This is the first general and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs, Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society. The author's argument on behalf of portraiture (and he draws on examples by such artists as Botticelli, Rembrandt, Matisse, Warhol and Hockney) does not comprise a mere survey of the genre, nor is it a straightforward history of its reception. Instead, Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholder's response - the response he or she makes to the image itself and to the person it represents. Portraiture's extraordinary longevity and resilience as a genre is a testament to the power of this imaginative transaction between the subject, the artist and the beholder.
具体描述
读后感
评分
评分
评分
评分
用户评价
精彩！不学艺术史怎么能拍好照片，很好的人相摄影和集体摄影的思路。
评分精彩！不学艺术史怎么能拍好照片，很好的人相摄影和集体摄影的思路。
评分精彩！不学艺术史怎么能拍好照片，很好的人相摄影和集体摄影的思路。
评分精彩！不学艺术史怎么能拍好照片，很好的人相摄影和集体摄影的思路。
评分精彩！不学艺术史怎么能拍好照片，很好的人相摄影和集体摄影的思路。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有