Disguised as Clark Kent

Disguised as Clark Kent pdf epub mobi txt 电子书 下载 2026

出版者:Continuum Intl Pub Group
作者:Fingeroth, Danny
出品人:
页数:192
译者:
出版时间:2007-9
价格:$ 33.84
装帧:HRD
isbn号码:9780826417671
丛书系列:
图书标签:
  • 超人
  • 克拉克·肯特
  • 伪装
  • 身份
  • 英雄
  • 秘密
  • 双重生活
  • 漫画
  • DC漫画
  • 超级英雄
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具体描述

A large number of the creators of the most famous superheroes were of Jewish background, secular, religious, or both. In "Disguised as Clark Kent", Danny Fingeroth explores how the Jewish consciousness of these individuals impacted the content of the comics and contributed to making characters such as Superman, Batman, Spider-Man, and Wonder Woman into the most familiar popular-culture icons of all time - on television and in movies, as well as in the four-colour pages in which they originated. The book is well researched, including personal interviews as well as historical data. It centers on questions of Jewish identity, which is historically about the push and pull toward and away from that very identity. One sees this immediately and most famously in "Superman" by Jerry Siegel and Joe Shuster, the superhero "disguised as Clark Kent, mild-mannered reporter for a great metropolitan newspaper." It is also a large part of Bill Finger and Bob Kane's "Batman", Will Eisner's "Spirit", Joe Simon and Jack Kirby's "Captain America". As emigrants with a history of persecution, Jews came to America with their heads down but their eyes open. Finding in America a civilization freer of officially sanctioned anti-Semitism and replete with a philosophy that allowed the individual to succeed to the extent of his or her abilities, Jews were faced with unprecedented freedom and opportunity. Yet there were limits, spoken and unspoken, that they dared not push. Many were relegated to trades and fields with a taint of shabbiness to them. The garment business was one. Another was entertainment, of which the outer edges of the formerly old-line publishing industry was another: the pulps and the comics. It was here the above-named made their mark, later to be re-imagined by Stan Lee, Jack Kirby, and others from the 1960s down to our own time. "Disguised as Clark Kent" brings valuable insight into the fantasies that fuel our imaginations and entertainment industry, as well as many significant and often hidden aspects of our society.

《伪装成克拉克·肯特》 这部作品深入探讨了“伪装”这一概念在现代社会中的多重面向,并非聚焦于某个特定人物的身份变化,而是以一种更为普世的视角,审视个体在不同情境下为了适应、生存或追求目标而采取的策略性自我呈现。故事以一系列相互关联的人物故事线展开,每一条线索都以一种“伪装”的姿态作为引子,层层剥茧,揭示出隐藏在表象之下的真实动机、内心挣扎与社会现实。 作者并未局限于单一的叙事角度,而是巧妙地切换视角,让读者从不同角色的眼中观察和理解“伪装”的形成与瓦解。其中,一位在职场中始终扮演着随和、沉默角色的普通职员,在一次偶然的机会中,却展现出惊人的领导才能和决策魄力。他的“伪装”并非源于怯懦,而是出于对复杂人际关系的审慎考量,以及对自身能力的一次无意识释放。这种伪装,起初是为了避免不必要的冲突,却在关键时刻成为了推动事情发展的关键。 另一条线索则聚焦于一位艺术家,他以一种极端、叛逆的形象示人,以此来挑战艺术界的既定规则和观众的审美惯性。然而,在这看似张扬的外表之下,是他对纯粹艺术的执着追求,以及对商业化侵蚀的深深忧虑。他的“伪装”是一种防御机制,也是一种宣言,试图在艺术的纯净与现实的泥沼之间找到一个平衡点。 书中还塑造了一位为了弥补过去的错误而选择匿名奉献的慈善家,他隐藏了自己的真实身份,以一个普通的捐赠者身份出现,默默地帮助那些需要帮助的人。他的“伪装”是一种赎罪,也是一种对人性善意的最大化实践。这份伪装,让他得以在不被外界干扰的情况下,专注于真正重要的事情。 《伪装成克拉克·肯特》并非一个关于身份错位或秘密身份暴露的简单故事。相反,它更像是一面多棱镜,折射出我们在日常生活中可能不自觉地进行的各种“伪装”:为了社交礼仪而隐藏真实想法,为了维护关系而选择妥协,为了追求某个目标而刻意塑造某种形象。这些“伪装”可能微小,也可能深刻,它们塑造了我们与他人的互动方式,也影响着我们对自身的认知。 小说深入探讨了“伪装”与“真实”之间的界限。当一个角色长期扮演某种身份时,这种伪装是否会逐渐渗透到其内在,使其自身也开始模糊真实的自我?当社会环境迫使个体不断改变自我呈现以求生存时,真实的自我又将在何处安放?这些都是作者在故事中不断抛出的问题。 作品的笔触细腻而富有洞察力,作者通过对人物内心世界的深入挖掘,展现了“伪装”背后复杂的情感驱动力:恐惧、希望、责任、爱,甚至是自尊。每一个伪装的背后,都隐藏着一个生动而真实的灵魂,渴望被理解,或者仅仅是想要在这个不完美的世界里找到自己的一席之地。 《伪装成克拉克·肯特》通过这些 interwoven 的故事,构建了一个关于人性、社会和身份的深刻对话。它鼓励读者反思自身的“伪装”,理解他人的“伪装”,并在理解的基础上,重新审视“真实”的意义。这不仅仅是一部小说,更是一次关于自我认知的旅程,一次对社会复杂性的深刻体验。它告诉我们,有时,最真实的自我,恰恰隐藏在最不经意的伪装之中。

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