"Sound and Music in Film and Visual Media: A Critical Overview" is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, "Sound and Music in Film and Visual Media" provides the most comprehensive and wide-ranging consideration of this subject yet produced.
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设想不错，也很comprehensive，可是找一群不太懂电影声音研究这个领域的人来写，显然有些不负责任。别的不说，写香港电影中声音的那篇就漏洞百出，误导不了解的读者。750页，对我来说，有价值的不超过1/3。
评分C2. The Soundtrack: Music in the Evolving Soundtrack (temporal unity, emotion, referentiality)
评分C2. The Soundtrack: Music in the Evolving Soundtrack (temporal unity, emotion, referentiality)
评分设想不错，也很comprehensive，可是找一群不太懂电影声音研究这个领域的人来写，显然有些不负责任。别的不说，写香港电影中声音的那篇就漏洞百出，误导不了解的读者。750页，对我来说，有价值的不超过1/3。
评分设想不错，也很comprehensive，可是找一群不太懂电影声音研究这个领域的人来写，显然有些不负责任。别的不说，写香港电影中声音的那篇就漏洞百出，误导不了解的读者。750页，对我来说，有价值的不超过1/3。
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