Art history, aesthetics and visual studies today find themselves in contested new philosophical and institutional circumstances. This study explores the connections and differences between these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, form, content, meaning and spectatorship culturally specific? Can we still define the parameters of what should properly constitute the objects of the history of art? Fifteen scholars answer these and other questions, critically examining the relationships among these three scholarly fields from their founding moments through to their contemporary practices.
具体描述
读后感
评分
评分
评分
评分
用户评价
全英、非专业，但还是得看的。
评分全英、非专业，但还是得看的。
评分全英、非专业，但还是得看的。
评分全英、非专业，但还是得看的。
评分全英、非专业，但还是得看的。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有