From School Library Journal
It's a plain fact: bodily functions and the sounds they make are funny. In Patricelli's latest, a toddler joyfully discovers his ability to, well, toot. He toots like a train, he toots on his trike, he toots in music class. Even better, the little tooter discovers that everyone does it—even mom and dad. What a gas!—Kiera Parrott, School Library Journal
Review
Patricelli’s trademark style of thick black lines on brushstroke-heavy backgrounds in jewel-tone colors are perfectly suited to her playful and irreverent subject matter. The young protagonist narrates both offerings in simple, direct sentences, and Patricelli fills the rest of the books with captions and sound effects galore... [A] playful delight...
—Kirkus Reviews (starred review)
Little listeners will delight in the book’s celebration of the joys of body noise. ... For families willing to have some flatulence-themed fun, this is a must-have.
—Bulletin of the Center for Children's Books
"My Grandma was a pastel artist and, for as long as I can remember, an artist is what I wanted to be too," says children's author and illustrator Leslie Patricelli. "My hobby as a kid was drawing cartoons and writing stories, and I started to consider a career in art in seventh grade. When the multiple choice career test I took resulted in a recommendation that I pursue a career in forestry, I went back and changed all my answers, so that it recommended instead that I pursue graphic design, which was the closest thing to children's book writer or cartoonist on the list."
Today, Leslie Patricelli's legions of fans are evidence that career tests are not always reliable. Her colorful trio of board books about opposites -- YUMMY YUCKY, BIG LITTLE, and QUIET LOUD -- follows a diapered protagonist as he discovers some curious contradictions, such as "ladies are big" while "ladybugs are little." Her inspiration for the series came from her son Beck who, at one year old, "was constantly putting everything into his mouth." Says the author, "I found myself saying 'Yummy!' and 'Yucky!' all the time. I began to draw a baby dramatically expressing his taste or distaste for the things he was eating. The idea of YUMMY YUCKY was born!"
Her other toddler books in the series, BINKY, BLANKIE, NO NO YES YES, BABY HAPPY BABY SAD, and her latest books -- TUBBY AND POTTY, were also based on her parenting experiences. "I am inspired by how passionate toddlers are," she says. "I love the way they are so extremely focused on things, and display such intense emotions. It is easy to see what they care about the most."
Leslie Patricelli's beloved baby character graduated to star in his first full-length picture book, THE BIRTHDAY BOX. She notes "I’ve watched my kids transform boxes into cars, boats, spaceships, hospital beds, dog carriers, snake houses, bass drums, forts, airplanes, sleds, and of course, robots. It's very exciting when a new box comes into our home."
Her book HIGHER! HIGHER! was selected as a Boston Globe-Horn Book Awards Honor Book. "I credit my daughter, Tia, for writing this book for me," says Leslie. "I was pushing her on the swing at the park when she was two, she started shouting, 'Higher! Higher!' I noticed how the other kids were saying the same thing. We started pretending that with every push I was sending her higher into the sky until she was in space. I went home with the book almost fully formed in my head."
About her latest series, which includes, THE PATTERSON PUPPIES AND THE RAINY DAY. and THE PATTERSON PUPPIES AND THE MIDNIGHT MONSTER PARTY, Patricelli says, "Although the puppies' individual personalities are based on the personalities of my own kids, the stories for these books were inspired by incidences from my own childhood. When I was four, my friend and I decided to create an ocean in her bedroom by dumping buckets of water on the floor, just like the puppies do in THE PATTERSON PUPPIES AND THE RAINY DAY. I will never forget the feeling of being caught by our parents and torn from our imaginary world to realize that we had done something very wrong! Their was no doubt in my mind that we would succeed at making an ocean. I love how a child's imagination can carry them right out of their present situation into an imaginary world that is so real to them. This is the feeling I tried to capture in the Patterson Puppies books.
"My favorite part of writing books is the moment when a new idea comes into my head," says Leslie. "If I give it my attention, a book will start forming in my mind. At this moment, I most certainly have a smile on my face."
Leslie Patricelli lives in the mountain town of Ketchum Idaho with her husband, Jason, her son, Beck, her daughters, Tia and Tatum, two cats, Oreo and Elvin, two rabbits, Olivia and Chewy and a fluctuating population of guppies. Her husband is a drummer, music engineer, ski instructor, and her on-request editor. Her kids have become her editors, whether she requests it or not!
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这部作品简直是文字的盛宴,作者构建了一个宏大而又细致入微的世界。光是阅读开篇,我就被卷入了一场关于身份认同和家族宿命的漩涡之中。叙事节奏拿捏得极好,时而急促如鼓点,将读者推向事件的高潮,时而又缓缓流淌,如同清晨的薄雾,让你有足够的时间去品味那些细腻的情感和复杂的心理活动。我特别欣赏作者对于环境的描绘,那些古老的建筑、弥漫着潮湿气息的街道,仿佛触手可及。角色塑造更是达到了教科书级别,每个人物都有其深刻的动机和难以言说的过往,即便是那些看似边缘的角色,也闪烁着独特的光芒。读到中段,情节的复杂性达到了一个顶峰,多条线索交织在一起,像一幅精美的挂毯,让人目不暇接,生怕错过任何一个关键的细节。这部书的魅力在于,它不仅仅讲述了一个故事,更像是在邀请读者一同参与到这场漫长而引人入胜的探索之中,挑战我们对于“真实”的固有认知。读完之后,那种意犹未尽的感觉久久不能散去,需要时间消化其中蕴含的深层哲思。
评分说实话,这本书的结构设计实在太巧妙了,它完全颠覆了我对传统叙事套路的期待。与其说它是一个线性的故事,不如说它是一系列精心编排的碎片,每一个碎片都像一颗打磨光滑的鹅卵石,单独看就有其美感,但只有将它们按照作者设定的某种非传统顺序拼凑起来时,完整的画面才会浮现出来。这种阅读体验需要极大的耐心和专注力,因为很多关键信息的揭示都是通过侧面烘托或者留白来实现的。有那么几次,我不得不停下来,翻回去重读前几章,试图捕捉那些之前忽略掉的微妙暗示。这种“主动参与”的阅读模式,极大地提升了阅读的智力乐趣。作者在时间线的处理上更是玩得游刃有余,过去、现在、甚至是对未来的模糊预示,都被巧妙地交织在一起,形成了一种迷宫般的阅读路径。对于喜欢解谜和深度分析的读者来说,这本书简直是量身定做,每一次重新审视,都能发现新的层次和关联。
评分这部作品散发着一种浓郁的、近乎于古典悲剧的宿命感,但它的表达方式却非常具有现代性。作者对于“时间”这个主题的探讨深入骨髓。书中的世界仿佛被某种无形的力量所支配,个体在时代的洪流面前显得如此渺小和无力。我尤其欣赏作者如何运用象征和隐喻来构建这种氛围。很多场景的描写,看似日常,实则充满了象征意义,暗示着某种无法逃脱的命运轨迹。例如,反复出现的某种天气现象或是特定的物件,都像是一个无声的预兆,让人感到一种持续的、低沉的焦虑感。这种叙事手法的高明之处在于,它不直接告诉你“这是宿命”,而是让你通过角色的挣扎和环境的压迫感,自己得出这个结论。读完之后,你会思考,我们自己的生活,又有多少是真正由自己掌控的呢?这种宏大哲学思考被包裹在一个引人入胜的故事框架内,使得探讨过程既深刻又易于接受。
评分这部书的配乐感极强,如果能拍成电影,我甚至能想象出配乐的走向。作者的文字具有极强的画面感和节奏感,阅读起来就像是在观看一场精心剪辑的慢镜头艺术片,每一个段落的过渡都如同镜头平稳的推拉摇移。我喜欢它在处理情感爆发点时的处理方式——不是歇斯底里的大喊大叫,而是将巨大的情绪能量压缩进极短、极精确的句子中,那种“言有尽而意无穷”的张力,读起来简直让人屏住呼吸。特别是关于“失去”和“记忆”的探讨,写得细腻入微,既有普适性,又有着极强的个人色彩。它没有试图提供廉价的安慰或简单的答案,而是呈现了伤痛本身,以一种近乎虔诚的态度去记录这份伤痕。这本书需要被细细品味,最好是在一个安静的下午,关掉所有电子设备,完全沉浸在作者所构建的那个光影斑驳的世界里,去感受那种由内而外散发出来的,克制而又强大的文学力量。
评分天呐,我必须得说,这本书的语言风格简直太“野”了,充满了原始的生命力和一种令人不安的真实感。它没有使用那些华丽辞藻堆砌的矫揉造作,而是用一种近乎粗粝的、直击人心的笔触,描绘出人性的幽暗角落与微弱的光亮。我感觉作者似乎对人性有着近乎残忍的洞察力,他毫不留情地撕开了社会表层的美好,将那些赤裸裸的欲望、恐惧和挣扎暴露在我们面前。阅读体验非常具有沉浸感,我常常在深夜里被某个情节或某句独白猛地惊醒,反思自身。这种阅读过程是费力的,因为它要求你全身心地投入,去理解那些不完美、甚至有些可憎的角色所做出的选择。它不是一本轻松愉快的读物,更像是一次对灵魂深处的拷问。更妙的是,作者在处理那些高潮迭起的部分时,采取了一种非常冷静克制的叙述方式,反而使得冲突的张力达到了一个惊人的高度,让你在平静的文字中感受到山洪爆发前的宁静。
评分萌!可爱!色彩鲜艳!地道口语!跟宝宝一起学英语、让宝宝享受放屁屁!
评分可爱有趣。因为读它,孩子说英文「toot」十分早于中文「放屁」。
评分娃明明不知道什么还是很喜欢翻阅,可能这也是借阅超越年龄的书籍的一个作用——看看他的接受程度,看看他喜欢什么风格。
评分萌!可爱!色彩鲜艳!地道口语!跟宝宝一起学英语、让宝宝享受放屁屁!
评分这套书喜欢到让我失去理智????希望我炸也喜欢❤️
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