Professor of History of Art, University of Sussex. Fellow of Clare Hall, Cambridge (1970-4); Mellon Fellow, Institute for Advanced Study, Princeton (1981); Reader of the British Academy (1985-7); Radhakrishnan Memorial Lecturer, All Souls College, Oxford (1992); Visiting Scholar, Getty Research Institute, Los Angeles (forthcoming: 2000-01). Partha Mitter also lectures around the world, notably Columbia University, New York, Princeton University, and Oxford and Cambridge universities.
This concise yet lively new survey guides the reader through 5000 years of Indian art and architecture. A rich artistic tradition is fully explored through the Hindu, Buddhist, Islamic, Colonial, and contemporary periods, incorporating discussion of modern Bangladesh and Pakistan, tribal artists, and the decorative arts. Combining a clear overview with much fascinating detail, Mitter succeeds in bringing to life the true diversity of Indian culture. The influence of Islam on the Mughal court, which produced the world-famous Taj Mahal and exquisite miniature paintings is closely examined. More recently, he discusses the nationalist and global concerns of contemporary art, including the rise of female artists, the stunning architecture of Charles Correa, and the vibrant art scene. The very particular character of Indian art is set within its cultural and religious milieu, raising important issues about the profound differences between Western and Indian ideas of beauty and eroticism in art.
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這寫瞭些啥...能不能寫清楚一點...
评分這寫瞭些啥...能不能寫清楚一點...
评分忽而引用《聖經》來閤理化論點顯得文化極不自信、忽而勃然否定西方美術史方法論和語言、極度濫用音譯梵文不加以解釋…印度藝術史的英文著作真是太匱乏瞭,可惜。
评分這寫瞭些啥...能不能寫清楚一點...
评分忽而引用《聖經》來閤理化論點顯得文化極不自信、忽而勃然否定西方美術史方法論和語言、極度濫用音譯梵文不加以解釋…印度藝術史的英文著作真是太匱乏瞭,可惜。
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