Anyone who loves the humorous but hair-raising horror in R.L. Stine's Goosebumps series will devour British author Darren Shan's first novel with equal zeal. Some books are born with a surrounding buzz; this one even has Harry Potter creator J.K. Rowling's stamp of approval: "Fast-paced and compelling, full of satisfying macabre touches," she writes. Warner Brothers will be making it into a movie, and the rest of the series is already in the works. Given all that, you'd expect a tour de force! Really, though, Cirque Du Freak is a thrill ride that will keep even the most reluctant readers turning pages, but will never take its place in the literary canon.
Darren Shan, author and narrator, sets the book up as a true story, warning readers: "Real life's nasty. It's cruel.... Evil often wins." Indeed, evil begins to win when Darren and his buddies find a flier for "Cirque Du Freak," a traveling freak show promising performances by the snake-boy, the wolf-man, and Larten Crepsley and his giant spider, Madame Octa. Darren and his friend Steve wouldn't miss it for the world.
So, Saturday night they sneak out to the old theater, tall and dark, with broken windows. "Every act you see tonight is real," croaks Mr. Tall. "Each performer is unique. And none are harmless." That's for sure. (A werewolf bites off the hand of someone in the audience, for instance.) Things grow very serious for the two boys when Steve not only recognizes Mr. Crepsley as a famous vampire, but professes his true desire to join him! To make matters worse, the spider-obsessed Darren goes back to the old theater to steal Madame Octa so he can teach her tricks in his room. (He does, with mixed results.) The plot further coagulates as Darren is faced with some terrible decisions about what to do to save his bloodthirsty friend Steve.
Readers may be too enthralled to notice some clumsy editing (the aforementioned bitten-off hand is later referred to as an arm, Darren stops dead in his tracks when he's already stopped, etc.). They may also not notice that the boys constantly use adult-sounding expressions like "his breath stank to the high heavens," though the book is clearly set in the 21st century. If this book gets under your kids' skin (and it probably will), they're in luck--we haven't heard the last of the Saga of Darren Shan. (Ages 10 and older, not for the faint of heart) --Karin Snelson --This text refers to the Hardcover edition.
With strong sales overseas and a movie deal in the works, book one in The Saga of Darren Shan series is poised to capture a wide audience of series horror readers. After a rather slow buildup, a boy with the same name as the author sneaks out with best friend Steve to an illicit freak show, and his life becomes entangled with a vampire spider-wrangler, Mr. Crepsley. "This is a true story," writes Shan. "In real life, bad things happen. People die. Fights are lost. Evil often wins." The scenario is compelling, and the author mines the exploitative history of early 20th-century sideshows to create an artfully macabre "Cirque du Freak." But Darren's actions are often undermotivated: "I can't explain why Madam Octa [the spider] meant so much to me, or why I was placing my life in such danger to have her. Looking back, I'm no longer sure what drove me on." Also his intermittent attraction to and repulsion by the vampire is never fully explored. His behavior may be explained in the sequel, The Vampire's Assistant (due in Sept.), but the open ending leaves so many loose ends that readers may leave more frustrated than intrigued, especially since the characters' wooden dialogue drains them of personality ("I'm upset," says Steve. "It hurt, what Mr. Crepsley said, and you ignoring me at school... If you break up our friendship, I don't know what I'll do"). Readers interested in boys becoming vampires would be better served by M.T. Anderson's Thirsty and those fascinated with freaks by Iain Lawrence's Ghost Boy. Ages 10-up.
Copyright 2001 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Gr 4-8-In his introduction, 12-year-old Darren claims that this is a true story, though the names have been changed and the country (obviously England) kept secret. When a bizarre-sounding freak show comes to town, he and his friend Steve sneak out to attend, and Steve recognizes one of the performers-as a centuries-old vampire. Darren decides he must steal the vampire's performing, poisonous spider. The theft is successful, and he learns to control Madam Octa with a combination of flute music and ESP-until she bites Steve. Darren must then sell himself into vampire slavery to get the cure to the spider's poison. This volume is neither as well written nor as compulsively readable as the "Harry Potter" books (Scholastic), though surely J. K. Rowling's endorsement on the cover will win it a few fans. Most of the characters aren't developed much beyond their names and a brief description. The slowness of the plot in the beginning might turn some readers off, but once the supernatural enters, they will be hooked. The fun here is in the details and in the uniqueness of the non-evil vampire monster. Several volumes of the series are already out in England, and the movie rights have already been purchased, ensuring that this title and probably its sequels will be in demand.-Timothy Capehart, Leominster Public Library, MA
Copyright 2001 Cahners Business Information, Inc.
--This text refers to the Hardcover edition.
Gr. 5-8. When Cirque Du Freak comes to town, Darren and his friends are obsessed with seeing the acts, which include a performing spider; spiders are a particular fascination of Darren's. It is a marvelously creepy show that lives up to their expectations. After the show, Darren's rowdy pal, Steve, stays behind and confronts the man with the spider--who turns out to be a vampire. Hidden in the shadows, Darren listens, horrified, as Steve begs Mr. Crepsley to make him a vampire, too. Steve's request is denied, but through a series of mishaps, Darren becomes the vampire. The unresolved ending will leave readers begging for more. The gripping plot moves forward at a lightning pace, and Darren's fascination with the grotesque will ring true for many. Though originally published in England, there are no off-putting Briticisms, just a rip-roaring story full of oddities, low-key horror, and occasional, unexpected poignancy. Debbie Carton
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
"...compelling...[T]he author mines the exploitative history of early 20th century sideshows to create an artfully macabre cirque du freak." -- Publishers Weekly, 2/19/01
"...sure to start some great urban legends..." -- VOYA, 4/01 --This text refers to the Hardcover edition.
"When most people hear 'large-print book,' they immediately think senior citizen. But large-print editions of popular children's books -- from the powerhouse Harry Potter series to timeless classics like The Adventures of Tom Sawyer -- are now making their way onto the shelves of the Children's Department at the Canton Library. . . . Although large-print editions are targeted to the visually-impaired or dyslexic child, they can also be used by standard-vision readers. So Kershner [Children's librarian at the Canton Public Library] has decided against creating a special section in the Children's Department (as exists in the Adult Department) opting instead to intersperse large-print books on the shelves with the regular print versions of the same titles."
-- The Observer and Eccentric (October 2000) (The Observer and Eccentric )
"Thorndike Press has helped me not only find books I want to read, but they also look like regular books. That's important when you're a kid and you can only read Large Print, you want your book to look like all the other books. I'm reading a lot more now that we have found Thorndike Press."
-- Jim Bernardin, Islamorada, FL
"Everyone loves to read, there's nothing like curling up with a good book. We're a reading family, so when our son was diagnosed with Stargardt's Disease and only able to read Large Print, it was particularly difficult. Books on tape are wonderful but they don't fill the void of actually reading a good story. Large Print books have been around a long time for older people, but to find a good novel for a young person in Large Print began to feel nearly impossible. The books that Thorndike Press publishes have truly made a difference in my son's reading life. He can enjoy current novels as well as some of the classics that he missed reading when it became too difficult with regular print."
-- Sara Bernardin, Islamorada, FL
"Compelling . . . Explores the powerful fascination of the dangerous and unnatural and also, movingly, the obligations of friendship."
-- J. K. Rowling --This text refers to the Hardcover edition.
It just amazes me how many people just don't know the difference between good and bad.
評分可能是少儿版,向读大学时的阅读理解,但是有趣的多,昨天上网搜了他的电影版,看到第一本情节结束的时候,赶快按下停止,还是先读书再看电影吧,电影改编不少,开始就有很多剧透,担心看下一本的时候会不这么好看了。 有疑问的是,难道这本是少儿读物吗?为什么再网上只看到yo...
評分It just amazes me how many people just don't know the difference between good and bad.
評分可能是少儿版,向读大学时的阅读理解,但是有趣的多,昨天上网搜了他的电影版,看到第一本情节结束的时候,赶快按下停止,还是先读书再看电影吧,电影改编不少,开始就有很多剧透,担心看下一本的时候会不这么好看了。 有疑问的是,难道这本是少儿读物吗?为什么再网上只看到yo...
評分可能是少儿版,向读大学时的阅读理解,但是有趣的多,昨天上网搜了他的电影版,看到第一本情节结束的时候,赶快按下停止,还是先读书再看电影吧,电影改编不少,开始就有很多剧透,担心看下一本的时候会不这么好看了。 有疑问的是,难道这本是少儿读物吗?为什么再网上只看到yo...
從敘事節奏上來說,這本書的起手式非常巧妙。它沒有一上來就拋齣所有的驚悚元素,而是采用瞭一種緩慢、但步步緊逼的“滲透”方式。一開始,你以為這隻是一部關於少年冒險的輕小說,帶著一絲絲異域風情的輕快。然而,隨著故事的深入,那種潛藏的寒意開始顯現,就像是冰冷的藤蔓,悄悄纏繞住瞭主角的心髒。那些看似滑稽或怪誕的馬戲團錶演者,他們的背後似乎都隱藏著比他們外錶更深、更黑暗的故事。這種層層剝繭的結構,讓讀者始終處於一種“知道有事情要發生,但不知道具體是什麼”的緊張狀態中。而且,書中對“恐懼”的描繪,不僅僅是外在的威脅,更多的是內在的自我懷疑和對身份認同的迷失。主角開始懷疑自己所知道的一切,這種認知上的動搖比任何實際的追逐戰都更令人不安。
评分這本書的成功,很大程度上歸功於它對“馬戲團”這一母題的顛覆性運用。馬戲團在傳統意義上應該是歡笑、奇跡和逃離現實的地方,但在這裏,它被描繪成一個充滿病態吸引力和強製性規則的封閉生態係統。它不是一個逃避現實的港灣,而是一個更扭麯、更具控製欲的現實本身。每一個小醜的笑聲背後,都似乎藏著一絲不易察覺的痛苦或絕望。你甚至會開始同情那些被貼上“怪胎”標簽的角色,因為他們或許纔是這個世界裏最清醒的人,隻是他們的“清醒”是以常人無法接受的方式存在的。作者對於這種“異類”群體內部的權力結構和社會規範的刻畫,細緻入微,充滿瞭諷刺意味。它提醒我們,即使是在最光怪陸離的環境中,等級製度和壓迫依然是永恒的主題。
评分對於任何一個渴望閱讀那種能夠瞬間把你拉入另一個維度的故事的讀者來說,這本書絕對值得一試。它成功地在“兒童奇幻冒險”的錶皮下,包裹瞭一顆“哥特式驚悚”的心髒。它不迴避黑暗,也不美化犧牲,而是赤裸裸地展示瞭為瞭追求某種“偉大”或“特殊”,所必須付齣的沉重代價。我尤其欣賞它對於“選擇的後果”的處理——一旦你踏上這條路,迴頭路往往比你想象的要崎嶇得多,甚至可能根本不存在。這種不可逆轉的命運感,讓整個故事充滿瞭宿命論的悲劇色彩,卻又讓人忍不住為主角接下來的掙紮捏一把汗。它給後續的係列留下瞭無數令人興奮的懸念,迫使讀者必須立刻去探尋,當一個普通人被捲入超凡的、黑暗的漩渦時,他最終會變成什麼樣?這是一種讓人又愛又恨的閱讀體驗,因為它讓你在享受故事的同時,也感受到瞭深切的無力感。
评分我一直對那些關於“蛻變”的故事抱有特彆的偏愛,但這個故事的“蛻變”過程,可比那些光鮮亮麗的英雄之旅要殘酷和迷人得多。它展現瞭一種近乎病態的、被環境驅動的命運。你看著主人公如何從一個試圖維護自己“正常”生活的孩子,逐漸滑嚮一個充滿禁忌和黑暗秘密的邊緣群體。這種轉變不是一蹴而就的,而是由一係列小小的、看似無傷大雅的妥協堆砌而成的。每一次嚮真相靠近的腳步,都伴隨著某種必須付齣的代價,而且這個代價往往是你最珍視的東西——比如安全感,比如無憂無慮的童年。我特彆欣賞作者對於“怪物”定義模糊的處理。在這個世界裏,誰是真正的怪物?是那些在舞颱上錶演的異類,還是那個利用他們的恐懼和欲望來操縱一切的幕後黑手?這種道德上的灰色地帶,讓整個敘事充滿瞭張力。讀完後,你忍不住會反思,我們對“邊緣”的界定,究竟是基於事實,還是基於我們自己對“正常”的恐懼和偏見?
评分這個係列,天哪,我得說,它完全抓住瞭那種初入青春期特有的、對未知世界既好奇又恐懼的敏感神經。那種感覺就像是,你每天都在做著平淡無奇的學校生活,突然間,一個巨大、黑暗的、充滿奇跡和危險的馬戲團悄無聲息地在你生活的邊緣搭起瞭帳篷。這本書(我指的是這個開端)的魅力在於它毫不留情地將主角——一個看似普通到不能再普通的男孩——猛地拽入瞭一個他原本隻敢在睡夢中窺見的領域。你看著他做齣的每一個選擇,都充滿瞭那種“如果是我,我會不會也一樣?”的糾結。他不是那種天生的英雄,他犯錯,他猶豫,他會被恐懼支配,而正是這種真實感,讓你無法放下書本。作者對氛圍的營造簡直是教科書級彆的,那種潮濕、充滿廉價香水和動物氣味的馬戲團帳篷下的壓抑感,透過文字就能清晰地感受到。而且,那個神秘的、令人不寒而栗的形象,他是如何一步步滲透到主角的生活中,並以一種近乎蠱惑的方式,引誘他走嚮那條不歸路的,這簡直是懸疑小說中的一次完美開場白。它不僅僅是關於一個去馬戲團的決定,更是關於好奇心如何成為最緻命的誘惑。
评分小學還是初中的時候 愛死這書瞭
评分這個封麵也太不少年瞭吧。。嚇死人嗎
评分英語原版書閱讀計劃 奇幻冒險小說 期待第二本吸血鬼和他的助手的冒險之旅。
评分這個封麵也太不少年瞭吧。。嚇死人嗎
评分小學時簡直著迷得瘋狂,現在看英文版竟然能看懂大概瞭
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