Brian Boyd is Distinguished University Professor in the Department of English at the University of Auckland, New Zealand. He is the author of the prize-winning Vladimir Nabokov: The Russian Years (Princeton 1990), Vladimir Nabokov: The American Years (Princeton 1991), and Nabokov's Ada: The Place of Consciousness. Referred to in a recent journal as "the great man of Nabokov studies," he has also edited Nabokov's English novels and autobiography for the Library of America and Nabokov's Butterflies for Beacon Press.
This first major critical biography of Vladimir Nabokov, one of the greatest of twentieth-century writers, finally allows us full access to the dramatic details of his life and the depths of his art. An intensely private man, Nabokov was uprooted first by the Russian Revolution and then by World War II. Transformed into a permanent wanderer, he did not achieve fame until late in life, with the success of Lolita. In this first of two volumes, Brian Boyd vividly describes the liberal milieu of the aristocratic Nabokovs, their escape from Russia, Nabokov's education at Cambridge, and the murder of his father in Berlin. Boyd then turns to the years that Nabokov spent, impoverished, in Germany and France, until the coming of Hitler forced him to flee, with wife and son, to the United States. This volume stands on its own as a fascinating exploration of Nabokov's Russian years and Russian worlds, prerevolutionary and migr. In the course of his ten years' work on the biography, Boyd traveled along Nabokov's trail everywhere from Yalta to Palo Alto. The only scholar to have had free access to the Nabokov archives in Montreux and the Library of Congress, he also interviewed at length Nabokov's family and scores of his friends and associates. For the general reader, Boyd offers an introduction to Nabokov the man, his works, and his world. For the specialist, he provides a basis for all future research on Nabokov's life and art, as he dates and describes the composition of all Nabokov's works, published and unpublished. Boyd investigates Nabokov's relation to and his independence from his time, examines the special structures of his mind and thought, and explains the relations between his philosophy and his innovations of literary strategy and style. At the same time he provides succinct introductions to all the fiction, dramas, memoirs, and major verse; presents detailed analyses of the major books that break new ground for the scholar, while providing easy paths into the works for other readers; and shows the relationship between Nabokov's life and the themes and subjects of his art.
纳博科夫所坚持的文学的最高道德: “我相信,有朝一日会重新鉴定并宣告:我并非一只轻浮的火鸟,而是一位固执的道德家,抨击罪恶,谴责愚蠢,嘲笑庸俗和残忍——崇尚温柔、才华和自尊。” …… 纳博科夫的“庸人”理论,定义是: 没有创造力的、受社会时尚牵制、对自我精神没...
评分很多作家都不喜欢别人为他作传。奥威尔就在遗嘱中反对其他人为他立传,那是出于一种谨小慎微的自卑感,他总认为自己的一生是一连串失败经历的组合体,不值得后来者书写。而托尔斯泰算是另一个极端例子,他生前就很讨厌别人为他作传,那是一种渗透在骨子里的傲慢,他认为传记作...
评分对纳博科夫欧洲时期的生活做了详细的考证和研究,对纳博科夫前期作品的评析也很到位。对理解纳博科夫的作品很有帮助。 看过《说吧,记忆》后,发现很多情节都是从其中来的。
评分<纳博科夫传>无疑是一把进入纳博科夫幽灵的钥匙。对深入纳氏伟大的俄罗斯人格以及镶嵌(对了,还是用融入两个字吧)了伟大的的俄罗斯人格的具有上帝光芒的文字提供了一条光线微弱的道路。纳氏的文字在无限的透明的背后或者侧面有着无数的命运、分歧以及患难,太多的头绪与线...
评分稼轩的高歌有桃花水相和;《毛传》有郑玄作注;纳博科夫不再孤独,当他等来了博伊德;纳博科夫和博伊德有福了,当他们遇见刘佳林这样的译者。 新西兰学者博伊德的两本纳博科夫传是当代极具权威的纳博科夫传记,他较为完整地研究了纳博科夫的生平、思想与创作。作者全面深入地...
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