This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff.
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Carol Ockman, “A Woman’s Pleasure: Ingres’ Grande Odalisque,” in Norma Broude and Mary Garrard, eds., Reclaiming Female Agency, Berkeley: University of California Press, 2005
评分Carol Ockman, “A Woman’s Pleasure: Ingres’ Grande Odalisque,” in Norma Broude and Mary Garrard, eds., Reclaiming Female Agency, Berkeley: University of California Press, 2005
评分Carol Ockman, “A Woman’s Pleasure: Ingres’ Grande Odalisque,” in Norma Broude and Mary Garrard, eds., Reclaiming Female Agency, Berkeley: University of California Press, 2005
评分Carol Ockman, “A Woman’s Pleasure: Ingres’ Grande Odalisque,” in Norma Broude and Mary Garrard, eds., Reclaiming Female Agency, Berkeley: University of California Press, 2005
评分Carol Ockman, “A Woman’s Pleasure: Ingres’ Grande Odalisque,” in Norma Broude and Mary Garrard, eds., Reclaiming Female Agency, Berkeley: University of California Press, 2005
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