A new edition of the delightful 1924 memoir by James's longtime secretary, with a biographical essay and excerpts from her diariesTheodora Bosanquet was Henry James's secretary from 1907 until his death in 1916, one of the most significant periods of his long writing career. Her memoir "Henry James at Work," originally published by Leonard and Virginia Woolf's Hogarth Press in 1924, recounts Bosanquet's association with James and provides a lively and engaging commentary on James's milieu, preferences, and attitudes, as well as on his process of writing and revision. Bosanquet is an intelligent and observant witness and reporter, and her objective and comparatively unbiased point of view makes the memoir especially valuable. This enlarged and annotated edition rescues Bosanquet from the shadows of literary history and shows her to be a fascinating figure in her own right, a skilled writer and editor, an early feminist, and a contemporary of the Bloomsbury literary community. The book is enhanced by an essay about Bosanquet and her circle, and fascinating snippets from her diaries and letters, now in the Harvard University archives. Soon after Henry James hired Theodora Bosanquet in 1907, the well-educated and dedicated Bosanquet became indispensable to James. In addition to the memoir "Henry James at Work" she published two other books, critical studies on Harriet Martineau and Paul Valery. Following James's death she became Executive Secretary of the International Federation of University Women and traveled extensively in support of the women's suffrage movement. From 1935 to 1958 she was literary editor, then director, of the publication "Time and Tide." Lyall H. Powers is Professor of English Emeritus at the University of Michigan and author of numerous books, including "Alien Heart: The Life and Work of Margaret Laurence." Praise for "Henry James at Work: """ "She's savvy, she's snappy, and there's usually a touch of sass . . . . T]his 'salty, hearty' lady . . . worked so hard to keep 'a lonely old artist man'--Henry James--from being interrupted."--Larry McMurtry"I'm sure your book] ought to have a success with anyone who cared for Henry James and his work, and I think we are very lucky to get it."--Letter from Virginia Woolf to Theodora Bosanquet, 1924 "It's fascinating to encounter, in the era just before high modernism, a female intellectual like Bosanquet--one as fully engaged in the life of ideas and cultural production as her male counterparts--making as much of her putatively secondary status as she possibly could. The book is important as a primary document in its own right as well as a gloss on the methods and material of the magisterial James."--Jonathan Freedman, University of Michigan
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这本书的封面设计简直是一场视觉盛宴,那种厚重的、略带复古的质感,让人忍不住想立刻翻开它。拿到书的时候,我立刻被那种油墨的香气和纸张的触感所吸引。装帧的考究程度,完全体现了对内容本身的尊重。我尤其喜欢它在字体选择上的那种微妙的平衡感,既保持了经典文学的庄重,又避免了老气横秋,读起来非常舒服,眼睛不容易疲劳。那种细小的、几乎不易察觉的排版上的用心,比如行距和页边距的设置,都极大地提升了阅读体验。可以说,仅仅是捧着这本书,就已经是一种享受,它散发出的那种“阅读的仪式感”,在如今这个快节奏的时代里,显得尤为珍贵。这绝不仅仅是一本书,更像是一件精心打磨的艺术品,让人愿意将它摆在书架最显眼的位置,时不时地去抚摸和端详。
评分通读全书后,我花了整整两天时间来消化其中的回味。这本书的后劲实在太大了。它不是那种读完就忘的消遣读物,它像一粒埋在你心里的种子,会随着时间的推移,在你意想不到的时刻悄然发芽。每当我遇到生活中的某种复杂情境,或者与人进行一次微妙的交际时,书中的某个场景、某句对白就会自动浮现在脑海中,提供一种全新的、更具穿透力的解读视角。它拓宽了我对“理解”的定义,让我明白很多时候,沉默比言语更有力量,而那些未说出口的,往往才是最重要的信息。这是一种潜移默化的影响,它改变了我观察世界的方式,也让我对人类交流中的那些“间隙”产生了更深层次的敬畏和好奇。
评分初读几页,我就被作者的叙事节奏牢牢抓住了。他似乎有一种魔力,能将那些看似日常的场景,描绘得充满了张力与隐喻。行文如流水,却又处处暗藏玄机,每一次呼吸、每一个眼神的交汇,都被赋予了深刻的心理剖析。我时常需要停下来,倒回去细细咂摸一句话,因为作者总能在看似平淡的对话中,揭示出人物内心最深处的矛盾与挣扎。这不像那种直白的叙事,它更像是一场智力上的游戏,需要读者投入百分之百的专注力去解码。我发现自己开始不自觉地模仿书里人物的说话方式,甚至在日常生活中也开始注意那些被我们忽略的细微的肢体语言。这种沉浸感,真是令人着迷,仿佛自己真的走进了那个特定的时代和那个特定的人物群体中,成为一个隐形的观察者。
评分这本书的语言风格变化多端,简直是一场文字的盛宴。有时候,它优雅得像一首维多利亚时代的十四行诗,用词考究,句式冗长而华丽,充满了古典的韵味。然而,在关键时刻,作者又能瞬间切换到一种近乎冷酷的、简洁有力的笔触,像一把锋利的手术刀,精准地切开表象,直达核心。这种风格上的张弛有度,让阅读体验保持了极高的新鲜感。我尤其欣赏那些长句子的构建能力,它们像精密的建筑结构,层层递进,逻辑严密,最终导向一个令人拍案叫绝的结论。这需要作者拥有极高的语言驾驭能力,也让我这个读者在阅读时,时刻处于一种高度集中的状态,生怕错过任何一个精妙的转折或比喻。
评分这部作品最让我震撼的地方,在于它对人性的复杂性展现得淋漓尽致。它没有简单的“好人”或“坏人”的划分,每个人物都是一团纠结的、充满灰色地带的混合体。你以为你看透了某一个角色,下一章作者就会用一个巧妙的反转,彻底颠覆你的认知。我发现自己对角色的情感定位一直在摇摆不定:前一刻还对他的遭遇深表同情,后一刻又对他表现出的自私和怯懦感到不齿。这种不断拉扯的感觉,恰恰是生活最真实的写照。它迫使你去审视自己内心深处那些不愿承认的弱点和欲望。阅读的过程,与其说是看故事,不如说是一场深刻的自我对话,那种被文学作品“审视”的感觉,既让人不适,又让人忍不住想继续深入下去。
评分1927年的第二版只有34页,而相关的只有前三小节…有点怀疑能不能写的出来论文了… 历经波折在首师大图书馆搞到了新版
评分1927年的第二版只有34页,而相关的只有前三小节…有点怀疑能不能写的出来论文了… 历经波折在首师大图书馆搞到了新版
评分1927年的第二版只有34页,而相关的只有前三小节…有点怀疑能不能写的出来论文了… 历经波折在首师大图书馆搞到了新版
评分1927年的第二版只有34页,而相关的只有前三小节…有点怀疑能不能写的出来论文了… 历经波折在首师大图书馆搞到了新版
评分1927年的第二版只有34页,而相关的只有前三小节…有点怀疑能不能写的出来论文了… 历经波折在首师大图书馆搞到了新版
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