First published in 1915, Azuela's groundbreaking novel about a Mexican peasant who becomes a revolutionary leader is now being issued in a revised translation with a set of illuminating footnotes (notes and revisions by Beth E. Jurgensen). Demetrio Macias is the protagonist who joins the rebels in their efforts to overthrow Mexico's corrupt dictator, Porfirio Diaz, and Macias's brash approach to military tactics speeds his rise through the ranks. His background is articulated by journalist Luis Cervantes, who abandons the government to aid the rebels as he provides background on Macias in the early chapters. While the new general's forces engage in a series of hit-and-run battles with Federal troops, Azuela adds two romantic subplots, one about a difficult young woman named Pintada, who bonds with one of the other generals in the company; the other involves Camilla, a peasant girl who expresses her ardor for Cervantes early on, but ends up falling for Macias. The battle scenes are stirring, if somewhat underdeveloped, and Azuela highlights the conflict with a cameo appearance by Pancho Villa as the tide begins to turn against the rebels. Overall, the story is too incomplete to be labeled a classic by modern standards. What makes the book memorable is its portrayal of Macias as an archetype of Mexico's national character, as the peasant expresses his ongoing love for the process and pageantry of the revolution. The translation feels awkward, but Jurgensen's footnotes and the introduction (by Ilan Stavans) add colorful details and definitions while filling in some narrative and historical gaps.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Paperback edition.
Azuela was one of several well-known Latin American writers, among them Martin Luis Guzman, Gregorio Lopez y Fuentes, and Rafael Munoz, who worked in the genre known as the "novel of the Mexican Revolution." Although Azuela (1873-1952) wrote Los de Abajo ( The Underdogs ) in 1915, it didn't begin to have a following until almost a decade later. Azuela received the Prize in Letters from the Mexican National Society for the Arts and Sciences in 1940 and remained Mexico's foremost novelist until his death. The novel chronicles the conflict between the revolutionaries and the federales (government troops), focusing on war and its effect on the people. This translation, accompanied by critical essays, is the first volume in a series that promises to introduce authoritative new English editions of classic works. Recommended for libraries that purchase Latin American literature.
- Peggie Partello, Keene State Coll., N.H.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
?Mariano Azuela, more than any other novelist of the Mexican Revolution, lifts the heavy stone of history to see what there is underneath it.?? -- Review --This text refers to the Paperback edition.
“Mariano Azuela, more than any other novelist of the Mexican Revolution, lifts the heavy stone of history to see what there is underneath it.”— --This text refers to the Paperback edition.
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这本书的封面设计简直是一场视觉的盛宴,那种深沉的墨蓝色调配上烫金的字体,立刻就勾勒出一种史诗般的厚重感。我拿到手的时候,光是摩挲着封面的纹理,就能感受到作者在文字中所倾注的心血。故事的开篇,那种宁静又略带压抑的氛围,让人仿佛置身于一个即将被风暴席卷的港口小镇。人物的刻画极其细腻,每一个小小的动作、一个不经意的眼神,都透露出他们内心深处的挣扎与渴望。特别是主角,他身上那种“不合时宜”的正直感,在那个灰色地带中显得既脆弱又坚定,让人不禁为他捏一把汗。作者的叙事节奏掌握得炉火纯青,时而如涓涓细流般温柔地铺陈背景,时而又陡然加速,抛出一个让人措手不及的悬念,让你根本无法放下书本。我尤其欣赏他对环境描写的功力,那些关于潮汐、雾气、以及古老建筑的细致描摹,几乎让我能闻到空气中弥漫的咸湿气息和旧木头的味道。这本书并非是那种情节跌宕起伏的爽文,它更像是一部精心打磨的艺术品,需要你放慢脚步,去品味字里行间潜藏的哲学思辨,关于选择、关于命运,以及个体在宏大叙事面前的渺小与伟大。我已经迫不及待想知道,在这片被阴影笼罩的土地上,那些被命运挑中的“边缘人物”,将如何书写他们自己的传奇。
评分这本书的叙事视角变化达到了炉火纯青的地步,它不是单一的“上帝视角”,而是像一台精密的摄像机,时而聚焦于某一个角色最私密的内心独白,时而又拉远景,展示宏大的历史背景,这种切换的自然流畅性令人称奇。我发现作者非常善于使用“暗示”而非“明说”的手法来揭示真相,很多重要的转折点,都不是通过突兀的事件爆发来完成,而是通过前面埋下的无数细小线索的汇集,最终自然而然地显现出来,这给了读者一种“我参与了推理”的满足感。关于情感的描摹,更是达到了极高的水准,那种隐忍的、深埋于骨血之中的爱与遗憾,没有煽情的笔墨,却比任何夸张的表达都更具穿透力。这本书的后半部分,节奏明显加快,多条看似不相关的线索开始交织,最后在一个极富象征意义的场景中达到了高潮,留下了足够的回味空间,而不是一味地提供一个标准答案。这是一部值得反复重读的作品,每一次翻阅,都会因心境的变化而获得全新的感悟。
评分这本书的哲学内核简直让人拍案叫绝,它探讨的核心命题——关于“被选中者”的身份危机——处理得极其精妙。不同于以往同类题材的简单化处理,作者没有将任何角色脸谱化,即便是那些看似站在对立面的势力,他们各自的动机和行动逻辑也得到了充分的解释,使得整个冲突的张力建立在一种必然性和悲剧性之上。我最喜欢的一点是,作者对“失败”这个主题的重新定义。他似乎在暗示,真正的失败并非是外界的战败,而是在过程中放弃了对自我本真的坚守。书中穿插的一些寓言式的段落,虽然独立于主线情节,但却以一种旁观者的视角,对主要人物的命运进行了诗意的点评和预示,这种结构上的巧妙编排,极大地提升了作品的艺术层次。对于那些追求纯粹娱乐的读者来说,这本书可能略显沉重,但对于热衷于深度阅读和文本分析的爱好者而言,它无疑是一座亟待开采的宝藏。我甚至开始期待后续是否有学者会对这本书中的符号系统进行专门的研究。
评分老实说,这本书的阅读体验是需要“耐心”的,它不是那种一目十行就能读完的快餐文学。开篇的铺陈略显缓慢,大量的心理描写和环境烘托占据了前期大量的篇幅,这对于习惯了快速情节推进的现代读者来说,可能是一个不小的挑战。然而,一旦你跨过了这个初期的门槛,你会发现作者所搭建的这个世界是多么的丰满和立体。我注意到作者在处理不同阶层人物的对话时,口音和用词习惯都有细微的差别,这种对语言的精准拿捏,体现了作者极高的专业素养。特别是几场关键性的对峙场景,作者采用了一种类似剧本对话的紧凑方式,信息量巨大,充满了剑拔弩张的张力,读起来让人屏息凝神,生怕错过任何一个微妙的语调变化。此外,书中对“权威”的解构也相当有力,它不是简单地去批判权力本身,而是深入探讨了权力如何腐蚀人性,以及个体如何在这种腐蚀中保持清醒的难度。这本书更像是一面镜子,照出了我们社会中普遍存在的、关于集体盲从和个人英雄主义的复杂悖论。
评分我得说,这本书的语言风格简直是教科书级别的示范,它跳脱了当代小说常见的口语化倾向,转而采用了一种近乎古典却又不失现代张力的句式结构。阅读起来,就像是在欣赏一出精心编排的舞台剧,每一个对白都掷地有声,充满了潜台词和多重解读的可能性。作者似乎对人性中的复杂性有着近乎偏执的迷恋,他毫不留情地撕开了人物光鲜外表下的怯懦与自私,但又在最黑暗的角落里,捕捉到了一丝微弱却真实的光芒。我尤其关注作者如何处理时间线索,他巧妙地运用了闪回和预示,使得整个叙事结构错综复杂,但又逻辑清晰,每一次时间跳跃都有效地增强了情感的冲击力。我花了很长时间去琢磨其中几段关于“记忆的不可靠性”的描写,那段文字的密度极高,需要反复阅读才能完全领会其深意。这本书对历史背景的考据也做得非常扎实,那些不经意间提及的时代印记,让故事的世界观构建得无比真实可信,完全脱离了悬浮的空洞感。它迫使我不断地停下来,思考自己面对类似困境时会做出何种选择,这种代入感和思想的激发,是很多畅销书所不具备的深度。
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