,而每一次成功地辨认出一条路径,都伴随着强烈的满足感。这种对叙事形式的颠覆性探索,使得这本书在同类作品中显得尤为独特和前卫,绝对是文学形式探索的典范。
这本书最让我感到震撼的,是它对于“时间流逝”这一哲学命题的沉思,尽管它并未直接以说教的方式出现。它通过对不同世代人物命运的交叉叙述,构建了一种宏大的历史感。读者可以看到,某些人类的困境和选择,在不同的时代背景下,仅仅是换了一种外衣,本质上并未改变。书中某些老一辈角色的回忆片段,充满了对逝去时代的缅怀,但那种缅怀并非盲目复古,而是一种对“确定性”的向往。与此相对的,年轻一代则在信息爆炸的时代背景下,承受着选择过剩带来的焦虑。作者巧妙地将这两者并置,形成一种强烈的对比和张力,让读者不得不思考:我们究竟是在进步,还是仅仅在重复祖辈的错误,只是速度更快了些?这种超越个体故事层面的深思,赋予了这部作品跨越性的价值。它不满足于讲述一个引人入胜的故事,它更渴望触及人类经验中最核心、最永恒的疑问。读完后,心中久久不能平静的,不是情节的曲折,而是那种对生命长度和意义的深深拷问,它迫使我认真审视自己现有的生活轨迹,并重新评估那些被我们习以为常的“常态”。
从纯粹的文学审美角度来看,这本书的文字功底无疑是顶级的。作者的句法结构变化多端,时而长句如河流般绵延不绝,充满了古典韵味;时而又用极其简短、近乎电报式的句子,制造出强烈的冲击效果。这种对语言节奏的精准控制,使得整本书的阅读体验如同欣赏一首精心编排的交响乐。主题的探讨虽然宏大,但作者始终坚持从具体的感官细节入手。比如,对某一特定气味(例如旧书页受潮后的霉味,或是某种工业溶剂的味道)的反复提及,不仅烘托了场景,更成为了某种情绪的符号,每次出现都牵动着读者心中既有的情感记忆。此外,书中对于环境的描写也极富画面感,那些被遗忘的角落、被忽视的建筑细节,都被赋予了生命和象征意义。它不是那种一眼就能读懂的畅销书,它更像是一件需要用放大镜去研究的艺术品,每一个修饰语、每一个比喻,似乎都经过了千锤百炼。对于那些热爱语言本身、追求文字美感的读者来说,这本书绝对是一场饕餮盛宴,值得反复研读,去体会那些隐藏在字面之下的精妙构造。
我必须得说,这本书里描绘的人际关系网,复杂到让人喘不过气,但也真实得让人心痛。作者对于“疏离感”的捕捉,达到了出神入化的地步。书中的角色们,似乎都生活在一个巨大的气泡里,彼此靠近,却又隔着一层看不见的屏障。他们之间的对话充满了礼貌性的疏离,那些客套话语下掩盖的,是深刻的自我保护和无法言说的需求。我特别关注了其中几组核心人物的互动,他们之间的爱与恨、依赖与逃避,都被处理得极其微妙和克制。没有歇斯底里的争吵,只有一次次擦肩而过的理解机会,以及最终无可避免的错位。这种“近在咫尺,远在天涯”的描摹,极大地增强了阅读的张力。它让人反思,我们现实生活中是不是也这样,用忙碌和既定的社会角色,隔绝了与他人建立真正深度连接的可能性?从社会学的角度来看,这本书对现代都市人精神状态的扫描堪称精准。它没有提供任何廉价的安慰剂,而是冷静地展示了连接的难度,以及在追求独立与渴望归属之间的永恒悖论。读完后,我感觉自己对周围的人,甚至是镜中的自己,都有了一种更深层次的理解和同情。
这本书的叙事节奏简直像是漫长的夏日午后,慵懒却又暗流涌动。作者对于人物内心世界的刻画入木三分,那些细微的情绪波动、不为人知的挣扎,都被描绘得淋漓尽致。读起来,我仿佛能切身感受到主角们在日常生活的琐碎与宏大目标之间的拉扯。特别是对于“工作”这一主题的处理,它并非简单地赞美或批判,而是将其置于一个更为复杂的人性光谱中去审视。那些看似微不足道的坚持、日复一日的重复,在笔触下被赋予了近乎史诗般的重量感。情节的推进并不追求爆点,而是更侧重于环境与心境的相互渗透。比如,描绘办公室里空调的嗡鸣声如何与角色对职业倦怠的感受形成奇特的共鸣,那种环境音的细节捕捉,非常到位。我尤其欣赏作者在语言上的雕琢,遣词造句间透露着一种老派的优雅,却又不失现代的锐利感。它要求读者慢下来,去品味那些潜藏在对话背后的潜台词,去体味那些未说出口的遗憾与期盼。这本书给我的感觉是,它像一面镜子,反射出我们这个时代里,个体在被社会结构驯化过程中,努力保持自我完整性的那份艰辛与美丽。整体而言,这是一部需要静心沉浸,才能体会到其深厚底蕴的作品,绝对值得反复玩味。