具体描述
Malcolm Polstead is the kind of boy who notices everything but is not much noticed himself. And so perhaps it was inevitable that he would become a spy...
Malcolm's father runs an inn called the Trout, on the banks of the river Thames, and all of Oxford passes through its doors. Malcolm and his dæmon, Asta, routinely overhear news and gossip, and the occasional scandal, but during a winter of unceasing rain, Malcolm catches wind of something new: intrigue.
He finds a secret message inquiring about a dangerous substance called Dust--and the spy it was intended for finds him.
When she asks Malcolm to keep his eyes open, Malcolm sees suspicious characters everywhere; Lord Asriel, clearly on the run; enforcement agents from the Magisterium; an Egyptian named Coram with warnings just for Malcolm; and a beautiful woman with an evil monkey for a dæmon. All are asking about the same thing: a girl--just a baby--named Lyra.
Lyra is the kind of person who draws people in like magnets. And Malcolm will brave any danger, and make shocking sacrifices, to bring her safely through the storm.
作者简介
In 1946, acclaimed author Philip Pullman was born in Norwich, England, into a Protestant family. Although his beloved grandfather was an Anglican priest, Pullman became an atheist in his teenage years. He graduated from Exeter College in Oxford with a degree in English, and spent 23 years as a teacher while working on publishing 13 books and numerous short stories. Pullman has received many awards for his literature, including the prestigious Carnegie Medal for exceptional children's literature in 1996, and the Carnegie of Carnegies in 2006. He is most famous for his His Dark Materials trilogy, a series of young adult fantasy novels which feature free-thought themes. The novels cast organized religion as the series' villain. Pullman told The New York Times in 2000: "When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, 'It's all in Plato'—meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife." He argues for a "republic of heaven" here on Earth.
In 2007, the first novel of the His Dark Materials trilogy was adopted into the motion picture The Golden Compass by New Line Cinema. Many churches and Christian organizations, including the Catholic League, called for a boycott of the film due to the books' atheist themes. While the film was successful in Europe and moderately received in the United States, the other two books in the trilogy were not be adapted into film, possibly due to pressure from the Catholic Church. When questioned about the anti-church views in His Dark Materials, Pullman explains in an interview for Third Way (UK): “It comes from history. It comes from the record of the Inquisition, persecuting heretics and torturing Jews and all that sort of stuff; and it comes from the other side, too, from the Protestants burning the Catholics. It comes from the insensate pursuit of innocent and crazy old women, and from the Puritans in America burning and hanging the witches—and it comes not only from the Christian church but also from the Taliban. Every single religion that has a monotheistic god ends up by persecuting other people and killing them because they don't accept him. Wherever you look in history, you find that. It's still going on" (Feb. 2002). Pullman has received many threats by ardent believers over his choice of subject matter.
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目录信息
读后感
用户评价
这本书中对于“人性复杂性”的探讨，达到了一个令人惊叹的深度。我读了很多探讨善恶二元对立的小说，但这部作品显然超越了那种简单的二元对立框架。在这里，没有绝对的英雄或纯粹的恶棍，只有在特定压力和情境下，做出种种挣扎选择的个体。我尤其对其中几位配角的塑造印象深刻，他们的动机并非一眼就能看穿的，充满了模糊的地带和自我欺骗。例如，有一个角色，他所做出的那些看似自私或残忍的决定，其背后竟然隐藏着一种扭曲的、甚至可以说是悲剧性的“爱”的表达方式。作者没有直接给出道德评判，而是将所有的证据和情境摆在读者面前，逼迫我们去扮演一个审判者的角色，去思索：在那样极端的环境下，什么是真正的对错？这种叙事上的“不干预主义”，让读者被迫卷入到角色的困境中，引发了非常强烈的代入感和智力上的挑战。随着故事的推进，我发现自己对某些曾经深恶痛绝的角色产生了微妙的理解，而对那些看似光明正大的行为产生了质疑。这种微妙的情感光谱的游移，正是这部作品最迷人的地方之一，它挑战了我们对角色和叙事预期的固有模式。
如果说有什么能让读者在深夜里辗转反侧，那就是这本书中弥漫着的，那种挥之不去的“宿命感”与“自由意志”之间的永恒拉锯战。它探讨的问题并非是新颖的，但其呈现方式却极其独特且具有现代性。故事中的世界观构建得极其严谨，有着自己内在的逻辑和运行法则，这些法则似乎像宇宙的引力一样，注定着某些角色的结局。你能够清晰地感受到，在某些关键节点上，角色们被一股看不见的力量推向了特定的轨道。然而，最令人着迷的是，即便在这种宏大的宿命背景下，作者依然留下了微小的、但至关重要的“选择空间”。这些选择或许微不足道，或许会在事后被证明是徒劳的，但正是这些微小的反抗、那些不甘于被既定命运摆布的瞬间，构成了全书最激动人心的火花。我经常在阅读时停下来，反复琢磨某个角色在面对两条道路时的犹豫和最终的选择，并思考，如果是我，会做出怎样的决定？这种对“可能性”的反复推演，让阅读不再是被动的接受信息，而成为了一个主动的、充满思辨的探索过程。它让人不禁反思，我们自身的生活，究竟是遵循着某种早已写就的剧本，还是由我们此刻的选择所共同书写的？
这本书的封面设计简直是一件艺术品，那种古朴又带着一丝神秘感的字体排布，配合着略显斑驳的底色，一下子就把人拉进了一个充满未知和古老智慧的世界。我花了很长时间在书店里把玩它，那种纸张的触感，略微粗粝却又带着书墨的香气，让人迫不及待地想翻开扉页。初读时，我本以为它会是一本晦涩难懂的哲学著作，毕竟“尘埃之书”这个名字本身就带着一种宏大的叙事感。然而，作者的叙事节奏却出乎意料地流畅，开篇如同清晨薄雾笼罩下的湖面，宁静而引人遐想。它没有急于抛出核心冲突，而是像一位经验丰富的说书人，慢慢地铺陈着背景，勾勒出主要人物生活的那个世界的纹理。我特别欣赏作者在描绘环境时所使用的那种细腻的笔触，即便是最微小的细节，比如阳光穿过窗棂投射在地板上的光斑，或是某件古董家具上那层经年累月的包浆，都被描绘得栩栩如生，仿佛触手可及。这种对环境细节的极致关注，为后续情节的发展积蓄了强大的张力，让人感觉故事的发生地本身就是一个活生生的角色，而不是一个简单的背景板。读到中段，那种缓慢酝酿的情绪终于开始爆发，但爆发得极其克制，像是一场酝酿已久的雷暴，雨点砸落时带着巨大的能量，却又保持着一种古典的优雅。
读完合上书本的那一刻，我感到了一种深深的被震撼和被抚慰交织的情绪。这本书的结构精巧得令人拍案叫绝，它不是那种线性叙事可以完全概括的类型。它更像是一张巨大的、由无数细线编织而成的挂毯，每一章、甚至每一个段落，都像是一根独立的丝线，看似各自独立，但当你退后一步审视整体时，便能发现那些丝线是如何巧妙地交织在一起，共同支撑起宏伟的图案。作者的高明之处在于，他成功地在两种截然不同的叙事尺度间自由切换——时而聚焦于个体生命中那些转瞬即逝的、私密的挣扎与抉择，其细腻程度如同微观世界的粒子运动；时而又猛然拉升视角，展现出横跨数代人的宏大命运轨迹和某种不可抗拒的历史洪流。这种叙事上的张弛有度，使得阅读体验充满了惊喜。每当我以为自己已经掌握了故事的某种规律或走向时，作者总能用一个意想不到的转折，或是揭示出一个深埋已久的关键信息，将我彻底打乱，不得不重新审视之前的一切判断。特别是关于“时间”这个主题的处理，简直是教科书级别的。它不是简单的时间流逝，而是被塑造成了一种具有重量感和质感的实体，某些时刻仿佛被凝固，而另一些则以一种令人不安的速度加速流逝。
从文学技法的角度来看，这部作品在语言的雕琢上展现了大师级的功力。它的句式变化丰富多端，时而使用极为简洁、如同新闻报道般的短句，营造出一种紧张、急迫的氛围，让人心跳加速，仿佛屏住呼吸也跟不上事件的发展速度；时而又切换到那种绵长、充满古典韵味的复句结构，如同巴洛克式的建筑装饰，层层叠叠，信息量极大，需要读者放慢速度，细细品味其中蕴含的歧义和潜在的象征意义。尤其值得称赞的是作者对于“声音”的运用。在阅读过程中，我仿佛真的听到了故事中那些细微的声响——风吹过空旷走廊的呜咽，远处传来的模糊的钟声，以及角色们之间那些未尽之言所带来的沉默的“回响”。这些听觉意象的穿插，极大地增强了场景的沉浸感，使得阅读体验从单纯的视觉刺激升级为一种多感官的参与。这是一种需要静下心来，最好是在一个安静的午后，伴随着一杯热饮才能完全消化的作品，因为它要求的不只是你的注意力，更是你的全部感官和思考的投入。读完后，我感觉自己的语言库似乎也得到了扩充，被一些精妙的表达方式所启发。
各种黑质里出现过的人物，黑质主要以Lyra视角展开冒险，LBS发生在黑质前12年，但是更多的展现了教会的权威和控制，组织学校里的告密小队真的让人恐惧到发抖。黑质里出现过的Dr Relf（和mrs coulter一起最早出现在院长的晚宴上）在这里还是个普通的院士，为了自由与解放的事业放弃事业。琥珀望远镜里她成为了真理仪研究的大家，真好哇。最后为勇敢的Malcolm打call
一些最杰出的告诉我们时代真相的人都是伟大的故事讲述者， 菲利普也是其中之一。期待出版~
The guardians!
不敢相信是写黄金罗盘三部曲的作者写出来的，翻了亚马逊的评论，发现跟我想法如出一辙——那些无谓的短暂出现的次要角色，毫无意义，而且没有交代。那个fairy land给lyra哺乳的女王，那个Tilda女王，都是女王出现。Serafina去哪里了？哪些熟悉的人，相关的也就Lyra Mrs.Coulter和Lord Asriel。其他几乎完全不相关了。Dr.Relf出场那么多，最后还是打酱油。Oakley Street也是草草交代。不断地自我重复，发生的事，因为需要向第三人交代，作者自己就summarise一遍。整个后半段都在游船，这个Bonnevile也是死不了。整个停靠过程是在刷地图闯关吗？完全没有connection。真的太差了。疫情在家，读这样一本书，真的沉闷。
So gripping！完全停不下来。差点以为是青少年读物略过，后来才发现不仅魔幻还很现实。可以当蒸治历史小说看了。
